Mastering - personal issues. sugggestions?
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- KVRAF
- 3139 posts since 6 Sep, 2002 from United Kingdom & Opinions Will Travel :O)
Started this - should prove interesting in time
http://audioshots.com/auditorium/viewforum.php?f=16
Best regards,
Spe3d
:O)
http://audioshots.com/auditorium/viewforum.php?f=16
Best regards,
Spe3d
:O)
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- Banned
- 12367 posts since 30 Apr, 2002 from i might peeramid
i just mix with a (my) limiter strapped to the mains :p
you come and go, you come and go. amitabha neither a follower nor a leader be tagore "where roads are made i lose my way" where there is certainty, consideration is absent.
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- KVRAF
- 4738 posts since 20 Feb, 2004 from Gothenburg, Sweden
I used to use t:racks at work. Moved over totally to NyquistEQ + endorphin. Much better results. Tried the Ozone stuff, thought it sucked.
Stefan H Singer
https://dropshotaudio.com/
https://dropshotaudio.com/
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- KVRAF
- 6740 posts since 25 Mar, 2002 from sheffield, england
If the mix is spot-on that's all it will need. (maybe not even that!)xoxos wrote:i just mix with a (my) limiter strapped to the mains :p
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- KVRAF
- 2401 posts since 29 Dec, 2002 from In the dark
Well, most of the important things have been said, but I can at least add my voice & vote for Ozone.
Firstly, the quality of ozone just sound great to me. I'm not really into that "warm and fuzzy tape compressed" sound. To me it just sound like people want to justify the fact that the 60's was actually not so bad. Ozone has some presets that can do that if you want to, but I am aiming for the more transparent sound of 64bit digital mastering which ozone do very well, including the dithering algorithms they use. Don't ask me how it works or why it sounds better, but I am probably just more used to it. There must be some reason at least why all the 60's records are being digitally remastered.
Secondly, the workflow in ozone just works for me. It is all in one and very easy to tweak and adjust. Save it all in a preset and burn it to a CD. Next day you listen to the CD and think that maybe the compression on the high end should be calmed down a bit. You don't have to then try to remember what all the other plugins in the chain was and how the setting were. You can just simply load the preset and make the little adjustment you had in mind. The same thing can be done with chainer if you use the PSP or other standalone plugs, but it does take a lot more effort (I am a lazy bastard).
Firstly, the quality of ozone just sound great to me. I'm not really into that "warm and fuzzy tape compressed" sound. To me it just sound like people want to justify the fact that the 60's was actually not so bad. Ozone has some presets that can do that if you want to, but I am aiming for the more transparent sound of 64bit digital mastering which ozone do very well, including the dithering algorithms they use. Don't ask me how it works or why it sounds better, but I am probably just more used to it. There must be some reason at least why all the 60's records are being digitally remastered.
Secondly, the workflow in ozone just works for me. It is all in one and very easy to tweak and adjust. Save it all in a preset and burn it to a CD. Next day you listen to the CD and think that maybe the compression on the high end should be calmed down a bit. You don't have to then try to remember what all the other plugins in the chain was and how the setting were. You can just simply load the preset and make the little adjustment you had in mind. The same thing can be done with chainer if you use the PSP or other standalone plugs, but it does take a lot more effort (I am a lazy bastard).
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- KVRist
- 212 posts since 23 Feb, 2003 from Charlotte, VT
Have you treated the room? If the room's untreated no matter what you do you'll still be carrying the sonic signature of the room to your mix, which is almost always a rollercoaster. (Not the room, the signature...) That's the dreaded "It sounds good on my monitors but not on a CD" thingy. If you do the research and treat the room it will make a HUGE difference.
Pythagorean perennialist.
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- KVRAF
- 3441 posts since 15 Mar, 2003
It probably sounds less "lively" because so many people squash the life out of a mix by over-maximizing to get it to sound louder.rpc9943 wrote:i just dont get it because sometimes people post stuff they got "mastered" by some people and it sounds so much less lively than their original mixes. It's like... I'm going to be doing some "post-processing mastering" for some kids for money and I just want to be sure I'm not going to screw it up
RoNC
The irony is that it now sounds dead, and lacking in the dynamics that help create a sense of loudness.
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- Banned
- 12367 posts since 30 Apr, 2002 from i might peeramid
shaddap! you trying to get us both on the industry blacklist??!!platinumears wrote:If the mix is spot-on that's all it will need. (maybe not even that!)xoxos wrote:i just mix with a (my) limiter strapped to the mains :p
room treatment tip -
stop in back of the carpet installing businesses.. might find a dumpster ful of strips of underpadding they trim off the side, works great.
you come and go, you come and go. amitabha neither a follower nor a leader be tagore "where roads are made i lose my way" where there is certainty, consideration is absent.
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- KVRAF
- Topic Starter
- 6490 posts since 14 Jun, 2004 from Rochester, NY
Well either way I do know what im doing, at least in the sense of cleaning up a crappy sounding track. I mean I personally know I can do that. I just couldn't really ... Figure out what the huge difference is using ozone versus these other free tools. I mean I can hear the "ozone" sound on anything I apply, yet when I use my aforementioned free tools, it seems like it IS more musical, less audiophile technical. You see what I mean? I mean I'm only charging $20 per song, in which I'll EQ things up to sound a bit better, and let it all do a dance under my BUZROOM or TLSmax under my -0.4dB limbo pole. I'm just letting the thoughts out here and I feel that if I am missing out, what am I missing out on? I mean... I want ozone pretty damn bad. But if I can do this stuff by pick and choice of tool, I dont want to be running back to ozone to do my dirty work, which would definately be the case here. Final mix just feels so FAKE. I'm sorry I just simply can't pop it in, load up the default cd master preset and throw her out. It doesn't feel right. About the treatment and stuff, I'm no doctor or mastering doctorate, cap'n. My room can hold up the sound pretty well at the moment. I've got okay ears, I dont think I'm a theif fixing up some fellow college student's hip hop tracks for real cheap... I mean cmon man. I might ask stupid questions but it doesn't mean I am stupid. I just want these thoughts out in the open to make others think and see what they think in response.
RonC
RonC
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- KVRAF
- 12977 posts since 29 Sep, 2003 from Ottawa, Canada
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- KVRAF
- 2844 posts since 1 Jan, 2003
The single best thing I ever did, for recording (I do more audio recording than sequencing) and for mixing was treating my room. It was a relatively long process, especially trying to get the low frequencies tamed, but no piece of gear I have ever purchased (new mics, monitors, preamps) came close to making the difference that room treatment did. I no longer struggle with mixes. I can put up a mic almost anywhere in this room and confidently get a good sound to disk. I was shocked at how nice even some of my less expensive mics sounded minus the ugly room reflections. Mixing is a pleasure, it's almost like I can't get it wrong now, the mixes are translating. It's the best audio gear money I ever spent.
If Ozone sounds too audiophile technical for you, why don't you just strike it off your list and work with the software you already have?
If Ozone sounds too audiophile technical for you, why don't you just strike it off your list and work with the software you already have?
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- KVRAF
- Topic Starter
- 6490 posts since 14 Jun, 2004 from Rochester, NY
I seriously have never had any problems with room reflections etc. Anyways, I know I'll regret it leaving behind ozone. That's my point. I'm probably going to freaking regret it.
RoNC
RoNC
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- KVRAF
- 12977 posts since 29 Sep, 2003 from Ottawa, Canada

