



deastman wrote:I just scrolled through 9 pages of text, and not a single Jordan Rudess Photoshop job! Come on, people, get with the program!

The one that got away?metalifuxx wrote:deastman wrote:I just scrolled through 9 pages of text, and not a single Jordan Rudess Photoshop job! Come on, people, get with the program!oh, if you insist....
Because it's not 1999, and it's not like I'm being presented with a synth from the future that will blow my head off with quality. I've heard and own enough top notch VSTi's, most of which are far superior feature wise and with no worse sound quality, to know that this one won't surprise me.Lotuzia wrote:Say the guys who did not even try it ....Tehnik wrote:This.audiosabre wrote:I think waves should win an award for this. There is literally nothing else like this in the plugin world. And that waves sound, man it makes me cream my pants.
[/sarcasm mode off]
I hope you go under guys
And that.pdxindy wrote:The only reason this synth stands a chance is because it is produced by Waves.
Call me hater, but if it wasnt develeoped by Waves, the topic would hardly reach 3 pages. Because thats what it's worth.
Judging books by covers.
Lotuzia wrote:Say the guys who did not even try it ....
Judging books by covers.
Even though I feel bad doing that. I met him after a Dream Theater concert once, he was the nicest sincere humble talkative guy of the bunch (Well James and Johnny (Myung) were too but not as much as Jordan). He was inquisitive of me and my friends about instruments we played, music we liked or if we had any recorded music/demos he could listen to while on the tour bus. He gets this reputation for seeming like a douchey keyboard wanker, but he is just so passionate and enthusiastic about his music and the instruments he uses, it just comes off that way. I'd be doing cheesy endorsements like that too if I was on his level.Sendy wrote:The one that got away?metalifuxx wrote:deastman wrote:I just scrolled through 9 pages of text, and not a single Jordan Rudess Photoshop job! Come on, people, get with the program!oh, if you insist....
I wasn't refering to you VitaminD.VitaminD wrote:Lotuzia wrote:Say the guys who did not even try it ....
Judging books by covers.
But we didn't judge the book only by its cover.
We judged the book by its cover, company produced synopsis, and sample reading.
That said, I went the distance and navigated their website, logged into their website, downloaded the v9 pack, installed the demo, logged into the licenser, and licensed the demo. I have to say, after all of that hassle, I'm still not in want-to-buy mode. It sounds better to me than the video demo, but is still rather underwhelming. The GUI is small and cramped, the effects section is too simplistic and I'm not sure what I'm getting over a host of other more established VAs on the market for the same price or less.
I think it might work if it was marketed as a beginner's synth and bundled with one of the (lesser priced) Musician's Bundles maybe..
LuSH is a bit special imho and so is Synth Squad. I recently added these to my arsenal and, along with OP-X Pro and TAL-UNO-LX, this means I've got VA pretty much covered. This lacklustre effort from Waves, or any other VA, is unlikely to get my money any time soon - I have that box well and truly ticked.dmbaer wrote:That would have been my opinion until about a month ago when I first tried D16's LuSH-101. This is a new VA synth as well, but not one I would like to part with. I'm not arguing that Elements is anything special, but LuSH-101 really is, and disproves this assertion, IMO.robotmonkey wrote: ... but the world does not need another VA!
Couldn't you say a similar thing about DIVA if you didn't try it?Tehnik wrote:Because it's not 1999, and it's not like I'm being presented with a synth from the future that will blow my head off with quality. I've heard and own enough top notch VSTi's, most of which are far superior feature wise and with no worse sound quality, to know that this one won't surprise me.
I'd like to find something that matches DIVA's sound quality but uses significantly less processing power.No offence to anyone's beliefs, but I really don't believe that there is much to improve in sound quality nowadays
Can't see that happening in all honesty. What WILL happen is computers will get quickly to the point where Diva doesn't tax them. Analog modelling like any physical process modelling simply requires a lot of complexity and brute force to achieve realistic results.Uncle E wrote:I'd like to find something that matches DIVA's sound quality but uses significantly less processing power.
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