spaceman wrote: this thread seems to be a default presets comparison instead of a synth comparison
The "I don't get it" or your 3 overrated synths thread
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- KVRAF
- 4822 posts since 14 Mar, 2002 from Somewhere else, on principle
Ya think?
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- KVRAF
- 4669 posts since 26 Sep, 2005 from U.A.E
presets are not true analog?John Vulich wrote:Ya think?
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- KVRAF
- 11839 posts since 23 Nov, 2004 from west of east
Unless someone is naturally talented with sound design and has an intuitive feel for complex synths, the greater likelihood is that presets are how synths are evaluated and, to some degree at least, how they are used. The suggestions by some that using simpler synths yields better results makes sense because the number of variables isn't overwhelming. Ian's suggestion about randomizing the settings really works better more often than not than trying to coordinate the many settings on complex synths. Keeping track of what was changed to get what result becomes almost impossible anyway, and saving dozens of variations as patches means keeping track of those as well.spaceman wrote:this thread seems to be a default presets comparison instead of a synth comparison
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey
perceiving neither black nor white but shades of grey
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- KVRAF
- 12235 posts since 18 Aug, 2003
I don't think that everybody here is talking about presets, but for a lot of people, synths are the presets.John Vulich wrote:Yeah, I got the same exact feeling myself.spaceman wrote:this thread seems to be a default presets comparison instead of a synth comparison
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- KVRAF
- 4669 posts since 26 Sep, 2005 from U.A.E
presets are our friends!shamann wrote:I don't think that everybody here is talking about presets, but for a lot of people, synths are the presets.John Vulich wrote:Yeah, I got the same exact feeling myself.spaceman wrote:this thread seems to be a default presets comparison instead of a synth comparison
- KVRAF
- 11373 posts since 3 Feb, 2003 from Finland, Espoo
Hmm.. well, maybe I'm alone here then but I definitely meant the sound character of Zebra.. not it's presets (which I also thought were quite bad for the most part).
Cheers!
bManic the preset pimp.. now use my whores! Bitches!
Cheers!
bManic the preset pimp.. now use my whores! Bitches!
"Wisdom is wisdom, regardless of the idiot who said it." -an idiot
"They don't ban hate speech; they ban speech they hate." -an oracle
"They don't ban hate speech; they ban speech they hate." -an oracle
- KVRAF
- 8073 posts since 9 Jan, 2003 from Saint Louis MO
The way I evaluate a synth is to listen to the presets, then tweak them. I'm unlikely to bother with a synth with no presets at all, unless it's a very simple one.
Heh. I like z3ta+ myself, and actively disliked the Virus mod. I tend to roll my own patches or tweak from the "factory" presets.SARcazm wrote:Z3ta was my first bought synth, and, TBH, it initially underwhelmed me. However, the Virus mod really showed off its potential, and it is a go-to synth for me now...
- KVRAF
- 11162 posts since 16 Mar, 2003 from Porto - Portugal
The more complex a synth is, the less probability you have to get something useful out of a randomization routine.ianweb123 wrote:... A good measure of the ultimate complexity of a synth is to put it in Chainer and use the randomise patch feature.. Just see how many useful patches to bezerk ones that you get as a percentage.
So, following your rule, wll end up with plain subtractive synths with two oscillators, filter and amplifier. Add to this just a matrix modulation with say, 10 slots, and the possibility to get useful results out of a randomization process will fall drastically.
Fernando (FMR)
- KVRAF
- 11162 posts since 16 Mar, 2003 from Porto - Portugal
Seems like you hate FM synths. Perhaps if you try to study a little in order to understand them, you would change your mind. I am currently reviewing the major FM synths available (FM8, Blue, Octopus, Rhino, Sytrus, Toxic III), and found all of them to be great synths, although very different. All of them go way beyond plain and simple FM, too, adding resynthesis, additive, Ring Modulation, Waveshaping, etc.pascual wrote:For me it's all those FM synths.
They are always seen as the cat's pijamas, or Tarzans mother; but no matter how much i try to like them they all sound like cheap background music for some second rate beauty pagent.
It's that glassy cheesiness that i really can't stand! I hate Fm e-pianos, and i loath any fm bell sounds. Add to that the complicated nature of programming them and forget it!
I don't want no Sytrus, i don't want no FM 7 or 8 or 9 and you can also keep toxic.
They are complex, true, and we can easily get lost, but what we can get out of them is fantastic. So, I think you should pay a little more attention to FM itself, and the FM synths out there. There is a world beyond subtractive waiting for you.
Fernando (FMR)
- KVRAF
- 8644 posts since 2 Oct, 2006 from Leeds, UK
Thats why i didn't say absynth3 but in my case i got it in the niversary sale.Abs has a lot untapped potential but for me it's a pita to program!spaceman wrote:you can make it as complex or as simple as you want.. and no matter how you look at it, a zebra patch with just one oscillator and a filter can blow your head off. It just takes some basic programming skills and a few minutes of your timeTronam wrote:Someone really hit the nail on the head earlier with regards to complex synths like Zebra 2. Just because there are a million features doesn't mean that you have to feel compelled to use them all. When the possibilites are that vast, I think a lot of people get carried away and invariably end up in outer space before too long. When you look at a lot of the included sound banks, many of the patches look like as though the author was trying to use every kind of oscillator, filter, LFO, fx and envelope type simply because they could and not because they were trying to produce a musical sound. There's this tendency to want to create 1-finger wonder patches instead of something someone might actually want to use in a tune. Not everyone composes ambient space music.
this thread seems to be a default presets comparison instead of a synth comparison
Well as hands on as possible with my midi controller
I buy a synth for what it's capable of,not the presets that come with it
Oh and the legacy cell
Peace
Latest release and Socials: https://linktr.ee/ph.i.ltr3
- KVRAF
- 8700 posts since 9 Jan, 2004 from leroyaumeuni
well, then you can't say "a synth that dissapoints" but instead "a synth with dissapointing presets"shamann wrote:I don't think that everybody here is talking about presets, but for a lot of people, synths are the presets.John Vulich wrote:Yeah, I got the same exact feeling myself.spaceman wrote:this thread seems to be a default presets comparison instead of a synth comparison
That's like saying a ferrari is crap because your 5 year old nephew can't drive it
My other host is Bruce Forsyth
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- KVRAF
- 12235 posts since 18 Aug, 2003
But if for a lot of people a synth is its presets, the two statements are roughly the same thing.spaceman wrote:well, then you can't say "a synth that dissapoints" but instead "a synth with dissapointing presets"shamann wrote:but for a lot of people, synths are the presets.
And didn't the Imperial Government of the Holy Interweb pass a law banning car analogies?
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- KVRAF
- 10597 posts since 13 Jun, 2004 from Alberto Balsam
I assume some might not like the interface, but other than that I dont see how anyone could not like it (same for absynth). They do friggin EVERYTHING and do it well, imo.stanlea wrote:I insist... why do some people dislike WusikStation ? (well, I'm not affiliate with William...you can talk)
