pdxindy wrote: Nothing wrong with you liking/wanting the feature... I just don't care about it.
So don't use it.......load four instances and then you can use all the third party effects you want.........
pdxindy wrote: Nothing wrong with you liking/wanting the feature... I just don't care about it.
+1 againpdxindy wrote:Teksonik wrote:I'm afraid your logic is a bit flawed there.........pdxindy wrote: I do figure I am paying extra for it though cause I guess the synth would cost less for 1 instance (layer).
Anyway concerning sound design.....I'm supposed to save 4 separate patches and then you have to load each preset into 4 instances of the synth in your DAW to make the full patch? Makes sharing patches a little overcomplicated doesn't it? I'd much rather load one instance of Albino that uses all 4 layers than load 4 Albinos and then load 4 patches for example.
I just made an instrument rack in Live with 3 instances of Zebra. The workflow goes like this:
Drag an instance of Zebra from the browser to a track.
Select the preset I want.
Hit Command-G which groups the selection (1 synth in this case) into an instrument rack.
Option drag the 1st layer to make a second layer with the same synth/preset
Option drag to make a 3rd layer.
set the octave down one on layer 2
Set the master detune down a couple cents on the 3rd layer.
Drag the rack to the browser... everything I just did is saved as a rack preset.
Fast, efficient, took me less than a minute and can be recalled via drag-n-drop
And of course I could have included separate 3rd party effects on each layer... which is really a huge limitation on a 4 layer synth... you mean you never want to put a different effect on one of the layers than what is included with the synth?? Maybe I want a compressor or a verb or a particular delay on one layer... oops... no can do... gotta dissect the thing... most of the that would be the case so I have learned I would rather just use racks to start with because it is far more flexible and has no dead end that requires retracing my steps.
You are right that sharing presets is easier. Nothing wrong with you liking/wanting the feature... I just don't care about it.
Calm down dude you'll have an Aneurysm...................rob_lee wrote:f**k me all these tit for tats here FFS...
I wanna hear some AUDIO DEMOSany f**king chance of hearing something?????????
Just knock something up FFS and let us hear it![]()
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Rob
rob_lee wrote: +1 again
Rob
Lol TeksonikTeksonik wrote:Calm down dude you'll have an Aneurysm...................rob_lee wrote:f**k me all these tit for tats here FFS...
I wanna hear some AUDIO DEMOSany f**king chance of hearing something?????????
Just knock something up FFS and let us hear it![]()
![]()
![]()
![]()
Rob
Teksonik! Thank you!Teksonik wrote:Why would you want to route everything through the same signal path?Echoes in the Attic wrote:It's not a 12 oscillator synth unless you can send all 12 oscillators through the same signal path - same filters, effects and modulations, which you can't. Not that I would ever want a 12 oscillator synth! Three is the max I'd ever need personally.Teksonik wrote: I haven't even touched this new synth yet but I can tell you I won't be looking at it as 4 layers but as a 12 Osc synth.........
That's a really lame and silly analogy...............Echoes in the Attic wrote:As for your point about loading all 4 layers as one preset rather than 4 presets in different instances; Well sure, but why stop there, I want to load an entire song as a preset! Arps and all, then I really won't have to do any sound design or even writing of music at all!
...which has revealed a contradiction in you participation in this topic.pdxindy wrote:hehe... we are in a beat sync'ed... lfo lfo lfo lfohimalaya wrote:Sure! I give you ElectraX!pdxindy wrote: No, give me a variety of high quality synth engines... with multiple osc's, filters etc etc etc...Really and honestly, think of the layers as extra oscillators.
The workflow in ElectraX goes like this:pdxindy wrote:
I just made an instrument rack in Live with 3 instances of Zebra. The workflow goes like this:
Drag an instance of Zebra from the browser to a track.
Select the preset I want.
Hit Command-G which groups the selection (1 synth in this case) into an instrument rack.
Option drag the 1st layer to make a second layer with the same synth/preset
Option drag to make a 3rd layer.
set the octave down one on layer 2
Set the master detune down a couple cents on the 3rd layer.
Drag the rack to the browser... everything I just did is saved as a rack preset.
Fast, efficient, took me less than a minute and can be recalled via drag-n-drop
.
So doesn't the architecture of this synth excite you?rob_lee wrote:HeheTeksonik wrote:rob_lee wrote: +1 again
Rob
Hmmm and here I thought you were a sound designer................
I try
Hi Teksonik,Teksonik wrote:So doesn't the architecture of this synth excite you?rob_lee wrote:HeheTeksonik wrote:rob_lee wrote: +1 again
Rob
Hmmm and here I thought you were a sound designer................
I try
Sure we can layer up all the synths we want and I do that all the time (4 times Synth 1 is a lot of fun, Albino Zebra and Alchemy layered together can make some crazy sounds etc etc) but there is the challenge of creating a patch within the confines of a synth itself that is one of my true joys.
Looking forward to giving this synth a go and another one that's due out about the same time as well.........
beta testers may not be released to do that yet!!rob_lee wrote:f**k me all these tit for tats here FFS...
I wanna hear some AUDIO DEMOSany f**king chance of hearing something?????????
Just knock something up FFS and let us hear it![]()
![]()
![]()
![]()
Rob
Oh well nevermind...pdxindy wrote:beta testers may not be released to do that yet!!rob_lee wrote:f**k me all these tit for tats here FFS...
I wanna hear some AUDIO DEMOSany f**king chance of hearing something?????????
Just knock something up FFS and let us hear it![]()
![]()
![]()
![]()
Rob
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