Ratio_ Oct_ Semi_ Cent_
1_ 0_ 0_ 0.00_
2_ 1_ 0_ 0.00_
3_ 1_ 7_ 1.96_
4_ 2_ 0_ 0.00_
5_ 2_ 3_ 86.31_
6_ 2_ 7_ 1.96_
7_ 2_ 9_ 68.83_
8_ 3_ 0_ 0.00_
9_ 3_ 2_ 3.91_
10_ 3_ 3_ 86.31_
11_ 3_ 5_ 51.32_
12_ 3_ 7_ 1.96_
13_ 3_ 8_ 40.53_
14_ 3_ 9_ 68.83_
15_ 3_ 10_ 88.27_
16_ 4_ 0_ 0.00_
17_ 4_ 1_ 4.96_
18_ 4_ 2_ 3.91_
19_ 4_ 2_ 97.51_
20_ 4_ 3_ 86.31_
21_ 4_ 4_ 70.78_
22_ 4_ 5_ 51.32_
23_ 4_ 6_ 28.27_
24_ 4_ 7_ 1.96_
25_ 4_ 7_ 72.63_
26_ 4_ 8_ 40.53_
27_ 4_ 9_ 5.87_
28_ 4_ 9_ 68.83_
29_ 4_ 10_ 29.58_
30_ 4_ 10_ 88.27_
31_ 4_ 11_ 45.04_
32_ 5_ 0_ 0.00_
Not quite as pretty as the MS-Word table I made, but the best I can do in a post window...
I may expand the list to 64 or 128 later this weekend if anyone would find that at all useful... There aren't many synths that will allow such a large range for the oscs anyway...
FM: Ratios in semitones
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- KVRAF
- 2911 posts since 3 Mar, 2006
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- KVRian
- Topic Starter
- 950 posts since 4 Dec, 2006 from Netherlands
Thats perfect for me. Much apreciated
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- KVRAF
- 2911 posts since 3 Mar, 2006
Also, you may have to convert since I used all positive values... Some synths won't let you detune by a whole 100 cents, so you'll have to turn up an extra semitone and use the difference between the cents value I gave and 100.