<Insert obligatory Skrillex gag here />deastman wrote:Deliberately make the worst sounding song you possibly can. Pick the worst, most annoying and obnoxious sounds, melodies, and chord progressions.
Alternatively, just pick really bad sounds - think early 90s General MIDI rompler grade - can help a lot in honing melodies, beats and progressions before moving to production. If it vaguely works on GM sounds, it will kill on stuff that sounds a lot better. Composing on good sounds lets you settle for "good enough for now".