KVR Audio

pinkjimiphoton · Post by **pinkjimiphoton** » Fri Oct 03, 2008 9:30 pm

http://www.uv.es/%7Eruizcan/betas/plugi ... nia_08.zip

pinkjimiphoton · Post by **pinkjimiphoton** » Fri Oct 03, 2008 9:32 pm

http://web.archive.org/web/200601050750 ... _v1.01.rar

pinkjimiphoton · Post by **pinkjimiphoton** » Fri Oct 03, 2008 9:36 pm

http://pquenin.free.fr/pqnaudio/gatemas ... temask.zip

pinkjimiphoton · Post by **pinkjimiphoton** » Fri Oct 03, 2008 9:38 pm

http://web.archive.org/web/200510271756 ... verser.zip

pinkjimiphoton · Post by **pinkjimiphoton** » Fri Oct 03, 2008 9:40 pm

http://www.service-1.de/music/filterbank.zip

pinkjimiphoton · Post by **pinkjimiphoton** » Fri Oct 03, 2008 9:41 pm

Balls

This plug allows 4 'Ball Bearings' to bounce on in the incoming audio. There are a variety of parameters which control the resultant sound:

Size of ball: length of sample taken
Weight of ball: 'Loudness' of sample playback
Squidgyness of ball: Oh yes! Virtual Ball Bearings can morph into soggy wet paper bags... A Low value will give more bounces, a High value fewer (have you ever tried playing tennis with a soggy wet paper bag?)
Height ball dropped from: determines the time between 'Bounces'
Pan: ..you can work that one out...
Boing: determines whether the sample 'boings' (actually LP/HP filter)
Rez: ..again, I won't patronise you!
Spatial: just listen..
Bouncing: now here I draw the line - if you can't get this one...

Once a bounce has run it's course, it automatically bounces again.

Each ball is fully automatable via VST automation.
I was going to make it all random, but then the good take/ bad take thing could really irritate people.
Like the Titanic, this plug is virtually unsyncable. With some art, you could get it in shape, but it doesn't care about tempo - it drops balls.

There is NO physical modelling here.
I ignored Newton too.

The deterioration of the bounce is driven by the Squidgyness.
When the current loudness falls below a predetermined level, or the gap between bounces is negligable, the bounce is restarted.

If anything this uses a Kerplunk/Phong algorithm - you get nicely shaded marbles on your audio.

Let me know what you think.

http://www.dsparsons.co.uk/Balls.zip

pinkjimiphoton · Post by **pinkjimiphoton** » Fri Oct 03, 2008 9:42 pm

Samplexer

Samplexer uses simple pitch shifting, so playback speed will vary in proportion to pitch. Pitches are relative to middle A (440 Hz), so if you record a short A minor arp, playing a C will trigger it in Cm, etc. Of course, you're not limited to arpeggios. A sample can be any audio, up to 1 minute in length.

Recorded samples can be trimmed non-destructively at the start and/or end, or a trim can be made permanent with "Save Trim". Undo is available for both recording and "Save Trim". Samples can also be copied and pasted from one slot/bank to another.

All controls are MIDI automated, and you can easily assign any control to any MIDI controller. Just press the Learn button, click or move a button or slider on Samplexer, then move the control on your MIDI controller. That's it!

http://www.dehaupt.com/SynthEdit/Softwa ... V1.0.1.zip