"Mojo" EQ of choice for mix/master buss?

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Ploki wrote: Fri Dec 11, 2020 9:46 pm
sleepcircle wrote: Fri Dec 11, 2020 9:37 pm i saw someone recommend acustica for master bus stuff, but i heard it does weird stuff to transients and can leave "chirping noises" in the mix, so i'd look out for anything like that when you're experimenting.
Yep. I personally wouldn’t use acustica on the master bus.
It is possible, and to good effect. I pay special attention when I am working with anything from AA. I listen more closely and I try and see how far I am from bad sounding artifacts so I know much headroom there is. I find AA tech has a sort of sweet spot of operation and if I can work within it, it can sound great. But it can also not work depending on the source and what you are going for.

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I use Acustica EQs on my master buss all the time. No issues.
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VSTi and hardware synth sound design
3D/5D sound design since 2012

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They just need a lot of baby sitting, especially as you near fullscale
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softube/ni passive eq is what lives on my master, but if I want to replace it with a more colored one it would be between lindell te-100 and more recently psp mcq

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SonEQ Pro as it's really smooth.

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SlickEQ M

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TDR SlickEQ Mastering
TDR VOS SlickEQ GE

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acYm wrote: Sat Dec 12, 2020 3:41 am softube/ni passive eq is what lives on my master, but if I want to replace it with a more colored one it would be between lindell te-100 and more recently psp mcq
One of the best in the box mastering EQs. The only one that beats it is TDR Slick EQ M.

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I'd put EQuilibrium at the top of the pile for versatility and sound quality, although it doesn't add any mojo. Slick EQ M for ease of use, the sound quality is up there with EQuilibrium, AND you have the ability to add in as much or as little mojo as you like, two different types in fact.

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+1 for TDR Slick EQ M, as this one is indeed a really versatile & useful Tool.
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Edited
Last edited by Vortifex on Sun Apr 16, 2023 1:15 pm, edited 1 time in total.

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Depends, I would say. Mine was an Auto - Balancing kind of Mojo on the Master; yet most people seemed to have the 'non - linearities' in Mind, as it seems.
You can be creative in any right place on Earth, and not only in the wealthiest cities. Bring the world feelings from everywhere, and not only feelings of capitalistic or jail environment.
― Aleksey Vaneev


https://linuxdaw.org

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Vortifex wrote: Mon Dec 14, 2020 5:24 pm What definition of mojo are people thinking of when they recommend plugins that don't colour the sound?
For me mojo in an EQ is anything beyond clear/transparent sound. This "mojo" can be a combination of distortion and the sonic nature of the EQ curves and their audible interactions.

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Also, with some EQs it's about something 'impactful' that is imprinted by the EQ onto the program material, where the sound is very audibly transformed in a way that 'gentler' more transparent EQs can't do. This is why I like AA Gold, it's got an authoritative sound that I can't get from my other ('algo') EQs. Just a small boost adds this element, this 'in-your-face' tone. Same with the DiamondEQ, and many otherAA EQs. DDMF 6144 is also similar to this, but when compared to my AA EQs, I prefer the AA offerings.
http://www.electric-himalaya.com
VSTi and hardware synth sound design
3D/5D sound design since 2012

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PSP E27 - very musical, great on guitars and vocals - hi-mojo
Bettermaker - great tonality, only demo'd it and it definitely has mojo - hi-mojo
museq - classic coloring, only demo'd, sounds clean but adds subtle weight and clarity - hi-mojo
Radiator - great on vocals - hi-mojo
Harrison 32C - haven't used but people like the color it imparts
MAutoDynamicEQ - super clean, oversampling, analog warmth and saturation, great on everything - lo/med/hi-mojo
Pultec Emulations - UAD (ftw/consensus), Waves, Softube, Tube-Tech... - med-mojo
Maag EQ 4 - very musical too, great on vocals and orchestral/symphonic - med-mojo
API 550/560 - great for drum and bass - med-mojo
Last edited by Mathematics on Tue Dec 15, 2020 9:28 am, edited 1 time in total.
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