...Logic?
Audio software for kids?
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- KVRAF
- 5782 posts since 10 Mar, 2003 from Music Shed #8
my 7-yr-old tells me she has been using the Sony thing at school.pschelfh wrote:I seem to have found some googling around :
Fleximusic Kids Composer
Sony Super Duper Music Looper
Any experience with those?
Peter.
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- KVRAF
- 4735 posts since 18 Jul, 2002 from London, UK
These Sibelius products look rather neat
http://www.sibelius.com/products/groovy/index.html
3 different packages aimed at 5-7, 7-9, 9-11 age groups.
http://www.sibelius.com/products/groovy/index.html
3 different packages aimed at 5-7, 7-9, 9-11 age groups.
This account is dormant, I am no longer employed by FXpansion / ROLI.
Find me on LinkedIn or elsewhere if you need to get in touch.
Find me on LinkedIn or elsewhere if you need to get in touch.
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- KVRer
- 11 posts since 28 Nov, 2022
Many schools have bought our FlexiMusic Kids Composer license.
We made it as one of the easiest one for kids.
Any suggestions, welcome.
We made it as one of the easiest one for kids.
Any suggestions, welcome.
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- KVRAF
- 4558 posts since 12 Jan, 2019
Wow, they age on this thread. My thoughts:
FL Studio, AKA Fruity Loops, is for kids, young adults, people who post on forums about getting that exact Skrillex metallic wub sound and bitch when helpful posters don't get it exactly right, who post on forums, "Hey man, I've been stealing software for years, but I finally bought my first plug-in--give me props."
Ableton Live is for aging rockers who have actually played a guitar, who can't decide if they want to be Deadmau5, Joe Cocker, or Brian Eno, who love correcting people who say, "in Ableton, I made . . ." and who boast about Max for Live but who have never successfully used it from scratch.
Bitwig is for hardcore math and science nerds who say, "algorithm" at least 20 times per day, and who love to say, "The Grid," with a hoped-for gravity that most people can tell is meant to be said in the voice of Cyberdine Systems Model 101, and who have put a sequencer on a filter-modulated white noise oscillator inside a feedback loop to recreate, via The Grid, every sound and note in "Bohemian Rhapsody."
Presonus Studio is for sophisticated types who enjoy listening to classical music in their wood-paneled reading room, with a fireplace going, and a pipe in mouth, and who have at least once said the phrase, "idee fixe," to unsuspecting family members at a wedding reception.
Steinberg's Cubase (and Nuendo, what ever the hell that is) is for film composer wannabe's who saw Hans Zimmer or Junkie XL using it, who don't mind embracing the oppressor hegemony, and who lose sleep over recurring thoughts of sample library gigabyte sizes and hard-drive space.
Reaper is for Linux user types who had a secret drawer in their childhood bedroom--not for stashing drugs, but for stashing transistors and other electronic components that mom and dad said were too dangerous. They can use Tranzistow while blindfolded and generally don't understand qualms others have with this or that plug-in's GUI.
Mulab is for hippies (I think--nobody really knows--but it always seems cool, and I very much want to get it some day).
Reason is for EDM and Trance types who rarely, if ever, look at the back side of their plugins--but are glad to know they could, any time they felt like it-- and who have coincidentally actually used a tracker before, maybe because Reason and Renoise both start with R.
Tracktion's Waveform is for people who like to inquire about updates and who would have driven a Saturn, had they been alive during that carmaker's heyday.
Protools is um, is um, for pros I think.
Disclaimer: this was an attempt at humor, and it grossly misrepresents the noted DAWS in some way or another. You can make anything with any of them, and they aren't really restricted to any type of music.
FL Studio, AKA Fruity Loops, is for kids, young adults, people who post on forums about getting that exact Skrillex metallic wub sound and bitch when helpful posters don't get it exactly right, who post on forums, "Hey man, I've been stealing software for years, but I finally bought my first plug-in--give me props."
Ableton Live is for aging rockers who have actually played a guitar, who can't decide if they want to be Deadmau5, Joe Cocker, or Brian Eno, who love correcting people who say, "in Ableton, I made . . ." and who boast about Max for Live but who have never successfully used it from scratch.
Bitwig is for hardcore math and science nerds who say, "algorithm" at least 20 times per day, and who love to say, "The Grid," with a hoped-for gravity that most people can tell is meant to be said in the voice of Cyberdine Systems Model 101, and who have put a sequencer on a filter-modulated white noise oscillator inside a feedback loop to recreate, via The Grid, every sound and note in "Bohemian Rhapsody."
Presonus Studio is for sophisticated types who enjoy listening to classical music in their wood-paneled reading room, with a fireplace going, and a pipe in mouth, and who have at least once said the phrase, "idee fixe," to unsuspecting family members at a wedding reception.
Steinberg's Cubase (and Nuendo, what ever the hell that is) is for film composer wannabe's who saw Hans Zimmer or Junkie XL using it, who don't mind embracing the oppressor hegemony, and who lose sleep over recurring thoughts of sample library gigabyte sizes and hard-drive space.
Reaper is for Linux user types who had a secret drawer in their childhood bedroom--not for stashing drugs, but for stashing transistors and other electronic components that mom and dad said were too dangerous. They can use Tranzistow while blindfolded and generally don't understand qualms others have with this or that plug-in's GUI.
Mulab is for hippies (I think--nobody really knows--but it always seems cool, and I very much want to get it some day).
Reason is for EDM and Trance types who rarely, if ever, look at the back side of their plugins--but are glad to know they could, any time they felt like it-- and who have coincidentally actually used a tracker before, maybe because Reason and Renoise both start with R.
Tracktion's Waveform is for people who like to inquire about updates and who would have driven a Saturn, had they been alive during that carmaker's heyday.
Protools is um, is um, for pros I think.
Disclaimer: this was an attempt at humor, and it grossly misrepresents the noted DAWS in some way or another. You can make anything with any of them, and they aren't really restricted to any type of music.
Doing nothing is only fun when you have something you are supposed to do.
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- addled muppet weed
- 111293 posts since 26 Jan, 2003 from through the looking glass
Dirtgrain wrote: Mon Jan 16, 2023 6:42 pm Wow, they age on this thread. My thoughts:
FL Studio, AKA Fruity Loops, is for kids, young adults, people who post on forums about getting that exact Skrillex metallic wub sound and bitch when helpful posters don't get it exactly right, who post on forums, "Hey man, I've been stealing software for years, but I finally bought my first plug-in--give me props."
Ableton Live is for aging rockers who have actually played a guitar, who can't decide if they want to be Deadmau5, Joe Cocker, or Brian Eno, who love correcting people who say, "in Ableton, I made . . ." and who boast about Max for Live but who have never successfully used it from scratch.
Bitwig is for hardcore math and science nerds who say, "algorithm" at least 20 times per day, and who love to say, "The Grid," with a hoped-for gravity that most people can tell is meant to be said in the voice of Cyberdine Systems Model 101, and who have put a sequencer on a filter-modulated white noise oscillator inside a feedback loop to recreate, via The Grid, every sound and note in "Bohemian Rhapsody."
Presonus Studio is for sophisticated types who enjoy listening to classical music in their wood-paneled reading room, with a fireplace going, and a pipe in mouth, and who have at least once said the phrase, "idee fixe," to unsuspecting family members at a wedding reception.
Steinberg's Cubase (and Nuendo, what ever the hell that is) is for film composer wannabe's who saw Hans Zimmer or Junkie XL using it, who don't mind embracing the oppressor hegemony, and who lose sleep over recurring thoughts of sample library gigabyte sizes and hard-drive space.
Reaper is for Linux user types who had a secret drawer in their childhood bedroom--not for stashing drugs, but for stashing transistors and other electronic components that mom and dad said were too dangerous. They can use Tranzistow while blindfolded and generally don't understand qualms others have with this or that plug-in's GUI.
Mulab is for hippies (I think--nobody really knows--but it always seems cool, and I very much want to get it some day).
Reason is for EDM and Trance types who rarely, if ever, look at the back side of their plugins--but are glad to know they could, any time they felt like it-- and who have coincidentally actually used a tracker before, maybe because Reason and Renoise both start with R.
Tracktion's Waveform is for people who like to inquire about updates and who would have driven a Saturn, had they been alive during that carmaker's heyday.
Protools is um, is um, for pros I think.
Disclaimer: this was an attempt at humor, and it grossly misrepresents the noted DAWS in some way or another. You can make anything with any of them, and they aren't really restricted to any type of music.
im sick of all these lists of hosts, that never include any of the 3 i use
only one of them is discontinued ffs.