makes sense!
OEKSOUND Bloom (NEW)
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simon.a.billington simon.a.billington https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=341278
- KVRAF
- 2596 posts since 12 Nov, 2014
Yeah it reminds me of a similar tool iZotope has for its Neutron suite, Sculptor.Havok wrote: Thu Jan 25, 2024 5:59 pm A bit more detail on it:
"Bloom is an adaptive tone shaper. It analyzes the character of a signal and applies corrections to the perceived tonal balance for a more even and refined sound.
This lets the user shape the tone and character of a track, for example by adding warmth, brightness, or clarity. Bloom’s adjustments are dynamic and context-aware. This makes the plug-in quick and intuitive to use and helps keep the material sounding natural even when making radical changes.
When its main “amount” control is turned up, Bloom aims to make the sound more balanced. It does this in a way that is context-aware, constantly changing based on input, and tuned by ear by oeksound’s engineers. The result can work as an efficient starting point in the mixing process, offering a quick way to even out and refine the tonal characteristics of a sound.
Four frequency balance sliders can be used to further shape the tone to taste, enabling both fine adjustments and radical transformations. These sliders change the overall tonal balance that Bloom is working towards, rather than making absolute cuts or boosts as found in an EQ. An additional squash mode engages a form of frequency- dependent compression. Other features include attack and release controls, mid/side operation and low-latency mode.
Bloom is oeksound’s first studio plug-in in four years, following Soothe (2016), Spiff (2018), and Soothe2 (2020). Its philosophy is similar to oeksound’s previous plug- ins: using highly efficient algorithms, tuned by ear, to shape audio in quick and musical ways. But Bloom steps away from explicit problem-solving and towards color and tone- shaping. It can be used to fix audio, but also to sculpt it creatively."
I can't say which one is better, it's not for me to decide as "best" is highly subjective to users and a given content.
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- KVRist
- 300 posts since 19 Jul, 2016
What does “context-aware” mean in this…context? What context are they referring to? The genre of the music? The timbre of an instrument? The density of the overall sound of the track?
- KVRAF
- 11322 posts since 18 Aug, 2007 from NYC
From the videos, context-aware seems to refer to the incoming content, as in it will react different to a vocal vs a guitar or synth.tonycore wrote: Mon Jan 29, 2024 5:25 pm What does “context-aware” mean in this…context? What context are they referring to? The genre of the music? The timbre of an instrument? The density of the overall sound of the track?
It seems the intended use is per instrument, not an entire mix
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- KVRist
- 300 posts since 19 Jul, 2016
Thanks - I gather “context-aware” means it analyses some aspect or aspects of the incoming signal and applies some sort of processing based on that analysis. I would be very interested in some further info about that analysis, what aspects of the sound are they looking at, and also how that analysis is applied to their processing. I suspect we’ll never get a lot of detail on that, so it’s going to be an “if I like the sound of what it does, I might buy it” kind of thing…I do like Oeksound plugins that I have...
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- KVRist
- 93 posts since 14 Feb, 2023
I’m willing to bet that “context aware” just means it’s dynamically adjusting to input frequencies. Watching the video it appears to be just like Gullfoss (or stabilizer, TEOTE or wavesfactory equalizer, take your pick of these plugins) BUT you can adjust the curve yourself with those sliders (which none of the others can do). This allows for it to be a powerful tone shaping tool and imo a worthy evolution of the concept if executed well.
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simon.a.billington simon.a.billington https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=341278
- KVRAF
- 2596 posts since 12 Nov, 2014
This is pretty much as I understand it. But an AI would have studied thousands of examples of what am ideal, good sounding instrument should sound like and use that as a baseline in knowing what to adjust.motomotomoto wrote: Tue Jan 30, 2024 4:21 am I’m willing to bet that “context aware” just means it’s dynamically adjusting to input frequencies. Watching the video it appears to be just like Gullfoss (or stabilizer, TEOTE or wavesfactory equalizer, take your pick of these plugins) BUT you can adjust the curve yourself with those sliders (which none of the others can do). This allows for it to be a powerful tone shaping tool and imo a worthy evolution of the concept if executed well.
But the user has the capability to intervene or completely veto the results to shape it according to the context inside an entire mix and their own personal needs.
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- KVRist
- 93 posts since 14 Feb, 2023
I’m not aware of any plugins like this using any “ai” curve creation. As far as I know they are all pink noise curve based. Izotope and smart eq have profiles that are instrument trained but those are static eq based afaik.simon.a.billington wrote: Sat Feb 03, 2024 12:04 amThis is pretty much as I understand it. But an AI would have studied thousands of examples of what am ideal, good sounding instrument should sound like and use that as a baseline in knowing what to adjust.motomotomoto wrote: Tue Jan 30, 2024 4:21 am I’m willing to bet that “context aware” just means it’s dynamically adjusting to input frequencies. Watching the video it appears to be just like Gullfoss (or stabilizer, TEOTE or wavesfactory equalizer, take your pick of these plugins) BUT you can adjust the curve yourself with those sliders (which none of the others can do). This allows for it to be a powerful tone shaping tool and imo a worthy evolution of the concept if executed well.
But the user has the capability to intervene or completely veto the results to shape it according to the context inside an entire mix and their own personal needs.
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- KVRist
- 300 posts since 19 Jul, 2016
It seems to me that training on pink or white noise would not be much different than our just applying a spectral compressor such as MSpectral or DSM Pro or Ceilings of Sound with their pink or white noise curve invoked...just musing here...
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- KVRAF
- 1637 posts since 28 Jul, 2006
Anyone know how this compares to Pigments 5?
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- KVRist
- 171 posts since 27 Aug, 2009
The synth?
Yorgos Simeonidis
- Banned
- 197 posts since 22 Aug, 2023
pigments is a synth , bloom is a fx...
**dark music for dark lovers**
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- KVRAF
- 6780 posts since 17 Dec, 2009
this has to be a reference to some other thread here lol
enCiphered wrote: Thu Jan 25, 2024 7:11 pm Sounds lovely. And those vibrant colors! How does it compare to Pigments 5?
- KVRAF
- 8037 posts since 28 Dec, 2015 from Atlantis Island
Yes, I do know.
But I don't tell.
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental

