remaking Orbital - Halcyon
- KVRist
- 149 posts since 13 Jan, 2004 from San Diego, CA
You know, this might be an opportunity for a series of contests in which a classic electronic track is announced each month. Entrants might compete in various categories, such as most faithful recreation or best remix.
It's the music that makes the science worthwhile.
-
- KVRian
- 665 posts since 29 Nov, 2002 from Bury St. Edmunds, England
-
- KVRer
- 3 posts since 5 May, 2022
Yes! I stumbled on this thread whilst trying to find those first vocal samples on the album version so will seek out the Fine Day a capellas.
But the intro pad is definitely a Wavestation - if you have the iPad iWavestation, try this:
* Load RAM1 performance 'DebussyOnWheels' (#49)
* In the Wave Sequence editor change 'Unison' for 'DreamSq' (RAM1, #12)
* Hold down B and F#
* Lose yourself in a wave of 90s nostalgia.
Registered just for this. Hope I'm not too late (only 11 years...)
-
- KVRian
- 665 posts since 29 Nov, 2002 from Bury St. Edmunds, England
Amazing stuff - I also believe the piano was a Wavestation too! If I remember correctly they got Kirsty Hawkshaw from Opus III in to record some extra vocals on top of the sampled ones from the acapella.
-
- KVRer
- 3 posts since 5 May, 2022
That would make sense, and explains why I can't find matching vocals anywhere in the Opus III catalogue! Might just play with Bon Jovi / Belinda Carlisle instead...Gridlocked wrote: Thu May 05, 2022 4:37 pm Amazing stuff - I also believe the piano was a Wavestation too! If I remember correctly they got Kirsty Hawkshaw from Opus III in to record some extra vocals on top of the sampled ones from the acapella.
-
- KVRian
- 665 posts since 29 Nov, 2002 from Bury St. Edmunds, England
You can definitely get close with the It's A Fine Day vocals, I have the single on CD which has the accapella version. Once they are reversed you are most of the way there!jimness wrote: Fri May 06, 2022 10:17 amThat would make sense, and explains why I can't find matching vocals anywhere in the Opus III catalogue! Might just play with Bon Jovi / Belinda Carlisle instead...Gridlocked wrote: Thu May 05, 2022 4:37 pm Amazing stuff - I also believe the piano was a Wavestation too! If I remember correctly they got Kirsty Hawkshaw from Opus III in to record some extra vocals on top of the sampled ones from the acapella.
-
Simple Pleasures Simple Pleasures https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=229695
- KVRer
- 10 posts since 13 Apr, 2010
OH MY GOD THIS IS GOLD!!!!! i'll play with this for HOURS now haha thanks!jimness wrote: Thu May 05, 2022 10:08 amYes! I stumbled on this thread whilst trying to find those first vocal samples on the album version so will seek out the Fine Day a capellas.
But the intro pad is definitely a Wavestation - if you have the iPad iWavestation, try this:
* Load RAM1 performance 'DebussyOnWheels' (#49)
* In the Wave Sequence editor change 'Unison' for 'DreamSq' (RAM1, #12)
* Hold down B and F#
* Lose yourself in a wave of 90s nostalgia.
Registered just for this. Hope I'm not too late (only 11 years...)
-
- KVRer
- 3 posts since 5 Dec, 2020
1wob2many - been trying to make contact -1wob2many wrote: Tue Feb 07, 2017 9:02 pmWell, I've got a midi file of Halcyon if that would be of any help.Simple Pleasures wrote:I'd be willing to give it a go too...
thread revival - trying to get some orbital Midi files !
-
- KVRer
- 3 posts since 5 May, 2022
The thread's back!
I used what I figured out in the Wavestation app, chucked some samples together and came up with this using Nanostudio 2 on an iPad. Enormous fun.
Now, onto Impact...
I used what I figured out in the Wavestation app, chucked some samples together and came up with this using Nanostudio 2 on an iPad. Enormous fun.
Now, onto Impact...
-
Simple Pleasures Simple Pleasures https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=229695
- KVRer
- 10 posts since 13 Apr, 2010
wow Jim thats amazing =)
-
- KVRer
- 3 posts since 5 Dec, 2020
Totally awesome !!jimness wrote: Tue Sep 26, 2023 3:25 pm The thread's back!
I used what I figured out in the Wavestation app, chucked some samples together and came up with this using Nanostudio 2 on an iPad. Enormous fun.
Now, onto Impact...
Did you create the file from scratch ?
Impact is one of my favourite Orbital songs
- KVRian
- 792 posts since 9 Feb, 2019
Love it, it´s the definition of a mindset 
I can differ a lower pad that sounds pretty smooth. Maybe FM, maybe ROMpler, maybe a sample. And there are two! upper pads - one panned left and one right that also have different volume curves. Both of them are definitely ROMpler sounds - a VOX pad and a string pad. No regular synth can generate such complex hamonics with such a pleasing balance - that is exactly what I miss in todays EM.
I can imagine very well that they have worked with samples here, just fading / bleding the sounds to get that athmosphere. Working with samples also makes things easier, but doen´t mean that the source was not a synth. Picture different samples mapped over the keyboard range faded into each others with just a the volume envelope and maybe some automation. I can´t say for sure, but the lower pad also sounds a little bit slowed/pitched down to my ears.
Many people worked that way back then, collecting their materials in the sampler for the production / mastering stage (e. g. William Orbit who sampled the sounds and sequences for Madonnas Ray of Light with his AKAI S2000s).
Orbital on Equipboard: https://equipboard.com/pros/orbital
I can differ a lower pad that sounds pretty smooth. Maybe FM, maybe ROMpler, maybe a sample. And there are two! upper pads - one panned left and one right that also have different volume curves. Both of them are definitely ROMpler sounds - a VOX pad and a string pad. No regular synth can generate such complex hamonics with such a pleasing balance - that is exactly what I miss in todays EM.
I can imagine very well that they have worked with samples here, just fading / bleding the sounds to get that athmosphere. Working with samples also makes things easier, but doen´t mean that the source was not a synth. Picture different samples mapped over the keyboard range faded into each others with just a the volume envelope and maybe some automation. I can´t say for sure, but the lower pad also sounds a little bit slowed/pitched down to my ears.
Many people worked that way back then, collecting their materials in the sampler for the production / mastering stage (e. g. William Orbit who sampled the sounds and sequences for Madonnas Ray of Light with his AKAI S2000s).
Orbital on Equipboard: https://equipboard.com/pros/orbital
