Also, "real" Oberheim would be also postprocessed, as someone already pointed out.
You're nitpicking
No he used to get some attention and im not nitpicking, im stating fact. Because shelfing equing out half of the frequencies wount show you how good the sound is when it doesnt run thro various processors. Same also if you will apply saturation or compression.Kumi_27 wrote:It doesn't change the fact, that all this post processing doesn't make an OB-X a synth capable of everything, and Wag used it just to illustrate the point.
You're nitpicking
There isn't any point in posting a 'song'. There is no referrence. No A-B. Pointless (and useless (imho), for that matter)Kumi_27 wrote:It doesn't change the fact, that all this post processing doesn't make an OB-X a synth capable of everything, and Wag used it just to illustrate the point.
Also, "real" Oberheim would be also postprocessed, as someone already pointed out.
You're nitpicking
Is it wrong? I don't think so.sounding better than everything else that's come out since is a bit of a stretch. For one thing, it has a very limited sound pallet. There are tons of sounds that it simply can't make.
Kumi_27 wrote:Yes, of course.
But what is You're trying to point out? Because what he stated is true
Is it wrong? I don't think so.sounding better than everything else that's come out since is a bit of a stretch. For one thing, it has a very limited sound pallet. There are tons of sounds that it simply can't make.
Ive stated my point above, please read again, wags song posts in topics are irrelevant of how good synth sounds. But as of right now you are going to different direction by pointing out something different and i really dont understand whats your point of all that at all?Elektronisch wrote:Exactly because you dont give a crap about anything dont take critisism and being arrogant and beyond others is the reason why you feel like being attacked (and later probably really getting attacked).
Where do you see written in such topics "post a song where you used this or another synth"? You see you put your music out of nowhere then you get critisism and you start raging how others are being dicks to you and how its theyr fault. Dont you realise that you who is actually being a dick to others and you ask this by yourself? Behave and treat others like you would want to be treaten by others and you wount get "attacked".
With adding an EQ or a bass boost plugin like e.g. Waves OneKnob Phatter i could also get a great low end for Arturia SEM V2 and Arturia Matrix-12 V2 and several other plugins. Matrix-12 V2 in terms of features is unmatched by any other Oberheim emulation anyway and the overall sound is great IMO.Elektronisch wrote: Yes i am because this song is not related due to the fact that for a mixdown you still have to use post processing, like eq, reverbs, compression. Even with a trained ear you wouldnt be able to tell a difference between OPX or OBDX or in this case basicly any analog emulation. Other then that there are other sounds that are not comming from synthesizer like claps, tambourine ect and famous vocaloid screaming all over the track.
Its not cheating no argue in that. But pont here is in wags cases when he tries to point out how synth sounds he uses his songs wich is irrelivent and also it brings then critisism, wags is unhappy, then guy curses everyone at KVRIngonator wrote:With adding an EQ or a bass boost plugin like e.g. Waves OneKnob Phatter i could also get a great low end for Arturia SEM V2 and Arturia Matrix-12 V2 and several other plugins. Matrix-12 V2 in terms of features is unmatched by any other Oberheim emulation anyway and the overall sound is great IMO.Elektronisch wrote: Yes i am because this song is not related due to the fact that for a mixdown you still have to use post processing, like eq, reverbs, compression. Even with a trained ear you wouldnt be able to tell a difference between OPX or OBDX or in this case basicly any analog emulation. Other then that there are other sounds that are not comming from synthesizer like claps, tambourine ect and famous vocaloid screaming all over the track.
Some people are calling the use of a EQ "cheating" but i do not care about that...
Anyway some of the synths just mentioend already got a nice low end without adding any EQ.
Already got Repro-1 and now waiting for Repro-5...
I already said - the point was "OP-X is not best of all and best for all", and said that the song was just an addition. Illustration. Maybe not best one, okay. Personally I don't like Wag's style of music, but I'm not the whole world.Elektronisch wrote:Ive stated my point above, please read again, wags song posts in topics are irrelevant of how good synth sounds. But as of right now you are going to different direction by pointing out something different and i really dont understand whats your point of all that at all?
It's not, and moreover, these arguments come up every once in a while and they're not based on anything of substance. Ten year old synth technology sounds like ten year old synth technology except where ten year old synth technology is indistinguishable from contemporary synth technology.Kumi_27 wrote:Yes, of course.
But what is You're trying to point out? Because what he stated is true
Is it wrong? I don't think so.sounding better than everything else that's come out since is a bit of a stretch. For one thing, it has a very limited sound pallet. There are tons of sounds that it simply can't make.
I did not understud your point at all at first because my point was to point out why Wags gets attacked. And you start to point out something entirely different. Look my english is not native language, but i clearly replied and stated to the part part below, if you see some different meaning or point, its not my fault.Kumi_27 wrote:I already said - the point was "OP-X is not best of all and best for all", and said that the song was just an addition. Illustration. Maybe not best one, okay. Personally I don't like Wag's style of music, but I'm not the whole world.Elektronisch wrote:Ive stated my point above, please read again, wags song posts in topics are irrelevant of how good synth sounds. But as of right now you are going to different direction by pointing out something different and i really dont understand whats your point of all that at all?
You largely ignored that point and instead insisted, that the song was irrelevant.
If it was irrelevant, You could just ignore it and argue about the point.
Which is "OP-X Does Not Sounds Better Than Anything Else".
Because it doesn't and probably we can conclude the thread with this
wagtunes wrote:Except it goes way beyond that.
Vocals? Nobody likes Vocaloid vocals around here. I can't do anything about that. I can't sing. Period.
The tambourine? Fine, I go turn that down a couple of DB or EQ it some more and recompile. Takes 5 minutes.
Guess what?
The people here who despise the ground I walk in will find something else to rip apart.
That's why I don't give a crap about what these guys say because in their case, it's out of hatred and it will be never ending.
That's why none of this is worth anymore time than I've already given it which is way too much time.
Same here. Probably something got a bit lost between three languages. So, peaceElektronisch wrote:Look my english is not native language, [...], if you see some different meaning or point, its not my fault.
I posted a song also, but you check out this A/Bexmatproton wrote:There isn't any point in posting a 'song'. There is no referrence. No A-B. Pointless (and useless (imho), for that matter)Kumi_27 wrote:It doesn't change the fact, that all this post processing doesn't make an OB-X a synth capable of everything, and Wag used it just to illustrate the point.
Also, "real" Oberheim would be also postprocessed, as someone already pointed out.
You're nitpicking
1. Oberheim is not newer than OP-X Pro IIelectro wrote:Sonic Projects OP-X Pro II with a 10 year old synthesis engine still has better sounds than just about all the newer synths.
Submit: News, Plugins, Hosts & Apps | Advertise @ KVR | Developer Account | About KVR / Contact Us | Privacy Statement
© KVR Audio, Inc. 2000-2026