You've got a little cruft on your chin there....might want to wipe that off......Sendy wrote:Mmmmmm, cruft!
new accurate DX7 emulation being developed
- KVRAF
- 19818 posts since 16 Sep, 2001 from Las Vegas,USA
None are so hopelessly enslaved as those who falsely believe they are free. Johann Wolfgang von Goethe
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- KVRian
- 653 posts since 4 Apr, 2010
Yes it did, if I recall correctly.Teksonik wrote:Did the E! board allow the original DX7's to transmit the full velocity range ?
My audio DSP blog: earlevel.com
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- KVRian
- 528 posts since 17 Apr, 2009 from portland oregon
Hopefully all the negatives are kept. If the envelops are smoothed, the noise taken out, and the aliasing remedied, whats the point of using it rather than fm7/8?
I run a netlabel http://oligopolistrecords.bandcamp.com
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Free chill, hip-hop, lo-fi, ambient, experimental, for you! (Send me demos too!)
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- KVRist
- 40 posts since 17 Oct, 2008
velocity, key scaling and envelope, have a big effect on FM in DX7.
These values are not linear and difficult to clone.
Without those values,or if they are modified or interpreted, is impossible to play correctly the syx file of the DX7.
These values are not linear and difficult to clone.
Without those values,or if they are modified or interpreted, is impossible to play correctly the syx file of the DX7.
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- KVRAF
- 3330 posts since 18 May, 2003 from Sweden
As I remember it, the E! board has two adjustment settings for keyboard velocity limits: one for the internal (local) velocity (0-127) and another one for MIDI out.Teksonik wrote:Did the E! board allow the original DX7's to transmit the full velocity range ?
There is also a setting for selecting keyboard velocity scaling, IIRC.
The Grey Matter E! really transformed the DX7 in many aspects.
/Joachim
If it were easy, anybody could do it!
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Richard_Synapse Richard_Synapse https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=245936
- KVRian
- 1187 posts since 20 Dec, 2010
There is none, ihmo. Compromises are possible, however. To get close to the DX7 sound it's important that parameters work in the same way, especially velocity and the keyboard tracking which iirc are used in almost every patch. If they deviate only a little, patches will sound different. Most FM synths just use the concept of FM and disregard such details. Of course that's fine too, it opens up a new world of sounds- it just doesn't sound like vintage FM.quayquay17 wrote:Hopefully all the negatives are kept. If the envelops are smoothed, the noise taken out, and the aliasing remedied, whats the point of using it rather than fm7/8?
Edit: ^Mx25 was faster
Richard
Synapse Audio Software - www.synapse-audio.com
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- KVRist
- 40 posts since 17 Oct, 2008
+1
Regarding the velocity
DX7 only accepts values of "0-7" in "key velocity", using the SysEx. commands.
Raising the "output level" of the modulator, the FM explodes in the DX7.
In the original patch yamaha, the values of "key velocity" are almost always around zero.
Zero = no velocity control and therefore there is no possibility of turning up the volume by pressing the key.
Probably the E! Working on "oscillator output level" to adjust the "key velocity" via midi??
Regarding the velocity
DX7 only accepts values of "0-7" in "key velocity", using the SysEx. commands.
Raising the "output level" of the modulator, the FM explodes in the DX7.
In the original patch yamaha, the values of "key velocity" are almost always around zero.
Zero = no velocity control and therefore there is no possibility of turning up the volume by pressing the key.
Probably the E! Working on "oscillator output level" to adjust the "key velocity" via midi??
- KVRAF
- 19818 posts since 16 Sep, 2001 from Las Vegas,USA
I just remember that I really wanted an E! board for my DX back in the day but now it all seems so primitive......Spitfire31 wrote:As I remember it, the E! board has two adjustment settings for keyboard velocity limits: one for the internal (local) velocity (0-127) and another one for MIDI out.Teksonik wrote:Did the E! board allow the original DX7's to transmit the full velocity range ?
There is also a setting for selecting keyboard velocity scaling, IIRC.
The Grey Matter E! really transformed the DX7 in many aspects.
/Joachim
None are so hopelessly enslaved as those who falsely believe they are free. Johann Wolfgang von Goethe
- KVRAF
- 19818 posts since 16 Sep, 2001 from Las Vegas,USA
I guess that since I've owned a DX/TX in the past I'm just not too excited about a 100% accurate clone. Like I said a few posts back other than a handful of signature patches most of the old DX sounds have become rather tired and worn out....Richard_Synapse wrote:There is none, ihmo. Compromises are possible, however. To get close to the DX7 sound it's important that parameters work in the same way, especially velocity and the keyboard tracking which iirc are used in almost every patch. If they deviate only a little, patches will sound different. Most FM synths just use the concept of FM and disregard such details. Of course that's fine too, it opens up a new world of sounds- it just doesn't sound like vintage FM.quayquay17 wrote:Hopefully all the negatives are kept. If the envelops are smoothed, the noise taken out, and the aliasing remedied, whats the point of using it rather than fm7/8?
Edit: ^Mx25 was faster
Richard
Now a 100% accurate clone of a Roland D-50 ? Hell yes.......(since I've always wanted one and never got around to owning a real one).....
None are so hopelessly enslaved as those who falsely believe they are free. Johann Wolfgang von Goethe
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- KVRAF
- 5511 posts since 6 May, 2002
Seen Vintage?Teksonik wrote:Now a 100% accurate clone of a Roland D-50 ? Hell yes.......(since I've always wanted one and never got around to owning a real one).....
http://www.tubeohm.com/TubeOhm/VINTAGE.html
Intel Core2 Quad CPU + 4 GIG RAM
- KVRAF
- 19818 posts since 16 Sep, 2001 from Las Vegas,USA
Yes I've seen it but what's that got to do with a 100% accurate clone of a D-50 ?electro wrote:Seen Vintage?Teksonik wrote:Now a 100% accurate clone of a Roland D-50 ? Hell yes.......(since I've always wanted one and never got around to owning a real one).....
http://www.tubeohm.com/TubeOhm/VINTAGE.html
None are so hopelessly enslaved as those who falsely believe they are free. Johann Wolfgang von Goethe
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syntheticillusion syntheticillusion https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=247399
- KVRist
- 263 posts since 9 Jan, 2011 from Welland, Ontario, Canada
i want to see an accurate emulation of d50, jv1080, dw6000/8000 and others but they have to import syx files to be accurate enough for my attention and if you can import sample data from d50/jv1080 along with ram/rom cards then we can import syx/midi files accurately like ensoniq sq80/sq8l vsti emulation, i wish tal-uno-lx used import function for presets, juno-60 can save presets to tape
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- KVRAF
- 3330 posts since 18 May, 2003 from Sweden
Dream on! Samples are copyrighted, so your only chance would be that Roland surprisingly decides to branch into softsynths. Not likely, I think.syntheticillusion wrote:i want to see an accurate emulation of d50, jv1080, dw6000/8000 and others…
/Joachim
If it were easy, anybody could do it!
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- KVRAF
- 5632 posts since 18 Jul, 2002
Since D-50 is sample based, I predict a 100% accurate Roland lawsuitTeksonik wrote:Now a 100% accurate clone of a Roland D-50 ? Hell yes.......(since I've always wanted one and never got around to owning a real one).....
Back to topic, this new DX7 modeling project seems interesting.
- KVRAF
- 7691 posts since 11 Jun, 2006
gimmie a 100% emulated Roland D50, an EMU proteus1, a kurzweil 1000PX, an Ensoniq VFX and a Yamaha SY77. not asking much... 
HW SYNTHS [KORG T2EX - AKAI AX80 - YAMAHA SY77 - ENSONIQ VFX]
HW MODULES [OBi M1000 - ROLAND MKS-50 - ROLAND JV880 - KURZ 1000PX]
SW [CHARLATAN - OBXD - OXE - ELEKTRO - MICROTERA - M1 - SURGE - RMiV]
DAW [ENERGY XT2/1U RACK WINXP / MAUDIO 1010LT PCI]
HW MODULES [OBi M1000 - ROLAND MKS-50 - ROLAND JV880 - KURZ 1000PX]
SW [CHARLATAN - OBXD - OXE - ELEKTRO - MICROTERA - M1 - SURGE - RMiV]
DAW [ENERGY XT2/1U RACK WINXP / MAUDIO 1010LT PCI]
