This is an important distinction. Digital reverb units since the 1970s have attempted to simulate different reverb types. They typically have had distinct algorithms which they label as ‘plate’, ‘room’, and ‘hall’. These algorithms are pretty basic compared to complex physical models or the reflections patterns in hybrid convolution. But let’s keep in mind that all of the above are actually equally artificial no matter what technique they use.Andreya_Autumn wrote: Sun Mar 09, 2025 8:05 pm The important distinction here is between Plate-style algorithmic reverbs (like Valhalla), and (usually convolution) plugins imitating actual electro-acoustic plates. Very different sounds.
Also, these digital ‘plate’ programs found in effects units are used all the time on snares and other things, far more frequently than real plates. It’s probably the sound people actually are thinking of, since real plates are few and far between, mostly found only on classic rock albums recorded in big famous studios. By the 1980s, most ‘plate’ sounds were coming out of a rack unit.
When I’m looking for that kind of digital ‘plate’ I’ll use UAD Lexicon 224, Relab LX480, Eventide SP2016, or DDMF ERS 250.
