Tape Effect

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well that just gose to show we shouldent beleave what we read on forums :hihi:

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try a tape impulse and a compressor with a ratio of 1 to 4 adjust the threshold to produce a gain
reduction of around 5dB on peaks. thats it! ok one more thing try a plugin that adds harmonics like sweaty.

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If you go that way, try to find a real tape unit
you mean a reel tape unit?

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Image

but to recording :P ...
Last edited by tERMoBLUe on Wed Mar 08, 2006 7:29 am, edited 1 time in total.

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yEAH!!! NoMaD PLuGz!! wOw, yes, THE BOMB!!!

Totally great shit there. (Although , still not a real tape dump, back to PC,)
NOTHING will ever beat the Phyco-Acoustic shit that happens to music, when it meets
the friction of a piece of tape, rolling 'under' a tape head. NEVER.

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Phyco-Acoustic shit rulez.

word, biaaaaaatch.

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OK, it doesn't look like there's anything that I can simply strap across a track, so let's take a look at how this can be achieved using different plugs... and PLEASE limit your suggestions to freeware.

This is what I think I know and what I think I don't know (about what I think I know)...

1. Tape should loose some highs. Anybody know what EQ settings I could use to approximate a state of the art studio reel-to-reel circa 1971? And would this be cumulative? Would they have lost more highs at each step, i.e. mixdown and mastering?

2. Tape Hiss. OK, a white noise generator should work. This would definitely be cumulative, each track would have hiss, at mixdown they'd all get added together. So, would I need to apply some EQ to the white noise? At what db level should it be added to each track? Again, trying to achieve the sound of a 70's studio deck, NOT a home deck! Anybody know anything about this?

3. Tape saturation. Would Ruby Tube work for this? If not, what would? What settings? How much saturation was actually used back then? Think prog rock, ELP etc. Would it be used on every track, 1 or 2 tracks or across the whole mix?

4. Wow and Flutter. I've got the plug by the same name but I suspect that there would be no appreciable W&F. Am I wrong in this assumption? Would a very light setting be reasonable?

Is there anything I'm missing here? Need some DETAILED help guys, freeware/donationware only.

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record it on tape and put it back into the PC.... good da/ad converters would be a plus

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2 plugs one impulse! classic compressor and revolverb! beimal made some studer impulses forget the hiss and tape Wow and Flutter set the compressor to read my early post

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FREE PLUGS people! Not hardware. Free. Plugs.
try a tape impulse and a compressor with a ratio of 1 to 4 adjust the threshold to produce a gain
reduction of around 5dB on peaks. thats it! ok one more thing try a plugin that adds harmonics like sweaty.
2 plugs one impulse! classic compressor and revolverb! beimal made some studer impulses forget the hiss and tape Wow and Flutter set the compressor to read my early post
wsaidah I'm having trouble understanding your posts.
harmonics like sweaty.
:?:
studer impulses
:?:
Revolverb doesn't show up in the database, would SIR work? Why no hiss, had studios licked that by 1971? More details would be much appreciated.

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Revolverb is a free plug do a search here or go to noisevault and do a search! classic compressor is a free plug and beimel has the studer a80 tape impulses. do a search at noisevault for the studer impulses. ok the (1) first thing you need to do after you get the plugs and the impulses is insert classic compressor set the ratio to 1.0.4, set the attack to the fastest setting and set the release between 300 ms and 500 ms. adjust the threshold to produce a gain reduction of around 5 dB on peaks. the (2) second thing you need to do is insert Revolverb load the impulse turn the dry off and adjust the wet slider to your liking. that's it ! one more thing you might like the ratio set to 3.0.1! sweaty is a vst that adjust harmonics do a search here to find it.

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Yeah, that's what I'm talkin' bout! :) Thank you wsaidah! I'll get on it this weekend.

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Kiwburger wrote:Quote:
It's not really the developers fault though, because the way VST works there is no way to do REAL vibrato as a plug-in, you could probably find something in the DXi realm that might work better
Total bollocks. Although I suspect the source of this misinformation was the Isotope Vinyl site? I seem to recall they released a VST version that didn't do some of the things that the DX version did - for some reason that doesn't seem at all reasonable.

There are zillions of VST plugins that can do vibrato (frequency modulation) of all sorts. It is the very basis of flanging and chorus. Many flangers can have the wet/dry balance altered to give just vibrato.

Kjaerus Golden Modulator does a good vibrato, with tempo sync, phase offest and choice of waveforms.
Well ..... crap. So someone should make a really complex vibrato plug-in with drawable lfo's etc. They'd make BILLIONS! :) I would impulse buy a really good stictly vibrato plug-in for at least four mil US.

I'm not being sarcastic to be disagreeable btw... I really -want- a good vibrato vst plug-in but have yet to see one.

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wsaidah wrote:beimel has the studer a80 tape impulses. do a search at noisevault for the studer impulses.
Haven't find any impulses on noisevault .. :shrug:


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Freeware: AIPL from Warmtone
TBT Saturated Driver
My Mag
Freeware Compressor like Volcano etc.

Commercial-Software: I like Plug like Hydratone (Fire-Knob) and Voxengo TapeBus. Also in different combinations. Inflator is good to emphasize the overall presence. With TapeBus cou have compression and the possibilty to attenuate the highs. Fire-Knob of Hydratone brings more saturation and drive effect.
Also Plugs like PSP Mixsaturator are good for this task (or VW)
Image

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Click link for the studer-impulses:

http://noox.sitesled.com/
Dub it up blacker than dread

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