Are you a composer or a technoid?
- Beware the Quoth
- 35500 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
I love it when a plan comes together. Now get on the friggin plane...
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
- KVRAF
- 5703 posts since 8 Dec, 2004 from The Twin Cities
Although there is truth in the statement: 'When the fork did you see any of 'us' start a thread yelling "melody is shite; if you rely on melody you buy into preconceived notions of musical cliche, fail to challenge, and rely purely on a banal and corrupt consumer-driven Western aesthetic"' I personally have run into a great deal of anti-craft sentiment on this as well as other message boards.whyterabbyt wrote: Though I have to ask, why is it always the amb/ex/art guys what have to do the thinking and compromising? When the fork did you see any of 'us' start a thread yelling "melody is shite; if you rely on melody you buy into preconceived notions of musical cliche, fail to challenge, and rely purely on a banal and corrupt consumer-driven Western aesthetic"
Not that bloody often, eh?
In many circles, the ability to play guitar well is looked down upon as a form of idiocy. I have been told that some of my favorite music is "pretentious twaddle". I have seen a personal hero of sorts (i.e. Frank Zappa) referred to as 'having created the most boring music ever'. I have even seen someone say that "I am glad the f**ker is dead"
That last was not at KVR, but I was told here that all prog rock is dated and stupid, and that it is all just "Twiddly". As a guy who has never said anything bad about ANYONES music here, and who has spent long, lonely years of my life trying to understand all kinds of music, I found this cavalier dismissal of some of my favorite artists to be offensive.
I don't want to start another argument. I merely want to correct this notion that only crafty musician types steeped in the western tradition can be elitist snobs.
I have met rock and rollers, ethnic percussionists, sound artists and punks who are snobs too.
- Beware the Quoth
- 35500 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
Fair point, sir, very fair point....
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
- KVRAF
- 25037 posts since 12 Jul, 2003 from West Caprazumia
prog-rock is manieristic crap!
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- Boss Lovin' DR
- 14312 posts since 15 Mar, 2002 from the grimness of yorkshire
- KVRAF
- 5703 posts since 8 Dec, 2004 from The Twin Cities
donkey tugger wrote:I am rational economic man.
I've soooo been wanting to meet you!!!!
So what is this "economic" stuff? Is it a new plugin???
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- Boss Lovin' DR
- 14312 posts since 15 Mar, 2002 from the grimness of yorkshire
What's it worth then eh?herodotus wrote:donkey tugger wrote:I am rational economic man.
I've soooo been wanting to meet you!!!!
So what is this "economic" stuff? Is it a new plugin???
- Beware the Quoth
- 35500 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
jens quoth prog-rock is manieristic crap!
Mainwaristic?

Mainwaristic?

An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
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- KVRAF
- 3588 posts since 13 May, 2004 from montreal
@ herodotus & whyterabbyt:
Semi-fair point, I'd say... there's much more to craft than instrumental virtuosity, after all. The two concepts can exist independently of each other. Much depends on context and purpose.
There are a lot of instrumental traditions that seem to lack the concept of virtuosity... look for example at Tibetan liturgical music. Timing is everything, but I haven't heard of anyone coming off all Steve Vai on the rag-dun parts, nor is 'expression' the point.
Semi-fair point, I'd say... there's much more to craft than instrumental virtuosity, after all. The two concepts can exist independently of each other. Much depends on context and purpose.
There are a lot of instrumental traditions that seem to lack the concept of virtuosity... look for example at Tibetan liturgical music. Timing is everything, but I haven't heard of anyone coming off all Steve Vai on the rag-dun parts, nor is 'expression' the point.
- KVRAF
- 2548 posts since 7 Jul, 2003 from Huntington, WV
Why is it, that I'm not surprised to see references of both "Tibetan liturgical music" and "Steve Vai" in the same sentence?dystonia_ek wrote:There are a lot of instrumental traditions that seem to lack the concept of virtuosity... look for example at Tibetan liturgical music. Timing is everything, but I haven't heard of anyone coming off all Steve Vai on the rag-dun parts, nor is 'expression' the point.
McLilith
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- Skunk Mod
- 21249 posts since 10 Jun, 2004 from Pony Pasture
I'm guessing you don't have his latest collaboration CD with Linda Ronstadt... all Tibetan liturgical choonz, except a guest drum solo by Terry Bozzio.McLilith wrote:Why is it, that I'm not surprised to see references of both "Tibetan liturgical music" and "Steve Vai" in the same sentence?
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- KVRist
- 403 posts since 23 May, 2003 from wherever my mind is at the moment
Only on KvR.... a simple question turns into the battle of the minds(read OPINIONS).
It's what comes out the speakers, not how it got there that matters.
Music is an expression of the soul, heart, experiences.
Whatever tools one uses to express these feelings is fine by me.
Use one finger, two or all eleven as far as I care.
It's what comes out the speakers, not how it got there that matters.
Music is an expression of the soul, heart, experiences.
Whatever tools one uses to express these feelings is fine by me.
Use one finger, two or all eleven as far as I care.
- KVRAF
- 2548 posts since 7 Jul, 2003 from Huntington, WV
Is this CD an April Fool's joke? That sounds pretty wild.Meffy wrote:I'm guessing you don't have his latest collaboration CD with Linda Ronstadt... all Tibetan liturgical choonz, except a guest drum solo by Terry Bozzio.
...except for the part about Terry Bozzio being a drummer. I think he's an excellent drumer.
Did you ever listen to this album:
Bozzio Levin Stevens
Black Light Syndrome
It's very good. Those are three very talented players, and the the music is very impressive, in my opinion. The fine technical skills don't squash the emotional feel of the music on that album. I don't know why the album isn't more widely known.
take care,
McLilith
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- KVRAF
- 3528 posts since 18 Apr, 2002 from British Columbia, Canada
bang on, that.whyterabbyt wrote:.
Though I have to ask, why is it always the amb/ex/art guys what have to do the thinking and compromising? When the fork did you see any of 'us' start a thread yelling "melody is shite; if you rely on melody you buy into preconceived notions of musical cliche, fail to challenge, and rely purely on a banal and corrupt consumer-driven Western aesthetic"
Not that bloody often, eh?
it does get tiring; but it seems that in many fields it is the people who push the envelope, or change in some way how things are percieved that will of course have to defend those ideas at first against the dearly held assumptions of those who fear or fail to understand change.
Still, it does seem that at this point in time the ideas put forward by the early Avant Garde composers would have had sufficient time (a hundred bloody years or so) to sink in. For the most part the music that gets discussed here is not even the most cutting edge; one wonders why these things are still misunderstood by so many.
Last edited by Z3R0T0N1N on Fri Apr 01, 2005 9:17 pm, edited 1 time in total.