Massive X is not just behind on MPE, it doesn't even support Poly AT, expression pedal or breath controller. No midi learn and you cannot automate parameters directly. Worst midi implementation of any recent synth. It's in the freakin stone age.aMUSEd wrote: Fri Apr 24, 2020 12:48 pm Pigments is my favourite for sound design and expression - it feels alive as a musical instrument. Massive X for overall power and sound quality probably surpasses it but it's less fun to play and do sound design on, preset management is terrible and at the moment NI seem to be behind on things like MPE support and expression (Partly I think because they keep trying to shoehorn synths into the Maschine environment which is just too limited for instruments).
Wavetable Blowout: Massive X vs Avenger vs Serum vs Icarus vs Pigments...
- KVRAF
- 26939 posts since 3 Feb, 2005 from in the wilds
- KVRAF
- 37390 posts since 14 Sep, 2002 from In teh net
Yeah I was talking about expression generally. Such a pity because it sounds good but instruments are meant for playing expressively (which is why Alchemy was always one of my favourite synths) and if they lack that ability they are more suited to mouse based musicians perhaps but not so much fun to play.
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Echoes in the Attic Echoes in the Attic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=180417
- KVRAF
- 12009 posts since 12 May, 2008
I could probably forgive most of that if it worked well on touch screens, since that's now how I do a lot of sound design. But nope, it also amazingly can't be used at all on touch screens because the parameters are too erratic. It's as if they went to great pains to make sure that none of the cool things of modern computer based music production could be used.pdxindy wrote: Fri Apr 24, 2020 5:30 pmMassive X is not just behind on MPE, it doesn't even support Poly AT, expression pedal or breath controller. No midi learn and you cannot automate parameters directly. Worst midi implementation of any recent synth. It's in the freakin stone age.aMUSEd wrote: Fri Apr 24, 2020 12:48 pm Pigments is my favourite for sound design and expression - it feels alive as a musical instrument. Massive X for overall power and sound quality probably surpasses it but it's less fun to play and do sound design on, preset management is terrible and at the moment NI seem to be behind on things like MPE support and expression (Partly I think because they keep trying to shoehorn synths into the Maschine environment which is just too limited for instruments).
- KVRAF
- 1596 posts since 19 May, 2011 from North Carolina
Though not strictly in the same category (but since Markus is here):
Does Icarus render Gladiator 3 somewhat redundant, or is there enough of a difference to justify looking at the older dude of the bunch? I know - demo - will do again (it's been a while), but with synths this big and complex it can be hard to get a feel for the real difference in sound and capabilities, as opposed to, say comparing Legend and Monark. A lot of times it depends on the patches that come with the synth. People who own both (and of course, the actual developer), have lived with them and have a better feel. I just know I've kinda liked what I've heard of Gladiator (and actually like it's busy-sci-fi interface), but wonder the Icarus overlap makes it redundant.
And I'm too lazy right now to spend a month demoing.
Also - don't need either; got Massive X and Pigments. But I'm itching to spend some of the money I've been saving not going out to eat. Realistically, I could probably get a hardware poly every month the way my adult kids milked me for dinner before the world ended.
Does Icarus render Gladiator 3 somewhat redundant, or is there enough of a difference to justify looking at the older dude of the bunch? I know - demo - will do again (it's been a while), but with synths this big and complex it can be hard to get a feel for the real difference in sound and capabilities, as opposed to, say comparing Legend and Monark. A lot of times it depends on the patches that come with the synth. People who own both (and of course, the actual developer), have lived with them and have a better feel. I just know I've kinda liked what I've heard of Gladiator (and actually like it's busy-sci-fi interface), but wonder the Icarus overlap makes it redundant.
And I'm too lazy right now to spend a month demoing.
Also - don't need either; got Massive X and Pigments. But I'm itching to spend some of the money I've been saving not going out to eat. Realistically, I could probably get a hardware poly every month the way my adult kids milked me for dinner before the world ended.
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Spencer Maddox Spencer Maddox https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=406543
- KVRian
- 814 posts since 19 Oct, 2017 from The Empire State
Native as a Company is behind on a lot of key stuff...pdxindy wrote: Fri Apr 24, 2020 5:30 pmMassive X is not just behind on MPE, it doesn't even support Poly AT, expression pedal or breath controller. No midi learn and you cannot automate parameters directly. Worst midi implementation of any recent synth. It's in the freakin stone age.aMUSEd wrote: Fri Apr 24, 2020 12:48 pm Pigments is my favourite for sound design and expression - it feels alive as a musical instrument. Massive X for overall power and sound quality probably surpasses it but it's less fun to play and do sound design on, preset management is terrible and at the moment NI seem to be behind on things like MPE support and expression (Partly I think because they keep trying to shoehorn synths into the Maschine environment which is just too limited for instruments).
They still haven’t upgraded their products to VST3.
And I don’t think that’s a HUGE deal but I feel like as VST2 is now officially decommissioned the already snail-paced move to VST3 might move slightly faster. Heck even ableton has VST3 support finally
No MPE for any of the products, that of course is a bummer.
Most of their products minus the brand new ones don’t have High DPI, or Resizable interfaces. Still no resizable UI to their most essential (to me and I would think most people in this forum tbh) products they make in Kontakt and Reaktor...
Great products like Absynth, Rigs; FM8 and the original Massive are virtually Rotting. Likely to never see an update again and I wouldn’t be surprised if one of them, Probably absynth, is quietly put out of its misery the way of Pro-53.
But with Massive X. Their new fresh start... It’s so frustrating because it’s so Sonically good. It sounds so absolutely fantastic and I want to love it but every time I begin to open up to it weird glitches and workflow quirks push me back away. And like it was mentioned above the oversight of basic stuff:
If NI would drop a monster update that addressed a lot of stuff I would embrace the synth in a heartbeat with how good it sounds.
The post above this is likely bait, viewer discretion is advised.
- KVRAF
- 26939 posts since 3 Feb, 2005 from in the wilds
Pretty much the same for me... There are plenty of synths that just don't speak to me and I never comment about them. I semi-regularly express my frustration with the various limitations of MX exactly because it is sonically excellent and I want to like it and use it.Spencer Maddox wrote: Fri May 08, 2020 3:20 am But with Massive X. Their new fresh start... It’s so frustrating because it’s so Sonically good. It sounds so absolutely fantastic and I want to love it but every time I begin to open up to it weird glitches and workflow quirks push me back away. And like it was mentioned above the oversight of basic stuff:
If NI would drop a monster update that addressed a lot of stuff I would embrace the synth in a heartbeat with how good it sounds.
- KVRian
- 711 posts since 19 Jan, 2008
The main advantage of Serum is the Rent-to-Own plan and Lifetime updates, besides one of the best interfaces. I can easily make any sound I want and the quality is top notch. All other synths from the the main page, for me at least, seems all over the place in term of usability. If I can't do what I want fast, that's a deal breaker for me.
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- KVRist
- 247 posts since 19 Aug, 2015
Yeah man. For the last 2 years I modulate dc offset at audio rate. For now I use LFO, but I think is so 2018. So this year I’ll start move speaker cone by hand. It’s 2020 guys, not 2015, stop using synths already, use your hands!
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- Banned
- 14 posts since 22 Oct, 2018
Trying to figure out sound and capabilities using factory patches makes about as much sense as trying to figure out the capabilities of guitarists by having them strum an open Em11...JoeCat wrote: Fri May 08, 2020 2:38 am It can be hard to get a feel for the real difference in sound and capabilities, as opposed to, say comparing Legend and Monark. A lot of times it depends on the patches that come with the synth.
Using an actual prefab speaker cone instead of construction paper...? Heh, cute... I guess... if you're into presets.vroteg wrote: Fri Aug 07, 2020 7:20 pmYeah man. For the last 2 years I modulate dc offset at audio rate. For now I use LFO, but I think is so 2018. So this year I’ll start move speaker cone by hand. It’s 2020 guys, not 2015, stop using synths already, use your hands!
- KVRAF
- 9546 posts since 6 Jan, 2017 from Outer Space
Will Vital blow out all these expensive wavetable synths? Possible I‘d say...
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- KVRist
- 30 posts since 28 Oct, 2019
Why doesn't Zebra fit in this list? I always thought it was a WT synth from v1.
Also no Fathom or Phaseplant.
Is it because they are semimodular? I guess thst would make it harder to compare.
James
Also no Fathom or Phaseplant.
Is it because they are semimodular? I guess thst would make it harder to compare.
James
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- KVRAF
- 12084 posts since 2 Dec, 2004 from North Wales
Definitely for value!Tj Shredder wrote: Sun Nov 22, 2020 7:49 am Will Vital blow out all these expensive wavetable synths? Possible I‘d say...
It gives Pigments, Serum and Massive X a good challenge even if it wasn't free....
X32 Desk, i9 PC, S88MK3, S1, BWS, Live + PUSH 3, Osmose, RedShift 6 Pro3, Tempera, Syntakt, Digitone II, OP1-F, OPXY, Eurorack, TD27 Drums, Guitars, Basses, Amps and of course lots of pedals!
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- KVRist
- 171 posts since 8 Jun, 2019
They've been discussed at length, but OP will only add them to the top post if the little survey is filled out. I guess nobody bothered.spray14 wrote: Sun Nov 22, 2020 2:53 pm Why doesn't Zebra fit in this list? I always thought it was a WT synth from v1.
Also no Fathom or Phaseplant.
Is it because they are semimodular? I guess thst would make it harder to compare.
James
