Ah, but you don't always want greater control with more intuitive matching. Sometimes you want the "Pultec Trick", which I would argue is as much about the workflow as it is about the curves.Unaspected wrote: Thu Oct 20, 2022 3:35 amThat's correct - but if I were emulating it with a parametric EQ, I'd probably use a low shelf and a bell as I think this would afford greater control, might be more intuitive and easier/quicker to match the response.imrae wrote: Wed Oct 19, 2022 11:39 am I believe the trick to achieving Pultec-like workflow/curves using a parametric EQ is to have two competing low-shelf filters (with cut higher than boost),
not a low shelf boost and low peak cut.
Recommendation for neutral-sounding broad strokes EQ (no curves view)
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- KVRAF
- 2720 posts since 2 Jul, 2010
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- KVRAF
- 3086 posts since 4 May, 2012
True. My main thinking was that, as the OP stated they didn't want vibe (saturation/distortion) then a basic parametric EQ would suffice for this. It could be set up and saved as a preset for other projects - though I think it's pretty simple to achieve on the fly, by ear. I wanted to demystify this "trick" and show that pretty much all audio processing can be broken down into simple principals, rather than suggest unnecessary expenses - which I, of course, abandoned in my follow up post.imrae wrote: Thu Oct 20, 2022 4:59 pmAh, but you don't always want greater control with more intuitive matching. Sometimes you want the "Pultec Trick", which I would argue is as much about the workflow as it is about the curves.Unaspected wrote: Thu Oct 20, 2022 3:35 amThat's correct - but if I were emulating it with a parametric EQ, I'd probably use a low shelf and a bell as I think this would afford greater control, might be more intuitive and easier/quicker to match the response.imrae wrote: Wed Oct 19, 2022 11:39 am I believe the trick to achieving Pultec-like workflow/curves using a parametric EQ is to have two competing low-shelf filters (with cut higher than boost),
not a low shelf boost and low peak cut.
