Best amp-modeling plugin?

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susiwong wrote:Hi Dean,
never pretended to know anything about modern metal guitar :shrug: so it's purely an "outsider" opinion ...
To me your clip sounds perfectly fine, I wouldn't have guessed your SVX or downtuning/string gauge, so apparently the concept works. :tu:
That said, the ultra fat squeals in pt.3 sound pretty unique and hint at something out of the ordinary.
I would not say your tone has too much bass in this scenario, might be different in a full mix, not sure.
Would it be possible to alternatively render that clip with your best "non-bass amp" tone, hardware, software, a mix of both, doesn't matter, to give us a comparison ?

"See" you soon, been a bit under water for a while :oops: , sorry, new band (lots of repertoire to learn), important mixing job, some real life duties, hope it will get better after the weekend.
Cheers,
susiwong
Should be able to do mate, just having some home studio troubles myself (pain in the backside man) and that clip i found on one of my external drives that i did about a year ago! :) But yeah i really want to do the same thing with "real" "software" and a combination of both "Hybrid" style of the various stuff i use for my needs guitar not bass amp focused.

I guess that the Line6 pedal and ampegSVX is my choice of amp modeler/speaker cab modeler not using IR' and my choice oppose to using an overdrive pedal and valve amp/pre-amp with a convolution speaker plug-in if you know what i mean - like my faviourite plug and play solution.

The reason it is fairly bassy is that i do ideas/demo's without a bass guitar as i do not own one myself or at least one that is not in pieces! So to compensate i do quite a big but sharp boost at around 70 - 75 Hz as the DFH kick is very attack focused the way i use it just to fill in the frequencies :) But the SD2 kick requires less guitar low-end boost as it has more low-end punch than the EZd DFH kick...Thats why im going crazy for the Metal Foundry SDX :love:

See/Speak soon my friend and hopefully i should have some fresh clips ;)

Dean

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Hink wrote:you can hear examples and read the story behind the mics here
http://www.gauge-usa.com/

(RC is my cousin)
They sound real good man, i am definately keeping them in mind when i next need/want to pickup a new classy microphone. Thanks Hink :tu: (i wish my cousin designed and built mics!)

Dean (Microphones are always OT IMHO)

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NEKRO.MACHINE wrote:
Hink wrote:you can hear examples and read the story behind the mics here
http://www.gauge-usa.com/

(RC is my cousin)
They sound real good man, i am definately keeping them in mind when i next need/want to pickup a new classy microphone. Thanks Hink :tu: (i wish my cousin designed and built mics!)

Dean (Microphones are always OT IMHO)
Actually he doesn't build them but his ear tests for each mic is impressive, I was kind of surprised he got into this. We're not really close, well we weren't we've got closer as of late (my mother and his mother were very close), I sent him an email a while back just to see how he was and he asked "do you want a mic?" naturally I said yes. He really is a fairly well known engineer, but I guess that state of the music industry led him to different endeavors. :shrug:
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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Yeah i can see what you mean. Alot of people whom start of as tape ops/engineers go on to do consultancy/room acoustic designs/design gear/QC and the like as i guess it goes with the territory

Getting a nice microphone for nothing is awesome

I hardly ever see any of my cousins due to circumstance and living along way from one another (we are spread out all over the UK and my family and me are the only ones left whom live close to where we all grew up as kids). Thats just life though ain't it :shrug:

All the best and take care Hink

Dean

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blueman wrote:
Hink wrote:Rich I'm really pissed off at you now, thanx for the waves link :roll:
:lol: :hihi: Well, this might frustrate you more...

They recently upgraded GTR3 with some new models from Neil Citron that sound pretty good :D

Check it out! and watch the videos
yeah I saw that last night on the waves page, shortly after I got my ilok out of my lock box and installed the drivers. I have an ilok for my antares stuff but after my last HD change last summer I didn't install either. I haven't been using the antares stuff much and I already have two other dongles so I figured I would install the ilok if and when I needed it :shrug:
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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susiwong wrote:BTW, what does OCD mean ? I only know the Fulltone pedal.
OCD == Obsessive Compulsive Disorder

The phrase "obsessive-compulsive" has become part of the English lexicon, and is often used in an informal or caricatured manner to describe someone who is meticulous, perfectionistic, absorbed in a cause, or otherwise fixated on something or someone....

I am obviously fixated on guitar tone which is a perfectly ridiculous thing for me to be worried about but alas, I am quite serious about it

:o :( :? :lol: :x :roll: :cry: :D :hihi: :help:

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susiwong wrote::
I believe the Rocktron 12V DC adapters should fit, simply try at your store.
And re sound, now that speaker sims have finally gotten better the WavesPRS shows its full potential. :tu:
Is it worth the trouble then? I was thinking of just selling the PRS interface but I do like the amp-out option for real time monitoring :hihi: Hmmmmm

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blueman wrote:
susiwong wrote::
I believe the Rocktron 12V DC adapters should fit, simply try at your store.
And re sound, now that speaker sims have finally gotten better the WavesPRS shows its full potential. :tu:
Is it worth the trouble then? I was thinking of just selling the PRS interface but I do like the amp-out option for real time monitoring :hihi: Hmmmmm
Only you can decide. :shrug:
I don't think the sonic difference RME <> PRS will be huge, and you can build your own split out via Totalmix, long live RME !
I only have symmetrical line level ins at my converter (RME ADI8) so I need a DI, in your case it's not essential imho.
Ymmv,
susiwong

Oh, and thanks for the OCD explanation !
Now I get the Fulltone joke ... :D
Last edited by susiwong on Thu Nov 12, 2009 12:17 am, edited 1 time in total.

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NEKRO.MACHINE wrote:
susiwong wrote:Would it be possible to alternatively render that clip with your best "non-bass amp" tone, hardware, software, a mix of both, doesn't matter, to give us a comparison ?
Should be able to do mate, just having some home studio troubles myself (pain in the backside man) and that clip i found on one of my external drives that i did about a year ago! :) But yeah i really want to do the same thing with "real" "software" and a combination of both "Hybrid" style of the various stuff i use for my needs guitar not bass amp focused.
Take it easy, my question was only targeted at giving you better feedback :P about your SVX setup.
No need for stress !
Cheers,
susiwong

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susiwong wrote:
NEKRO.MACHINE wrote:
susiwong wrote:Would it be possible to alternatively render that clip with your best "non-bass amp" tone, hardware, software, a mix of both, doesn't matter, to give us a comparison ?
Should be able to do mate, just having some home studio troubles myself (pain in the backside man) and that clip i found on one of my external drives that i did about a year ago! :) But yeah i really want to do the same thing with "real" "software" and a combination of both "Hybrid" style of the various stuff i use for my needs guitar not bass amp focused.
Take it easy, my question was only targeted at giving you better feedback :P about your SVX setup.
No need for stress !
Cheers,
susiwong
:?:

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hibidy wrote::?:
:!:
lol,
susiwong

check the previous page for the full context :-o

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In my "constant tweaking never actually getting music done EVER" routine, I'm even getting a bigger woody over GR4 control room. I had it approached from the standpoint of soloing a mic and constantly going to different soloed mics (boring!) instead of shaping and sculpting. Now enjoying moving the sliders around (with appropriate attention to the cabinet gain) and finding sounds that way.

Just wanted to share.

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hibidy wrote:In my "constant tweaking never actually getting music done EVER" routine, I'm even getting a bigger woody over GR4 control room. I had it approached from the standpoint of soloing a mic and constantly going to different soloed mics (boring!) instead of shaping and sculpting. Now enjoying moving the sliders around (with appropriate attention to the cabinet gain) and finding sounds that way.

Just wanted to share.
Bingo !
The combinations are where it's at.
It's like cooking in a way !
A bit of salt, some chillies, generous amount of garlic - :oops: - why didn't you tell me it was supposed to become an apple pie ? :P
Cheers,
susiwong

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:hihi:

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so GTR3.5 is living happily in my DAW :shrug: not sure when I'll get to try it though
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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