Hey Alex! Yes Philharmonik is mighty fine.okay I never paid attention to the Miroslav thingy... guess that was not a good idea....just listend to the demos and they sound mighty fine
See ya,
Gordon
Hey Alex! Yes Philharmonik is mighty fine.okay I never paid attention to the Miroslav thingy... guess that was not a good idea....just listend to the demos and they sound mighty fine
just out of interrest:Squids wrote: The reason I’m asking this question is because I know somebody who used tones of different equipment to make a demo that was totally irrelevant to the product he was selling.
I thought the demos were actually really good, a top notch reverb sound. So good in fact, that all this questioning on how the demos were made are quite valid. Even more since the demos will be accessible only to people with the right USB key...~BURNY~ wrote:How do we know if the demos that are posted on the IK website were actually made with CSR ?...and not let’s say with one of those outboard boxes?
Because they are plain horrible...
Or is it just the combination of poorly sampled intruments (did ya say flute?) and poor streaming...?
Ok now you throwin suspicious balls to your AA Reverbnick at artsacoustic wrote:just out of interrest:Squids wrote: The reason I’m asking this question is because I know somebody who used tones of different equipment to make a demo that was totally irrelevant to the product he was selling.
who are you refering to (pls understand my request, as this is in terms of reverb)?
It is a reverb with the sound and features of a "classic STUDIO reverb". I didn't say it IS a 480L or an M6000. I never said it is the upgrade from a PCM91 to something "worlds better" either. But, compared to most of the latest software reverbs many of which are convolution reverbs, this offers a high end classic studio hardware reverb sound and programmability. Maybe it will be upgraded with more specific emulations of other reverbs in the future, I really don't know. I didn't make it. I just know what it represents in the virtual studio and what a great price it is.friteuse wrote:So, you say the CSR is on about the same level as the PCM90/91?Squids wrote: And here are some other questions:
1. I own Lexicon PCM91 (Lexicon Studio card) and I would like to know if CSR is an improvement over Lexicon unit?
Great piece. I used to have a PCM90 in my set up. Is CSR an improvement? Maybe in some ways. The way it is set up where you can load just the algo that you are working with probably makes it lean on your CPU for host processing. I don't know what else except that it is host-based and can be used also on a laptop or multiple computers if that is what you have. Also the price is not much more to get it. However, if you already have a nice reverb like that then it could be a luxury. It all depends. But, you essentially already have a nice studio reverb so... that's up to you!
In earlier posts, you compared the CSR direcetly or indirectly with the 480L. Here, I have to chime in. There are worlds between the PCM9x and the 480L...
PCM91 is very good, no doubt, but 480L or M6000 is High End.
I think there are already native reverbs out there in the PCM9x quality class, so what's the improvement with CSR?
That wasn't my quote. It was a quote of a quote. I was answering his question. So I have no idea who he was refering to. Maybe quote the original post?nick at artsacoustic wrote:just out of interrest:Squids wrote: The reason I’m asking this question is because I know somebody who used tones of different equipment to make a demo that was totally irrelevant to the product he was selling.
who are you refering to (pls understand my request, as this is in terms of reverb)?
Now that I understand you better, I take back what I said about you being a troll. You're not and I apologize. The thread was getting frustrating (and no not from marketing perspective... I come in here by choice by the way and not by job requirement- and no job would require me to piss off my wife, miss the Super Bowl and post past midnight... yet somehow I do it).Kingston wrote:I thought the demos were actually really good, a top notch reverb sound. So good in fact, that all this questioning on how the demos were made are quite valid. Even more since the demos will be accessible only to people with the right USB key...~BURNY~ wrote:How do we know if the demos that are posted on the IK website were actually made with CSR ?...and not let’s say with one of those outboard boxes?
Because they are plain horrible...
Or is it just the combination of poorly sampled intruments (did ya say flute?) and poor streaming...?
no, i just want to make sure, that this is not adressed to us. i was getting an email the last few days where someone couldn`t believe that we used our reverb on the audio demo mp3`s.kmonkey wrote: Ok now you throwin suspicious balls to your AA Reverb
thanks, nice to hear.But as far as i know AA is one of best soft. reverbs.
currently i cannot say, as time is very short on us.Btw will AA (if ever) implement some plate algos?
comparsions are needless, they are completely buildt out of different approaches. different characters will make a mix benefit greatly, imo.Cant wait to hear how AA is comparable to CSR and who is better
Sorry guys, but it is private info. Just something I stumbled upon that made me question things. I did not refer to you or any of your product.Squids wrote:
The reason I’m asking this question is because I know somebody who used tones of different equipment to make a demo that was totally irrelevant to the product he was selling.
just out of interrest:
who are you refering to (pls understand my request, as this is in terms of reverb)?
So what you’re saying is that CSR is an improvement over existing software reverbs but it is not on par lets say with top lexicon or TC units. Right?!... I don’t care if I can insert it into every channel out there or if I can use only one instance of it. My question is: ”Can CSR get me into quality spaces that are normally achievable only through lexicons or TC boxes. “It is a reverb with the sound and features of a "classic STUDIO reverb". I didn't say it IS a 480L or an M6000. I never said it is the upgrade from a PCM91 to something "worlds better" either. But, compared to most of the latest software reverbs many of which are convolution reverbs, this offers a high end classic studio hardware reverb sound and programmability. Maybe it will be upgraded with more specific emulations of other reverbs in the future, I really don't know. I didn't make it. I just know what it represents in the virtual studio and what a great price it is.
yup it's looking tempting.. though money is a bit short on my end.... we'll seeBeardedone wrote:Hey Alex! Yes Philharmonik is mighty fine.okay I never paid attention to the Miroslav thingy... guess that was not a good idea....just listend to the demos and they sound mighty fine
See ya,
Gordon
So the difference in price is just for the fun of it?Squids wrote: 7. Is PC VST version of T-Racks is as good as the one that is made for Protools?
PC VST vs. RTAS? Yes, it is the same.
Well, like I said, I didn't make it. As a user who has it and has had some of the $2,000 variety of reverbs in my studios (not the $5,000+ although I have worked in studios that have them) it is at LEAST on par with dedicated reverbs in that area. It ISN'T a 480L replacement. Although it does have a rich beautiful sound that evokes one. I never owned a 480L to know what CSR has and doesn't have that a 480 would though.Eric Sundance wrote:
So what you’re saying is that CSR is an improvement over existing software reverbs but it is not on par lets say with top lexicon or TC units. Right?!... I don’t care if I can insert it into every channel out there or if I can use only one instance of it. My question is: ”Can CSR get me into quality spaces that are normally achievable only through lexicons or TC boxes. “
Thanks.
Hi ReneMidiworks wrote:@Squids
So, how much cpu does it use please ?
(Big Hall > P4 2ghz XX% ect.)
Thanks
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