What is the Absolute Cheapest Simplest Multi-Track Recording Set-Up?
- KVRAF
- 25015 posts since 12 Jul, 2003 from West Caprazumia
- KVRAF
- 25015 posts since 12 Jul, 2003 from West Caprazumia
Use shorter cables.VOODOO U wrote: Wed Oct 16, 2024 8:34 pmExtra chump change for XLR inputs is a no-brainer.Yes, it's a no-brainer to leave it and go with an Tascam DP-006 for less instead.
The point is that the DP-006 is a very cheap little DAW in a box (i.e. it includes basic DAW functions).
The Zoom however is a small, high-quality portable recorder (i.e. it doesn't include basic DAW functionality) - it's a different kind of device for a different purpose.
Zoom does however have several DAW in a box type of products as well too (some of which had been mentioned here already).
- KVRian
- 1166 posts since 20 Oct, 2023
Or I could use XLR. See how easy that is? And I get the length. God bless mother Mary.
Looks like you're the one that need to re-read. The OP wants a cheap multi track recorder set up with minimum 4-tracks (if 200 is expensive they need to stick with karaoke at the bar). There is no request for DAW features going beyond recording. If I.missed it somehwere that they need a full modular grid and a looping clip arena then gee sorry me I'll ask virgin mary to forgive me.The point is that the DP-006 is a very cheap little DAW in a box (i.e. it includes basic DAW functions).
The Zoom however is a small, high-quality portable recorder (i.e. it doesn't include basic DAW functionality) - it's a different kind of device for a different purpose.
Zoom does however have several DAW in a box type of products as well too (some of which had been mentioned here already).
- KVRian
- 991 posts since 24 May, 2024
I used to own a TASCAM DP-6 (?) it was really wimpy and took a very long time to process edits.
It might be the cheapest, but to what end?
It might be the cheapest, but to what end?
-
- KVRist
- 69 posts since 15 Jul, 2013 from Tirol, Austria
Zoom R8. Enormous bang to buck ratio. Honestly packed to the rafters with nifty features.
24bit recording makes using the onboard mics more feasible than the Tascam stuff which is only 16bit and quite shite in the SNR department.
Onboard DSP for fun shit like insert and send FX, amp/cab combos, mic modelling, etc.
Sampler and semi-decent drum machine included (has some sounds from the Zoom rt-123 which was a blast a couple decades ago) which sounds actually not bad when you render to stereo with some insert FX. Even comes with a few hundred MIDI loops ready for lift off to boot.
8 mono tracks but can be easily stereo linked and obviously bouncing capabilities etc. 2 ins with XLR for recording 2 channels at once. Phantom power, 1 in doubles as a guitar input, it's all there baby.
I'd bet good money the R8 could get you to the moon and back with a dozen AAs.
OK perhaps I wouldn't. But still.
Thus not exactly the cheapest nor simplest BUT it is almost the cheapest and simplest and certainly the best option.
Get a Zoom R8.
24bit recording makes using the onboard mics more feasible than the Tascam stuff which is only 16bit and quite shite in the SNR department.
Onboard DSP for fun shit like insert and send FX, amp/cab combos, mic modelling, etc.
Sampler and semi-decent drum machine included (has some sounds from the Zoom rt-123 which was a blast a couple decades ago) which sounds actually not bad when you render to stereo with some insert FX. Even comes with a few hundred MIDI loops ready for lift off to boot.
8 mono tracks but can be easily stereo linked and obviously bouncing capabilities etc. 2 ins with XLR for recording 2 channels at once. Phantom power, 1 in doubles as a guitar input, it's all there baby.
I'd bet good money the R8 could get you to the moon and back with a dozen AAs.
OK perhaps I wouldn't. But still.
Thus not exactly the cheapest nor simplest BUT it is almost the cheapest and simplest and certainly the best option.
Get a Zoom R8.
-
- KVRAF
- 2263 posts since 6 Aug, 2007
You seem well-versed on the R8, so maybe you can help: does it have even basic editing capabilities? e.g. Even just a really primitive copy-paste to duplicate sections?dan_flash wrote: Sat Oct 19, 2024 8:48 am Zoom R8. Enormous bang to buck ratio. Honestly packed to the rafters with nifty features.
24bit recording makes using the onboard mics more feasible than the Tascam stuff which is only 16bit and quite shite in the SNR department.
Onboard DSP for fun shit like insert and send FX, amp/cab combos, mic modelling, etc.
Sampler and semi-decent drum machine included (has some sounds from the Zoom rt-123 which was a blast a couple decades ago) which sounds actually not bad when you render to stereo with some insert FX. Even comes with a few hundred MIDI loops ready for lift off to boot.
8 mono tracks but can be easily stereo linked and obviously bouncing capabilities etc. 2 ins with XLR for recording 2 channels at once. Phantom power, 1 in doubles as a guitar input, it's all there baby.
I'd bet good money the R8 could get you to the moon and back with a dozen AAs.
OK perhaps I wouldn't. But still.
Thus not exactly the cheapest nor simplest BUT it is almost the cheapest and simplest and certainly the best option.
Get a Zoom R8.
I am also looking for a really simple 8-track recorder for scratchpad recordings as a writing tool so I don't have to turn on the PC. (Everything will eventually get re-recorded once I'm done writing.)
But a simple copy-paste to duplicate sections of a song is essential to help speed up basic arranging.
I have been leaning towards the DP-008ex because I'm not keen on relying on touchscreens on the newer Zooms, and from what I have been able to find, the R8 does bot have any editing capabilities.
-
- KVRist
- 69 posts since 15 Jul, 2013 from Tirol, Austria
You can record audio loops (just mono I think), assign them to the 8 pads and sequence them if I remember correctly. Same for the drum tracks.sockofgold wrote: Sat Oct 19, 2024 6:52 pm You seem well-versed on the R8, so maybe you can help: does it have even basic editing capabilities? e.g. Even just a really primitive copy-paste to duplicate sections?
I am also looking for a really simple 8-track recorder for scratchpad recordings as a writing tool so I don't have to turn on the PC. (Everything will eventually get re-recorded once I'm done writing.)
But a simple copy-paste to duplicate sections of a song is essential to help speed up basic arranging.
I have been leaning towards the DP-008ex because I'm not keen on relying on touchscreens on the newer Zooms, and from what I have been able to find, the R8 does bot have any editing capabilities.
But it's not exactly the same as what you can do with a normal DAW. For what you describe, I believe you'd need a Zoom R12 but I'm not 100%.
At this point though, given that you also need editing, it may be best to consider a small laptop + interface with a nifty Linux distro on it tailored to basic audio work...? Something like that.
As far as I recall, the Tascam stuff doesn't have any sequencing capabilities either.
-
- KVRAF
- 2263 posts since 6 Aug, 2007
Well, not so much sequencing, so to speak—just copy/pasting recorded sections. e.g. From the DP-008EX specs: "Track edit functions(COPY PASTE, COPY INSERT, MOVE PASTE, MOVE INSERT, OPEN, CUT, SILENCE, CLONE TRACK, CLEAN OUT)"dan_flash wrote: Sun Oct 20, 2024 8:19 am As far as I recall, the Tascam stuff doesn't have any sequencing capabilities either.
I'm not looking for anything more complex than that, and I could do that in the late 90s with my primitive BR-8, so I'm surprised to find that many recorders these days don't include it.
Definitely not interested in using a laptop. The whole point here is to remove the reliance on a PC and have a small/simple/portable recorder to use for songwriting purposes. (I don't even care that the Tascams are only 16-bit, because these would only be scratch recordings that will eventually be re-recorded properly.)
-
- KVRist
- 69 posts since 15 Jul, 2013 from Tirol, Austria
Holy cow, that's boss. Didn't realise the DP008 did anything like that. The Zoom R12 would be a good fit then in case that's within budget but if the DP008 is significantly cheaper and ticks all boxes for you, then by all means batter in.sockofgold wrote: Sun Oct 20, 2024 3:10 pm Well, not so much sequencing, so to speak—just copy/pasting recorded sections. e.g. From the DP-008EX specs: "Track edit functions(COPY PASTE, COPY INSERT, MOVE PASTE, MOVE INSERT, OPEN, CUT, SILENCE, CLONE TRACK, CLEAN OUT)"
I used to have a Tascam digital 4 track years ago and although basic, it was good for what it was. So no doubt the Tascam stuff is quality. I'd usually just recommend Zoom because I feel they're better value for money. But as this thread shows, everyone's use cases and needs are different.
-
- KVRAF
- 2263 posts since 6 Aug, 2007
Yeah, the R20 & R12 definitely have those features, but I'm very hesitant to buy a hardware unit that relies on a touchscreen for all of its controls. That usually means they throw UX considerations out the window in favor of "just put a button on screen," and it becomes a very clunky experience.dan_flash wrote: Tue Oct 22, 2024 5:54 pm I used to have a Tascam digital 4 track years ago and although basic, it was good for what it was. So no doubt the Tascam stuff is quality. I'd usually just recommend Zoom because I feel they're better value for money. But as this thread shows, everyone's use cases and needs are different.
I also really don't want to overthink this, so I appreciate all your input already and really don't mean to keep pinging you. I'm thinking I'll probably just go with the DP-008EX and see how it fares. It's inexpensive enough that if it doesn't fit for my simple needs, it's not a huge loss anyway.
Thanks for all your input! Much appreciated
- KVRAF
- 2471 posts since 25 Sep, 2014 from Specific Northwest
The Zooms have a large variety of their effects on them, for better or worse, while the Tascams have reverb and a couple other things. I find the Tascams dead simple to use, while the Zooms are a pain with lots of menus for everything.
Anyways, they are all a far cry from my Fostex 4-track cassette deck that died in slow motion. Oh, and it sounded like crap, too! Yay!
Anyways, they are all a far cry from my Fostex 4-track cassette deck that died in slow motion. Oh, and it sounded like crap, too! Yay!
I started on Logic 5 with a PowerBook G4 550Mhz. I now have a MacBook Air M1 and it's ~165x faster! So, why is my music not proportionally better? 