that was through a nice system (fuckin divorce) crankin some mansonUncle E wrote:This is an indicator you either have too much ultra lows (high pass everything at 50Hz or higher), unstable bass instruments (stick to square & sine waves), too many instruments with low end (high pass everything but bass at around 200Hz or higher), a DC offset problem (batch process your files & get a new soundcard), or any combination of the above. A well mixed track will sound huge but you won't see the cones bounce.androidlove wrote:my speakers aren't too bad. i used to have some mega speakers. i would crank the bass until the coil jumpped off the magnet. seriously, the woofers were facinating to watch.
how to keep the ratio of bass? example up
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- KVRAF
- Topic Starter
- 6596 posts since 21 Jun, 2004 from Secret Underground Hideout
"Most people who experiment with drugs are not lying in the streets, suffocating on their own vomit. If you want to see some of that, go to the Pub on Saturday night at closing time." ozwest
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- KVRAF
- 5851 posts since 9 Jul, 2002 from Helsinki
I don't see this is spoken really much about, but the playback volume and system have huge meaning when playing sound-oriented music, like all dance and most of metal. I don't fully appreciate the idea that this kind of music should sound huge at normal listening volumes.
If you crank up a well-mixed jazz album, it just sounds stopid, but you can only hear a dance tune "correctly" if you turn up the volume. I'm not talking eurochart top 40, but you the vinyl stuff the djs play.
And what comes to the frequency balance of a mix, there are special cases. I like that sort of hard-driven samba techno with a wide low-end. The groove is based on fast, huge dynamics and highlighted with sparkly highs, and there is very little space for any mids. It's a big thick mass of brutality that is meant to sound like a planetary riot machine... and not mixed for casual multimedia speaker listening, it makes sense only when you feel it, but then it really makes sense.
If you crank up a well-mixed jazz album, it just sounds stopid, but you can only hear a dance tune "correctly" if you turn up the volume. I'm not talking eurochart top 40, but you the vinyl stuff the djs play.
And what comes to the frequency balance of a mix, there are special cases. I like that sort of hard-driven samba techno with a wide low-end. The groove is based on fast, huge dynamics and highlighted with sparkly highs, and there is very little space for any mids. It's a big thick mass of brutality that is meant to sound like a planetary riot machine... and not mixed for casual multimedia speaker listening, it makes sense only when you feel it, but then it really makes sense.
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- KVRAF
- 10597 posts since 13 Jun, 2004 from Alberto Balsam
