KVR Audio

soulkraka · Post by **soulkraka** » Mon Jul 11, 2005 8:01 am

Snoop D O dougle G

jdahlb · Post by **jdahlb** » Mon Jul 11, 2005 11:24 am

A bit late to the party, but here goes..

I have to agree with farlukar on this one, even though chris_b's version is working fine as well..

I see it as a 8/4 pattern with subdivisions of 3-2-3 (or 5-3). I've added a meteronome with an accent on the subdivisions:
Dogg.mp3

But, it's all a matter of feeling and personal preference as you say Sascha.. 3-2-3 is just the one I find the most intuitive to follow.

Jorgen.

waiting man · Post by **waiting man** » Mon Jul 11, 2005 12:04 pm

agree with landphil & farlukar, it's very easy to tap, just a tad syncopated.

topaz · Post by **topaz** » Mon Jul 11, 2005 12:07 pm

sorry, im a bit lost on this thread ?

what is it about again

it just sounds like a slow groove ?

enlighten me please

ok the original loop maybe a nats cock out but.

www.topazproductions.co.uk/audio/pants_beat.mp3

repeat after me Sascha (mantra)

boom - che - che. bha - / boom
boom - che - che. bha - / boom

ugo · Post by **ugo** » Mon Jul 11, 2005 7:30 pm

farlukar wrote:I'm not in the know either but I think the semantically correct way to describe it would be a loop of three 16/16 bars and one 17/16. Or something.

ok cool, thanks.

-ugo

topaz · Post by **topaz** » Mon Jul 11, 2005 7:40 pm

bah doom dabada ba doom...ba

Kriminal · Post by **Kriminal** » Mon Jul 11, 2005 7:45 pm

I think, after having several listens here, its what know in the hip hop world as, a 'gay lick'

geoslake · Post by **geoslake** » Mon Jul 11, 2005 7:46 pm

Its very basic 4/4, just no snare on 2 is what disturbs you.
Lol.

atomic_(no)afro · Post by **atomic_(no)afro** » Mon Jul 11, 2005 8:31 pm

Seriously, this beat is really nothing new guys. I've been hearing the same sorts of sounds coming out of the nu-soul and broken beat scenes for years now. If you're interested in hearing the true innovators in urban music, check out:

Spacek's "Vintage Hi-Tech"
Platinum Pied Piper's "Triple P"
Quantic's "Mishaps Happening"
As One's "Out Of The Darkness"

I wonder who Snoop got to produce that record, I'm guessing that it's one of the usual suspects in the nu-soul scene.

ATA

LBN · Post by **LBN** » Mon Jul 11, 2005 8:59 pm

As a matter of fact I do have a fresh pair of panties on.

topaz · Post by **topaz** » Mon Jul 11, 2005 9:24 pm

right, it's just a basic funk groove played slow,

tower of power offbeat funk on a machine.

geoslake · Post by **geoslake** » Tue Jul 12, 2005 5:30 am

its 4/4

John Vulich · Post by **John Vulich** » Tue Jul 12, 2005 5:39 am

THE TROGGS TAPES (Excerpt)

Reg: [Music starts up] Yeah!.....No!

Reg: You had it there at the beginning Ron. It was sounding good. Well just…Ron…Ronny? Just listen for a sec…

Ronnie: …all f**king night. I just cannot feel it any other way that what I've been f**king doing it.

Reg: You have played it tonight.

Ronnie: Well you better f**king forget it, 'cos I ain't going to be able to do it, I'll tell you that now. I cannot f**king do it…I don't know, because if that's the case, then we should f**king find out before we ever get to the f**king studio. We want to f**king do that, that and that, because we've been doing it every …

Reg: It's easy. You've done it tonight. …every f**king week, it's been going 'da da da da da… you know.

Ronnie: You don't expect f**king miracles just like that Reg, it's f**king in there, embedded in there. I can't f**king hear it any other way but that.

Reg: But you have done it. You did it.

Chris: It is exactly the same rhythm as you were playing before. It's da da da da da ja, da da da da da. On different drums, that's all.

Reg: You're doing da da ba boom boom ba.

Chris: Play da da da da da ja.

Reg: No, no more beats.

Chris: Just play da da da da da ja. Or whatever drums you were playing Ron, originally. How you've got them embedded in there.

Ronnie: Yeah, alright. Alright.

Tony: And then just start moving it about with different drums…. What you were doing is exactly the same as what you were doing originally, only different drums.

Ronnie: Yeah I know.

Reg: Yeah…and you did it. And you did it. You went da da da da….

Ronnie: You can say that all f**king night but you won't listen.

Chris: We can keep on trying and then we can get it together.

Ronnie: Yeah, well just shut your f**king mouths for five minutes. It'll give me a f**king chance to do it. Don't keep f**king …?..ing that f**king microphone. Da da da. Da da da.

Ronnie: f**k me Reg.

Ronnie: Just f**k off.

Reg: Yeah, well you f**king think, then…we're not just..

Ronnie: Just keep going…we're working through it.

Reg: Don't just keep saying, "Ah, yeah, well that ain't right". I know that ain't f**king right. I can f**king hear it ain't right, you c**t.

Ronnie: Well, f**k me.

Reg: We can hear it's f**king not right too.

Ron: I f**king can and I'm the c**t that's playing it so when I'm f**king hearing it in my f**king head, yeah, that's what I gotta f**king do. Then I'll do it! You big pranny.

Tony: Listen, we keep on playing it and just f**king play what you think is right.

Chris: f**king up….Ok…can you sing along with it? 'Cos then we'll know where we are…

[Music starts]

Reg: f**king drummer, I shit him. Da da da da da…Da da da da da …..(What about a f**king count then?)… 1, 2, a 1, 2, 3, 4…You're doing it f**king wrong….laughs….dubba dubba dubba cha, dubba dubba dubba cha, dubba dubba dubba cha, dubba dubba….you did it, you did it in the beginning. Bloody hell, I can't play with that! …..Hey?

Ronnie: Nor can I…Nor can f**king I…

Reg: Well you're f**king doing it.

Background voice: I can't f**king play to it either…

Reg: Why don't you just do what you f**king started out doing? Dubba dubba dubba cha. Yeah, on your top one…dubba dubba dubba cha….[drumming] dubba dubba dubba cha….No!

Reg: da da da da da cha….. da da da da da cha……… da da da da da cha [drumming]

Ronnie: Why ain't you f**king, you're talking out the back of your f**king arses, because all you want then is the same f**king thing that I was playing f**king …. You bastards….

Reg: On different f**king drums…on different drums.

Ronnie: Well then, all you want then is the f**king that one and the f**king bass drum. They're the same thing…

Reg: You're the f**king drummer…You're the drummer.

Ronnie: Yes, you f**king do! 'Cos that's all you're f**king doing. You ain't playing any f**king thing else.

Background Voice: Play that one.

Reg: Alright, I'm playing that. [Drumming]. Da da da da da dum… da da da da da dum

Ronnie: ….You're changing the f**king thing completely….You can't f**king do it…Won't listen…[Drumming over muffled voices].

Chris: Exactly the same thing on different drums.

Reg: You don't f**king listen, that's your trouble.

Ronnie: I didn't say we want different things..on f**king different drums…We want da da da da da

Reg: You do…We're saying what you…And you did it…And you f**king did it…Dubba dubba da cha. Dubba dubba da cha.

Chris: And then change it around and do it the other f**king way around.

Ronnie: Oh f**k it….[mumbles]..f**k….

Ronnie: It's the f**king…always f**king get this…you don't….

Reg: You should have a little more time than to be able to just whip it over and change it entirely.

Ronnie: Not while I keep getting in ….

Reg: In fact, we're not asking you to change it much. Only asking you to do half of it on one drum, half of it on the other, and the bang wherever you want to bang.

Reg: Ronny, can you hear me?

Ronnie: Yeah.

Reg: What about, trying it, not only, not on that top, just on that top skin floor, and then your floor tom-tom. But try it on, split your hands, so's that one beat is doing it on the top, er drum, one's doing it on the floor tom-tom, then your bass. [Drumming]….Sounds better…hey?..top…top…

Rhythm experts: WTF is this?