Follower or Leader?

Anything about MUSIC but doesn't fit into the forums above.
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So who are you.................

A Leader who drives forward with oimagination and creativity with no care to the masses
37
49%
A Follower who can't seem to have any ounce of imagination
7
9%
The person who cleans your toaster with a butter knife while its plugged in
32
42%
 
Total votes: 76

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The Forest is thataway
The funny thing is as a kid you allways thought gilligan was a follower.
Then you growed up and find out you never really know.But bob denver was a smart dude.but he got busted with weeeed.
Last edited by scavenger8 on Tue Mar 31, 2009 3:11 am, edited 1 time in total.

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shamann wrote:So then you're saying that you just made pronouncements about you-know-not-what? Really?
For most people a self-pwning like this would stop them, but I predict that Eduardo will twist this around or ignore it then continue as if this didn't even occur.

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shamann wrote:So then you're saying that you just made pronouncements about you-know-not-what? Really?
I'm responding to his post. Did he specify who he was defending?

In fact, I thought his umbrage was simply misplaced. He seemed offended that those involved with experimental music were implied to be failed musicians. If you want to know who he was specifically referring to, why don't you ask him. I simply wasn't accepting responsibility for something I never said, and then expanded on the category of experimental music. Put another way, if jazz and classical music are 3 percent of the music marketplace on a good day, experimental music is simply rounded off to nothing.
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey

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robojam wrote:
shamann wrote:So then you're saying that you just made pronouncements about you-know-not-what? Really?
For most people a self-pwning like this would stop them, but I predict that Eduardo will twist this around or ignore it then continue as if this didn't even occur.
What might self-pwning be?

Your future as a fortune teller is not.
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey

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See, told you what he'd do. :hihi:

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scavenger8 wrote:The Forest is thataway
Yeah, just beyond the trees.
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey

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Image

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Sorry, but what? You're now defining music entirely in terms of market? Really?

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eduardo_b wrote:What might self-pwning be?
Sorry, thought you knew everything (or at least that's the attitude you project in your posts).

Here you go:

http://www.urbandictionary.com/define.php?term=self-pwn

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robojam wrote:See, told you what he'd do. :hihi:
Well, you can't get pwned if you don't know what it is. Everyone knows that.

God forbid he ever got served. It would be on and he'd never know it. :hihi:
Image

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debra1rlo wrote:
robojam wrote:See, told you what he'd do. :hihi:
Well, you can't get pwned if you don't know what it is. Everyone knows that.

God forbid he ever got served. It would be on and he'd never know it. :hihi:
:lol:

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shamann wrote:Sorry, but what? You're now defining music entirely in terms of market? Really?
i pretty sure shamanns right about this eduardo_b

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shamann wrote:Sorry, but what? You're now defining music entirely in terms of market? Really?
That's what music is all about ... didn't you know? :wink:

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eduardo_b wrote:
shamann wrote:So then you're saying that you just made pronouncements about you-know-not-what? Really?
I'm responding to his post. Did he specify who he was defending?

In fact, I thought his umbrage was simply misplaced. He seemed offended that those involved with experimental music were implied to be failed musicians. If you want to know who he was specifically referring to, why don't you ask him. I simply wasn't accepting responsibility for something I never said, and then expanded on the category of experimental music. Put another way, if jazz and classical music are 3 percent of the music marketplace on a good day, experimental music is simply rounded off to nothing.
You are the only one in this thread talking about the marketplace. That is a barometer of nothing to me. When discussing originality, the word "marketplace" never occurs to me. Actually, I honestly believe I have never typed (or spoken) it before just now.

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eduardo_b wrote: Back to you.
Agreeing with or even entertaining Lunadick's comment about failed musicians/expermimental implies that your opinion is similar too. I quoted you both actually, but you jumped in right way. Why is that? No need to answer; we all know why. :hihi:


As usual, you start talking about the mainstream and commercial viability. I don't give a f**k about that shit. I think you'll find that many experimental artists feel the same way, otherwise they would choose different musical paths eh? Its not that they can't write a three chord pop song, its that they don't wan't to write one...such artists express themselves as they see fit, not for the benefit of commercial gain or for critics. "Marching to the beat of their own drummer", not outer acceptance. Hence, one of the differences between leaders and followers...

Now, instead of talking in circles some more, why not answer Shamman's question? You can't. You've already admitted basing what you're saying around what I'm saying by your response to him. Enough word games...
"a confession without need of absolution, without need of redemption"

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