_leras wrote: Mon Jan 08, 2024 9:39 pm
Whilst I have some gripes about Massive X, there's no doubt that it's a phenomenal synth. It's so powerful, but it does have a steepish learning curve, which probably puts some people off, or stops them being able to explore it.
I think anyone who does more than scratch the surface appreciates it. The sound is just fantastic.
Perhaps NI could have done better launch for Massive X with more bread and butter initial presets and demos. A lot of the sounds in the library seem to be on the esoteric end.
I think it really needs a basic sounds library, basses, leads, supersaws, plucks, pads etc whilst it has these they are not normally vanilla enough to let people hear what it sounds like.
Massive X certainly does have it's idiosyncrasies,but boy does it sound good !
Because NI was hoping everybody would just be compliant souls and get on the Komplete Kontrol bandwagon,it has some frustrating control issues,but these are minor factors when you are dealing with sound...
Massive X has the very best technology that NI has to offer and there is a lot of experience and some seriously credentialled people that remain in their development team...
I agree that too many of the available sounds are pops,farts and squeaks and although these can give us incredible insight into the capabilities of the synth when we reverse engineer the programming,what we need in the real world are basic sounds for music production...
The good thing is that Massive X can deliver these sounds in spades and with a ton of attitude to boot...
Like any piece of equipment or musical instrument,learning Massive X takes a little time and consulting the manual is not a crime...
I took a bit of time to program and incorporate Massive X into my workflow,,but now it's a first call workhorse that I can rely on for a wide range of timbres...
And the good thing is that the pops,farts and squeaks are still there if ever I need to use them
