Not exactly. Slobin is an ethnomusicologist, so he studies essentially the social/cultural context of music. Micromusics are the musics of microcultures, which are pockets of culturally distinct social clusters within a greater centralized whole (give or take). Essentially he's looking at music of the "marginalized peoples" in Europe and the Americas. I would think Klezmer fits the bill, especially in the context of somewhere like Brooklyn. Another example might be Reggae/Dub/Ska in parts of England.vurt wrote:so to be serious for a second its genres with a few artists only?
The study seems to look roughly at the musical equivalent of Chinatown or Little Italy, ethnocentric clusters within ethnically diverse macro cultures.