Agreed.Amelia70 wrote: Tue Dec 24, 2019 9:12 amI'll stop your right there.. it might be overkill for YOU, but maybe you have absolutely no idea how much processing power the sort of music I produce requires. I am using pro tools HDX cards, AND external synths, and a 10 core mac pro and that's what gets me by. I need now to replace all the effects processing power of the HDX cards as well as having the option of using more VIs than I currently do (cause the 2013 mac pro doesn't cut it for heavy VI use), since I'll be sacrificing some of the external setup to fit into a 64 input setup rather than 96. I don't think you know what you are talking about and have missed the entire point of my topic and what my needs are.THE INTRANCER wrote: Tue Dec 24, 2019 2:46 am ^ For music production, I think that all this is pretty much overkill,
Folks doing large scale composition (often for TV/Film/Video Games) are pushing hardware much further than a typical home studio user.
We've got one particular composer who wants to be able to pull 4000 simultaneous voices of disk-streaming polyphony (from sample libraries)... along with all processing involved.
That takes a beast of a machine.
Avid doesn't officially support the 3970x... and that's not good for a professional.
That said, ProTools Ultimate ran just fine with the 3970x (audio interface was a Fireface UFX+).
You've settled on what is IMO currently the best CPU choice.
28 processing threads at 5GHz is the best of all worlds.
Go with a 360mm water-cooler... so you can keep the RPMs low.
If you're pulling heavy disk-streaming polyphony, the new M.2 Ultra (PCIe 4.0) SSDs are sustaining up to 4000MB/Sec. If your motherboard is PCIe 3.0, they'll sustain ~3400MB/Sec.