how is this effect done plz
-
- KVRAF
- 3506 posts since 27 Dec, 2002 from North East England
I'll second Buffer Override. That's the easiest way to do it, assuming you don't want to talk about how difficult it is in every magazine under the sun (don't mention the paintbrush tool if you do).

-
- KVRist
- Topic Starter
- 30 posts since 7 Aug, 2002 from london uk (mate)
lol just read that ,what the hell is all this 256th note stuff all about then loldervish wrote:You'll get a bit more insight into BT's stutter edit theory from this article
http://www.keyboardmag.com/story.asp?se ... ycode=4449
anyway thx for all the info
stig
If all else fails...make a cup of tea
-
- KVRist
- Topic Starter
- 30 posts since 7 Aug, 2002 from london uk (mate)
maximum geekery, but very effective all the same.[/quote]CypherOne wrote:
yep i better give it ago, right where do i start
If all else fails...make a cup of tea
-
- KVRAF
- 12235 posts since 18 Aug, 2003
You could try slicing up a vocal line and then assigning each slice to a MIDI note. Then just arrange the edits the way you want in a MIDI sequencer.
Also check out ModulR's pseudograins. The sequencer very effectively lets you isolate slices for this kind of stuttering effect.
Also check out ModulR's pseudograins. The sequencer very effectively lets you isolate slices for this kind of stuttering effect.
-
- KVRer
- 25 posts since 10 Jul, 2004
Never posted on this site before!! hi everyone, i cant believe no one has mentioned this yet:
http://www.kvraudio.com/get/1185.html
http://www.kvraudio.com/get/1185.html
-
- KVRian
- 568 posts since 17 Dec, 2003 from Under the Overtones
stig, i think you mean something like this chopped and gapped vocal
this is easiest done with a gate and a sidechain, put the vocal into the gate and then something rythmical into the sidechain and instand gratification
this is easiest done with a gate and a sidechain, put the vocal into the gate and then something rythmical into the sidechain and instand gratification
-
- KVRAF
- 6496 posts since 26 Nov, 2004 from Frederick, MD
Um . . . well, yeah. Where you been? I've avoided his music since I first read interviews with him back in the '90's, just because of his ego.Gridlocked wrote:Wow, I really never did realise just how much BT was stuck up his own arse
-
- KVRAF
- 7540 posts since 7 Aug, 2003 from San Francisco Bay Area
If you have any modular synths, just run the audio signal through a VCA modulated by a quick LFO.
Incomplete list of my gear: 1/8" audio input jack.
-
- KVRist
- Topic Starter
- 30 posts since 7 Aug, 2002 from london uk (mate)
hi m8 thx for youe demo ,yep thats pretty much what i'm after thx for your help and everyone else toolex_strooder wrote:stig, i think you mean something like this chopped and gapped vocal
this is easiest done with a gate and a sidechain, put the vocal into the gate and then something rythmical into the sidechain and instand gratification
If all else fails...make a cup of tea
-
- KVRist
- Topic Starter
- 30 posts since 7 Aug, 2002 from london uk (mate)
hi m8 ,is it poss for u to do a tut on how this is done plz ,been trying but not really sure where to startlex_strooder wrote:stig, i think you mean something like this chopped and gapped vocal
this is easiest done with a gate and a sidechain, put the vocal into the gate and then something rythmical into the sidechain and instand gratification
thx for your time
If all else fails...make a cup of tea
-
- KVRAF
- 13444 posts since 14 Nov, 2000 from Hannover / Germany
Gating probably is one possibility to make vocal stutter, but the most "popular" effect, such as used by BT (no need to argue about tastes here, but his editing skills are just otherworldly and one should try to "steal" as much as possible...) is more like a stuttering effect.
The "easiest" way of doing so (mind you, it's not easy at all but a LOT of work) might be to chop up your sample first, be it through a slicer plugin of some sorts (a sampler, a slicer such as Phatmatik, Microdicer or Intakt etc.) and export the MIDI data for each slice, then reorder it to your likings.
Another way would be to manually chop things up in your sequencer. Most allow to cut things in even values (you could, say, cut a complete syllable in 256th chunks or so). Chose a very small value. Then drag them around to make space between the slices and copy to fill the gaps. Then shorten all slices slightly to get that abrupt ending.
As said, all this is a LOT of work but when it comes to BT, he's known to do a LOT of manual edits.
The "easiest" way of doing so (mind you, it's not easy at all but a LOT of work) might be to chop up your sample first, be it through a slicer plugin of some sorts (a sampler, a slicer such as Phatmatik, Microdicer or Intakt etc.) and export the MIDI data for each slice, then reorder it to your likings.
Another way would be to manually chop things up in your sequencer. Most allow to cut things in even values (you could, say, cut a complete syllable in 256th chunks or so). Chose a very small value. Then drag them around to make space between the slices and copy to fill the gaps. Then shorten all slices slightly to get that abrupt ending.
As said, all this is a LOT of work but when it comes to BT, he's known to do a LOT of manual edits.
There are 3 kinds of people:
Those who can do maths and those who can't.
Those who can do maths and those who can't.
-
- Banned
- 18651 posts since 2 Oct, 2001 from England
I think he has ppl to do that for him from what ive read, especially his super anal obssesion with MIDI timing.Sascha Franck wrote:as used by BT (no need to argue about tastes here, but his editing skills are just otherworldly )


