KVR Audio

Vegetarian · Post by **Vegetarian** » Fri Dec 17, 2004 3:29 am

Reminds me of some of The Orb's darker stuff, with less percussion (I think Orb hates using any sort of drums in his tracks, anyway

). Nice 'n evil sounding

Sicklecell666 · Post by **Sicklecell666** » Fri Dec 17, 2004 3:52 am

shamann wrote:Hey vurt, this is some heavy duty stuff. As rumbly as I've ever heard your stuff get.

Very nice.

Yep..that deep down pad/bassline is the bee's knees..

Sounds almost like a riff I would write on guitar..actually sounds ALOT like something I would write in the old sludge-core style..

If I can get this motherfucking pop-click shit out of the way, an alternate is possible

Oh & Steve, this is why I haven't touched your files..I mean what's the point till this BULLSHIT is fixed

experimental.crow · Post by **experimental.crow** » Fri Dec 17, 2004 4:10 am

vurt wrote:pthydapresverdtresweuxwa

transl:[pthydapresverdtresweuxwa]there is nothing more; to give;beyond.

this is frickin' superb ...

Steven West · Post by **Steven West** » Fri Dec 17, 2004 4:40 am

Man, this is a DEEP tune!

I love those bass tones, and the transitions.

Definitely no Looney Tunes going on a-he-a-he-here on this wa-wa-one.

On with the show - this is IT!

mystahr · Post by **mystahr** » Fri Dec 17, 2004 6:33 am

Superbly dark and dronilicious

vurt · Post by **vurt** » Fri Dec 17, 2004 10:26 am

Meffy wrote:SaviorNeeded... you asked for it, you got it. =^_^= Short version at bottom of post.

During my years of kindergarten and first grade, my mother introduced me to the paintings of Maurice Utrillo -- alcoholic, mentally troubled, self-destructive, but utterly brilliant son of Marie-Clementine (aka "Suzanne") Valadon, a model and painter herself, and a young artistic friend of Modigliani. The Spanish writer Miguel Utrillo gave his friend Valadon's illegitimate child his name as a kindly gesture. Of all the artists of the Montmartre, Maurice is unusual in that he was actually born there. (And yes, I was a somewhat unusual kindergartner. But I digress.)

During the part of his career that is most popular with collectors, his "white period," Utrillo created works suffused with light... yet beneath the brilliant surfaces they are often menacing, ominous, tinted with an indefinable unease. They are disturbing without being overtly horrific.

Which brings us to pthydapresverdtresweuxwa. Its broad, slow sweeps of sound remind me in a way of Utrillo's expanses of pale shades, his glaring sunlight. But the tones bear an intimation of something hidden.

Is there really nothing more? In a white period Utrillo, though the streets of Montmartre are filled with light, no living person is visible. Occasionally one sees the very edge of the shadow of someone... or something... just beyond the edge of the painting. Who is it? What is it? Is it someone about to enter the picture... or someone who has just left? Why aren't we allowed to see?

It will remain always a mystery.

vurt does mystery rather well too, doesn't he?

Short version, for those who skipped all the bloviation: I liked it!

Meffy

meffy,you are my main skunk,and ill always love you for your way with this language.
forever in my heartand mind!!!

vurt · Post by **vurt** » Fri Dec 17, 2004 10:28 am

jtxx000 wrote:ooooo.... i like this one... woud make a great soundtrack (just like all your stuff )

to you to,its is a soundtrack

albeit to a five minute period of my life

vurt · Post by **vurt** » Fri Dec 17, 2004 10:30 am

SaviorNeeded wrote:Meffy--brilliant!

In kindergarten my dad introduced me to Walt Kelly of Pogo fame. He made some pretty mean lyrics:

"To soar! To sing!....too sore to sing?"

And my personal favorite:

"Oh, I was eating some chop suey
With a lady in St Louie
When I sudden hears a knockin' at the door.
And that knocker, he said 'Honey,
Roll this rocker out some money,
Or your daddy shoots a baddy to the floor.'"

It was inevitable: I became a writter/cartoonist.

I have to get home before I can give a listen to vurt's track but he always comes up with great stuff, except when he doesn't.

Edit: I spelled writer wrong, but what the hey--I'm a pro: I'm leavin' it.

Tom

your just a mad as the rest of us here

vurt · Post by **vurt** » Fri Dec 17, 2004 10:33 am

frickinserver

vurt · Post by **vurt** » Fri Dec 17, 2004 10:36 am

Meffy wrote:
vurt, are you by any chance a baby porcupine?

Meffy

not a baby no more

vurt · Post by **vurt** » Fri Dec 17, 2004 10:38 am

shamann wrote:Hey vurt, this is some heavy duty stuff. As rumbly as I've ever heard your stuff get.

Very nice.

thanks steve.

i am workin on those bits dont worry.

vurt · Post by **vurt** » Fri Dec 17, 2004 10:40 am

Vegetarian wrote:Reminds me of some of The Orb's darker stuff, with less percussion (I think Orb hates using any sort of drums in his tracks, anyway ). Nice 'n evil sounding

now she mantions the orb in my threads thanks for the listen and as always the comments about bands i adore

vurt · Post by **vurt** » Fri Dec 17, 2004 10:42 am

Sicklecell666 wrote:

Sounds almost like a riff I would write on guitar..actually sounds ALOT like something I would write in the old sludge-core style..

well you knows i loves my sludge

vurt · Post by **vurt** » Fri Dec 17, 2004 10:43 am

normal wrote:
vurt wrote:pthydapresverdtresweuxwa

transl:[pthydapresverdtresweuxwa]there is nothing more; to give;beyond.
this is frickin' superb ...

thanks very much

an honor coming from you

vurt · Post by **vurt** » Fri Dec 17, 2004 10:44 am

Steven West wrote:Man, this is a DEEP tune! I love those bass tones, and the transitions.

Definitely no Looney Tunes going on a-he-a-he-here on this wa-wa-one.

On with the show - this is IT!

different kind of loony in this one i think

glad you enjoyed

this is it...