Are you using anything like CanOpener or Morphit (or both) with your headphones?Uncle E wrote: Sun Mar 16, 2025 3:28 pm I was 90% speakers/10% headphones before. Now it’s flipped, often times 100% headphones these days, and I’m mixing faster than before.
Mixing with headphones or speakers? Or both?
- KVRAF
- 7647 posts since 2 Sep, 2019
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP
- KVRAF
- 20664 posts since 22 Nov, 2000 from Southern California
VSX and Realphones.jamcat wrote: Mon Mar 17, 2025 5:18 pm Are you using anything like CanOpener or Morphit (or both) with your headphones?
- KVRAF
- 7647 posts since 2 Sep, 2019
What headphones do you use with Realphones?
How does that compare to the VSX system?
Are you using the virtual listening environments in either?
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP
- KVRAF
- 20664 posts since 22 Nov, 2000 from Southern California
I use 7506's with Realphones. Realphones has a preset for non-original earpads, which is cool because I put memory foam earpads on mine. However, I get better results from VSX and that's probably due to the headphones themselves. Realphones unfortunately doesn't offer correction for my better sounding 7509's.
I use virtual listening environments with both, usually Cinelab with Realphones and Howie Weinberg with VSX.
I use virtual listening environments with both, usually Cinelab with Realphones and Howie Weinberg with VSX.
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- KVRist
- 216 posts since 26 Nov, 2022
Not sure I remember many people on KVR discussing APL Virtuoso, but lots of folks on Gearspace.com say they beat the usual suspects (VSX, Realphones, Waves) in terms of virtual room software, even though the program really is meant more for Atmos and immersive mixing over headphones.
I bought it a while back and seems good, but haven't compared to anything other than Canopener. I'm not affiliated with any of these companies.
I bought it a while back and seems good, but haven't compared to anything other than Canopener. I'm not affiliated with any of these companies.
- KVRAF
- 13119 posts since 7 May, 2006 from Southern California
I have a pretty decent monitoring setup but I do most mixing in headphones. Nothing fancy, just a pair of DT880s. I use speakers of some sort for reference at various points but I have done mixes without studio monitors on a few occasions.
A friend who has been a professional mix engineer for 30 years has always uses a pair of Grado headphones and a pair of Avantone MixCubes. He'd do reference on a pair of home stereo speakers and a car stereo. He never used any studio monitors but his mixes were very good. I don't think I could work that way but I think it's a testament to the importance of familiarity.
A friend who has been a professional mix engineer for 30 years has always uses a pair of Grado headphones and a pair of Avantone MixCubes. He'd do reference on a pair of home stereo speakers and a car stereo. He never used any studio monitors but his mixes were very good. I don't think I could work that way but I think it's a testament to the importance of familiarity.
- KVRAF
- 5530 posts since 26 Apr, 2007 from Noosphere
After experimenting with various headphones, I bought AudioTechnica M50x and retired all these correction software altogether. It just doesn't make any sense. What to correct if you like the way your headphones sounds when creating and mixing? (Unless you are monitoring live acoustics through it or something. Which I don't do anyway).
- KVRAF
- 7647 posts since 2 Sep, 2019
Because it’s not about whether or not you LIKE the sound of your headphones. It’s about how TRUE they are, so you can make informed mix decisions that will translate to any sound system.Igro wrote: Mon Mar 31, 2025 6:16 pm What to correct if you like the way your headphones sounds when creating and mixing?
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP
- KVRAF
- 5530 posts since 26 Apr, 2007 from Noosphere
What is true sound then? Flat? Lol.jamcat wrote: Tue Apr 01, 2025 8:42 amBecause it’s not about whether or not you LIKE the sound of your headphones. It’s about how TRUE they are, so you can make informed mix decisions that will translate to any sound system.Igro wrote: Mon Mar 31, 2025 6:16 pm What to correct if you like the way your headphones sounds when creating and mixing?
If you flatten the frequency response, be prepare, it won't translate well to any system.
If I flatten the headphones spectrum, how do I know even approximately how it would sound on a consumer grade HiFi system? You can't. I did this before. I constantly feel the urge to add the bass to the sound to be it more or less to what I hear on my HiFi system or my headphones while just listening to any music. And you know what? The mixdown almost exploded my HiFi stereo system with a huge bass overdose. So no, these correction software only damage your mixes and full you.
- KVRAF
- 3812 posts since 20 Apr, 2005
No, you can find EQ correction curves for most headphones, not to go flat, but to go to a more natural room response (Harman) EQ curve.
https://www.reddit.com/r/oratory1990/co ... on_curves/
Will make all headphones better for mixing ( in my opinion ). Some headphones will be able to adjust better and good transient response is still a good thing.
Works amazingly well with my beyerdynamic dt1990.
https://www.reddit.com/r/oratory1990/co ... on_curves/
Will make all headphones better for mixing ( in my opinion ). Some headphones will be able to adjust better and good transient response is still a good thing.
Works amazingly well with my beyerdynamic dt1990.
- KVRAF
- 5530 posts since 26 Apr, 2007 from Noosphere
Harman. I liked that. And it is not a frequency flattening curve._leras wrote: Tue Apr 01, 2025 11:41 am No, you can find EQ correction curves for most headphones, not to go flat, but to go to a more natural room response (Harman) EQ curve.
https://www.reddit.com/r/oratory1990/co ... on_curves/
Will make all headphones better for mixing ( in my opinion ). Some headphones will be able to adjust better and good transient response is still a good thing.
Works amazingly well with my beyerdynamic dt1990.
It sounds though quite different from one correction software to another. I have Realphones and Morphit. This difference fooled me all the time. So I wouldn't advice it anyway.
However, I'm wondering about the guys, who flatten their headphones to death and then mixing that way. Lol
- KVRAF
- 20664 posts since 22 Nov, 2000 from Southern California
Reverbs and panning can be tricky on headphones. A problem you’ll hear with many people who mix strictly with headphones is their reverb levels will be too high and/or their panning adjustments will be too subtle. Tools like VSX, Realphones, etc. create spatialization to help with that.
Regarding EQ correction, people like me who are more used to mixing on monitors than headphones can benefit from studio emulations. They aren’t flat.
Regarding EQ correction, people like me who are more used to mixing on monitors than headphones can benefit from studio emulations. They aren’t flat.
- KVRAF
- 3812 posts since 20 Apr, 2005
I picked up the Crave EQ to apply these headphone correction curves, as it has enough accurate points in it's eq curve. It's on Crave 2 now, and it's a really great high quality EQ with very good m/s.Igro wrote: Tue Apr 01, 2025 11:50 amHarman. I liked that. And it is not a frequency flattening curve._leras wrote: Tue Apr 01, 2025 11:41 am No, you can find EQ correction curves for most headphones, not to go flat, but to go to a more natural room response (Harman) EQ curve.
https://www.reddit.com/r/oratory1990/co ... on_curves/
It sounds though quite different from one correction software to another. I have Realphones and Morphit. This difference fooled me all the time. So I wouldn't advice it anyway.
However, I'm wondering about the guys, who flatten their headphones to death and then mixing that way. Lol
Any correction take a bit of getting used to. But using these curves I basically don't get any major surprises.
- KVRAF
- 3812 posts since 20 Apr, 2005
The main speaker in Waves NSX Ocean Way are a really good room emulator. Pretty realistic and can go before headphone correction curves.Uncle E wrote: Tue Apr 01, 2025 4:26 pm Reverbs and panning can be tricky on headphones. A problem you’ll hear with many people who mix strictly with headphones is their reverb levels will be too high and/or their panning adjustments will be too subtle. Tools like VSX, Realphones, etc. create spatialization to help with that.
Regarding EQ correction, people like me who are more used to mixing on monitors than headphones can benefit from studio emulations. They aren’t flat.
I ultimately found that I tend to use this more for spot checking than thoughout mixing.