Sure worth checking out. Thanks.machinesworking wrote: Tue May 05, 2020 7:12 amThe Slate Raven has on screen modifier keys so it would be possible with one of them if your DAW is supported. I would bet you could get some sort of app for Windows surfaces that would do a similar task. Worst case scenario you could modify a keyboard to hold that key down or make it a toggle switch.Niowiad wrote: Tue May 05, 2020 6:36 am My bad I didn't explain it fully.
My idea is always to have my left hand on the keyboard and the right hand on the GUI, and play notes/chords at the same time as I program the patch, somehow similar to how it's done on hardware synths.
I'm currently able to do this because I have CTRL/SHIFT/ALT mapped to my mouse (a cheap but very functional Logitech G300), but I don't know how that's going to work out with a touchscreen.
Unless I map the mouse modifiers to foot switches
PLASMONIC - A new synth from Brian Clevinger
- KVRian
- 1244 posts since 25 Jan, 2017
- Banned
- 10729 posts since 17 Nov, 2015
who?experimental.crow wrote: Tue May 05, 2020 1:25 ambrian clevinger ...claudedefaren wrote: Mon May 04, 2020 7:08 am So, the marketing videos just make this look like a physical modeling synth like you might find in reaktor, plus some filters.
I am a huge huge fan of absynth but I'm honestly failing to understand the hype about this. Absynth seems a lot more powerful. What am I missing?
And yes the GUI is terrible and yes that makes a huge difference in its ability to sell. It's ok. Breathe.
It seems like over the last few months there have been features added that aren't in the marketing videos...
Can someone summarize what makes this so special? How is this different than using a physical modeling synth in reaktor and hooking up a filter to it?
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- KVRist
- 344 posts since 29 May, 2001
brian clevinger is the programmer of absynth. absynth is an amazing synth.
this gives hope that plasmonic has the chance to be awesome,too.
in fact in the sea of synth copies of hardware pieces this thing could be very awesome.
i hope for even more expressive/organic sounds than absynth
this gives hope that plasmonic has the chance to be awesome,too.
in fact in the sea of synth copies of hardware pieces this thing could be very awesome.
i hope for even more expressive/organic sounds than absynth
- KVRist
- 186 posts since 4 Jan, 2007
There aren't that many physical modelling synths around with MPE implementations. I would buy a license for Chromophone 2 in an instant if it would have some MPE capabilities. Madrono labs comes in the picture but I don't know them.
High hopes here for Plasmonic
From a personal communication with Brian :
“Yes, MPE control sources will be assignable to almost all parameters.
I’m looking forward to hearing what MPE players will do with Plasmonic!”
High hopes here for Plasmonic
From a personal communication with Brian :
“Yes, MPE control sources will be assignable to almost all parameters.
I’m looking forward to hearing what MPE players will do with Plasmonic!”
- KVRAF
- 18492 posts since 26 Jun, 2006 from San Francisco Bay Area
https://madronalabs.com/Cepheus wrote: Tue May 05, 2020 1:42 pm There aren't that many physical modelling synths around with MPE implementations. I would buy a license for Chromophone 2 in an instant if it would have some MPE capabilities. Madrono labs comes in the picture but I don't know them.
High hopes here for Plasmonic
From a personal communication with Brian :
“Yes, MPE control sources will be assignable to almost all parameters.
I’m looking forward to hearing what MPE players will do with Plasmonic!”
It’s Madrona Labs, and they are excellent in every way. Aside from their hardware MPE instrument, Soundplane, they’re probably best known for Aalto, which is an MPE enabled “west coast” style (synthesis made famous by Buchla that uses complex oscillators and control instead of basic subtractive synthesis) semi-modular polyphonic synth that’s one of the best of it’s kind. I’m less familiar with their Physical Modeling/Granular synth, Kaivo. I passed on it... for some reason. I can’t quite remember why. I know I didn’t have a Roli Rise at the time, so maybe I just felt like it wasn’t something I’d use a lot. I have no idea how Plasmonic will compare to Kaivo, but I imagine it’ll be easily as good, but different. I’ll probably end up with both at some point, as MPE has become really important to me and I’m always on the hunt for good instruments.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
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experimental.crow experimental.crow https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=6258
- KVRAF
- 6895 posts since 9 Mar, 2003 from the bridge of sighs
i'll echo those sentiments re: Madrona Labs ...zerocrossing wrote: Tue May 05, 2020 2:09 pmhttps://madronalabs.com/Cepheus wrote: Tue May 05, 2020 1:42 pm There aren't that many physical modelling synths around with MPE implementations. I would buy a license for Chromophone 2 in an instant if it would have some MPE capabilities. Madrono labs comes in the picture but I don't know them.
High hopes here for Plasmonic
From a personal communication with Brian :
“Yes, MPE control sources will be assignable to almost all parameters.
I’m looking forward to hearing what MPE players will do with Plasmonic!”
It’s Madrona Labs, and they are excellent in every way. Aside from their hardware MPE instrument, Soundplane, they’re probably best known for Aalto, which is an MPE enabled “west coast” style (synthesis made famous by Buchla that uses complex oscillators and control instead of basic subtractive synthesis) semi-modular polyphonic synth that’s one of the best of it’s kind. I’m less familiar with their Physical Modeling/Granular synth, Kaivo. I passed on it... for some reason. I can’t quite remember why. I know I didn’t have a Roli Rise at the time, so maybe I just felt like it wasn’t something I’d use a lot. I have no idea how Plasmonic will compare to Kaivo, but I imagine it’ll be easily as good, but different. I’ll probably end up with both at some point, as MPE has become really important to me and I’m always on the hunt for good instruments.
first class product , from basically a one man show ...
quite fond of aalto , on the fence about kaivo , looking forward to sumu ...

- KVRAF
- 26990 posts since 3 Feb, 2005 from in the wilds
Kaivo is sonically very impressive. The modeling quality is better than most modeling synths... especially with MPE and doing pitch slides, there is a very natural quality to the result. Modeling percussion and string instruments is its strength... just the granular part for pads and such is not particularly noteworthy.zerocrossing wrote: Tue May 05, 2020 2:09 pmhttps://madronalabs.com/Cepheus wrote: Tue May 05, 2020 1:42 pm There aren't that many physical modelling synths around with MPE implementations. I would buy a license for Chromophone 2 in an instant if it would have some MPE capabilities. Madrono labs comes in the picture but I don't know them.
High hopes here for Plasmonic
From a personal communication with Brian :
“Yes, MPE control sources will be assignable to almost all parameters.
I’m looking forward to hearing what MPE players will do with Plasmonic!”
It’s Madrona Labs, and they are excellent in every way. Aside from their hardware MPE instrument, Soundplane, they’re probably best known for Aalto, which is an MPE enabled “west coast” style (synthesis made famous by Buchla that uses complex oscillators and control instead of basic subtractive synthesis) semi-modular polyphonic synth that’s one of the best of it’s kind. I’m less familiar with their Physical Modeling/Granular synth, Kaivo. I passed on it... for some reason. I can’t quite remember why. I know I didn’t have a Roli Rise at the time, so maybe I just felt like it wasn’t something I’d use a lot. I have no idea how Plasmonic will compare to Kaivo, but I imagine it’ll be easily as good, but different. I’ll probably end up with both at some point, as MPE has become really important to me and I’m always on the hunt for good instruments.
I don't use it as much as I might as the CPU use is fairly high and it uses the same CPU whether you are playing notes or it is idle.
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- KVRAF
- 2000 posts since 5 Jan, 2003 from Brookings, OR
Hmmm…as a total PM addict, I spend a LOT more time with Kaivo than I ever manage to do with Aalto…
Falcon's Pluck osc is similar in that it uses any sample as an impulse, but of course, not anything like as wild:) Love 'em both; can't wait to see Plasmonic.
Falcon's Pluck osc is similar in that it uses any sample as an impulse, but of course, not anything like as wild:) Love 'em both; can't wait to see Plasmonic.
Last edited by David on Wed May 06, 2020 9:43 pm, edited 1 time in total.
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- KVRAF
- 7540 posts since 7 Aug, 2003 from San Francisco Bay Area
Kaivo is also excellent. The key innovation there is the use of a granular sample based oscillator as the exciter for the physical modeling resonator, along with the same modular architecture as Aalto.
I wish AAS would get their act together regarding MPE support, but I guess it isn’t a priority for them.
Right now I mostly turn to my Continuum (and soon Osmose) for physical modeling. Also the resonator oscillators in the Quantum. I’m hoping that Plasmonic will offer a really excellent software-only alternative with full MPE support.
I wish AAS would get their act together regarding MPE support, but I guess it isn’t a priority for them.
Right now I mostly turn to my Continuum (and soon Osmose) for physical modeling. Also the resonator oscillators in the Quantum. I’m hoping that Plasmonic will offer a really excellent software-only alternative with full MPE support.
Incomplete list of my gear: 1/8" audio input jack.
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- KVRAF
- 5201 posts since 16 Nov, 2014
I‘m interested in Plasmonic, especially since he wants to add something like sympathetic resonance.
(Otherwise Sculpture is still my favorite, nothing morphs so nice between timbres).
(Otherwise Sculpture is still my favorite, nothing morphs so nice between timbres).
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- KVRAF
- 2000 posts since 5 Jan, 2003 from Brookings, OR
In the Kaivo/Falcon-Pluck vein, I'm loving the Modal Filter with any sort of osc available as an exciter, but esp. The Sampler, in Melda's MSF. Sweet stuff, and also MPE capable. Check out this video for an interesting demo using a drum synth trigger, but making full use of the Modal filter's unique features:
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- KVRAF
- 7540 posts since 7 Aug, 2003 from San Francisco Bay Area
Ah right, good call on the Melda MSF. I haven’t spent enough time with it to feel comfortable moving around the interface yet. It seems like every tiny button tucked away in the corner of the interface opens up an entirely different complex editor full of its own tiny buttons tucked away in the corners of the interface, and so on. Chandler’s videos are a big help in wrapping your head around it. There is a lot of potential there to make physical models of anything you want, in a very open-ended sandbox sort of way.David wrote: Tue May 05, 2020 2:49 pm In the Kaivo/Falcon-Pluck vein, I'm loving the Modal Filter with any sort of osc available as an exciter, but esp. The Sampler, in Melda's MSF. Sweet stuff, and also MPE capable. Check out this video for an interesting demo using a drum synth trigger, but making full use of the Modal filter's unique features:
Incomplete list of my gear: 1/8" audio input jack.
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- KVRAF
- 2000 posts since 5 Jan, 2003 from Brookings, OR
I'm kinda relieved to hear that having access to the synth engine in the Continuum hasn't wiped out any further interest in other more obtainium-based PM devices:) What's the Quantum?deastman wrote: Tue May 05, 2020 2:41 pm …
Right now I mostly turn to my Continuum (and soon Osmose) for physical modeling. Also the resonator oscillators in the Quantum. I’m hoping that Plasmonic will offer a really excellent software-only alternative with full MPE support.
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- KVRAF
- 2000 posts since 5 Jan, 2003 from Brookings, OR
You got THAT right! Which drives many bonkers, but I love. Many mansions!It seems like every tiny button tucked away in the corner of the interface opens up an entirely different complex editor full of its own tiny buttons tucked away in the corners of the interface, and so on.
