Leading tones do not have to be on the weak beats, nor do they have to resolve immediately or resolve at all. The musical context and intent dictate how far you can stretch things. If it's a Chopinesque waltz, the leading tone will probably resolve immediately. If it's a Wayne Shorter solo, the entire phrase may never resolve.Lander.vast wrote:jsaras wrote:It's just a melodic leading tone.
Like a passing note?? It's on the weak beat right??
In the same dominant chord a sustained 9 and a natural 9?
Chords, scales, harmony, melody, etc.
Moderator: KVR Moderators (Main)
In the same dominant chord a sustained 9 and a natural 9?
2011-08-20T16:44:15+00:00
Ok, so I have this doubt what scale should I use since in jazz school none of the modes they taught me has a #9 and a natural 9 at the same time in a dominant chord. In fact they taught me that could never happen, because the half tone between the two 9's creates a tension that even for a dominant becomes too unstable. So I guess my question is how the hell do we have a E7#9 with a natural 9 in the melody in the jazz standard Ballet from Real Jazz Book I. Plus in the next measure of the same song we have a D7#9 with a natural B in the melody so super locrian doesn't fit since it has the #9 but it doesn't have a natural 13 instead it has a b13????
If anybody can help me I would be much obliged.
Lander.vast
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