Here is a rather epic soundtrack sort of thing combining several Iris patches from the upcoming set no. 69, a little volume automation and a limiter on the master output:
https://soundcloud.com/sampleconstruct/ ... bscription
Iris subscription thread patchpool - fresh Iris 2 sounds
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286 - KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Another two patches from set 69 in a slightly haunting atmospherical track:
https://soundcloud.com/sampleconstruct/ ... bscription
https://soundcloud.com/sampleconstruct/ ... bscription
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Here comes a video for one of the patches (Orchestral Meander 2) from set no. 69:
...and here comes the release info for this set:
Iris subscription set 69 uploaded on May 13 - 2016 containing 12 presets (244.1 MB) including:
Counter Glory Split
Two samples processing layered synth and vocal breathing sounds with frequency shifters and other things. In the lower half, mapped up to C3 (C4 in Iris) S1/2 layer different frequency selections from the same sample (stacked fifths), each oscillator has it’s dedicated volume control (Macros 3/4). Mapped from C3 (C4) upwards the 2nd sample (stacked octaves) is playing - S2/3 are running in non-retrigger mode.
MW introduces tempo-synced amplitude modulation (different LFO shapes/speeds for each oscillator). Macro 1 (x) introduces tempo-synced lowpass filter modulation, M2 (y) sets the modulation speed, set release time with M8. Check the Macro page for FX controls.
Gentle Sweeper Pad
Multi-sampled layered synth pad with filter sweeps, three pitches were sampled between C2 - E5 (check the Map-window for ranges), all oscillators are playing in non-retrigger mode. MW introduces tempo-synced amplitude modulation. Macro 2 (y) controls LP filter cutoff, M1 (x) engages the filter envelope. M3/4 set attack/release time, check the Macro page for FX controls.
Haunting Mallets
A sequence of processed, arpeggiated vibraphone chords, different segments and spectral aspects of the same long sample are layered in S1 - S3, the latter running in non-retrigger mode, each sounds has it’s dedicated volume control (Macros 3-5). MW introduces random pitch modulation with different LFO speeds for each oscillator. Check the Macro page for filter FX controls.
Mixed Spectral Choir Split
Re-synthesized, re-pitched and processed mixed choir sound, S1 plays the first half of the sample in Radius RT-mode, S2/3 layer the 2nd part of the sample with S2 playing in non-retrigger mode, use Macro 3 for volume control of S3 - overlapping split point: C4 (C5 in Iris). MW adds noise-shaped pitch modulation, M2 (y) controls LP filter cutoff, M1 (x) introduces tempo-synced random filter modulation. M4/5 control amount of delay/reverb FX.
Moon Scape Split
Dreamy, tonal soundscape sample, S1/2 running in non-retrigger mode mapped up to C4 (C5 in Iris) are layering the sound with inverted spectral frequency selection, use Macros 3/4 to balance the sounds, M5 introduces pan modulation in S1/2. S3 mapped from C4 (C5) upwards plays the end of the same sample in reverse/forward mode, M6 adds tempo-synced amplitude modulation in S3. M1/2 (x/y) control amount of delay/chorus FX.
Noise Impacts Split 01
A sequence of processed noise bursts split into three segments mapped across the keyboard, overlapping split points: C2/C4 (C3/C5 in Iris). MW adds tempo-synced pitch modulation, Macro 1 (x) engages the filter envelope, adds some distortion and introduces velocity sensitivity to the LP filter cutoff. M2 (y) and M3 control amount of reverb/delay FX, M4 sets the release time.
Noise Impacts Split 02
A sequence of processed noise bursts split into three segments mapped across the keyboard, overlapping split points: C2/C4 (C3/C5 in Iris). MW adds tempo-synced pitch modulation, Macro 1 (x) engages the filter envelope, adds some distortion and introduces velocity sensitivity to the LP filter cutoff. M2 (y) and M3 control amount of reverb/delay FX, M4 sets the release time.
Noise Impacts Split Sync 85BPM
Two sequences of processed noise bursts mapped over 3 octaves each, produced at 85 BPM running in Radius RT-mode which preserves the original tempo, overlapping split point: C3 (check the Map-page for root notes and ranges). MW introduces tempo-synced random pitch modulation (of course, the syncing only makes sense if you are running your DAW project at 85 BPM). M1 adds distortion, M2 controls LP cutoff, M3 controls amount of delay FX, M4 increases delay time and reduces feedback, M5 adds reverb FX.
Orchestral Meander Split 01
A re-synthesized, re-pitched and processed orchestral snippet from one of my orchestral works, all 3 oscillators use the same long sample, S1 plays a long segment, S2/3 are layering the second half with a more selective spectral selection, all oscillators are running in non-retrigger mode - overlapping split point: C3 (C4 in Iris). MW adds tempo-synced amplitude modulation in S1 and tempo-synced pitch modulation in S3, Macro 3 introduces pan modulation S2. M2 (y) controls LP cutoff, M1 (x) adds tempo-synced filter modulation. Check the Macro page for FX controls.
Orchestral Meander Split 02
A re-synthesized, re-pitched and processed orchestral snippet from one of my orchestral works, S1/2 are layering more narrow spectral selections. S3, running in Radius RT-mode plays a wider frequency range - split point: C#3 (C#4 in Iris). MW introduces tempo-synced amplitude modulation (fast triplets). Macro 2 (y) increases HP filter cutoff, M1 (x) introduces tempo-synced filter modulation. M3/4 control amount of delay/chorus FX.
Penta Dreamer Split
Dreamy pentatonic soundscape, S1, mapped up to C3 (C4 in Iris) plays the full frequency range, S2/3 mapped from C3 (C4) upwards layer more narrow spectral selections, S2/3 are running in non-retrigger mode. MW introduces tempo-synced, triplet-based, square-shaped pitch modulation, +/- 1 octave with the wheel fully engaged. Macro 1 (x) introduces LP filter modulation, M2 (y) controls modulation speed. Check the Macro page for FX controls.
Vocal Mountain Split
Re-synthesized, re-pitched and processed mixed choir sound, S1/2 are layering the first half of the sample (use Macros 5/6 for volume balance), S3 plays the 2nd half with reverse/forward-looping running in non-retrigger mode, overlapping split point: C4 (C5 in Iris). MW decreases LP filter cutoff and adds some distortion, M3 adds pan modulation to S1/2, M4 controls pan modulation speed (slightly different for each oscillator). M1 adds amplitude modulation in S3, M2 adds chorus FX, M7/8 control amount of delay/reverb FX.
----
The subscription library now contains 567 Iris 1 patches, including 12.87 BG of samples and 165 Iris 2 patches (with 3.5+ GB of samples). More sounds are in the pipe, stay tuned...
...and here comes the release info for this set:
Iris subscription set 69 uploaded on May 13 - 2016 containing 12 presets (244.1 MB) including:
Counter Glory Split
Two samples processing layered synth and vocal breathing sounds with frequency shifters and other things. In the lower half, mapped up to C3 (C4 in Iris) S1/2 layer different frequency selections from the same sample (stacked fifths), each oscillator has it’s dedicated volume control (Macros 3/4). Mapped from C3 (C4) upwards the 2nd sample (stacked octaves) is playing - S2/3 are running in non-retrigger mode.
MW introduces tempo-synced amplitude modulation (different LFO shapes/speeds for each oscillator). Macro 1 (x) introduces tempo-synced lowpass filter modulation, M2 (y) sets the modulation speed, set release time with M8. Check the Macro page for FX controls.
Gentle Sweeper Pad
Multi-sampled layered synth pad with filter sweeps, three pitches were sampled between C2 - E5 (check the Map-window for ranges), all oscillators are playing in non-retrigger mode. MW introduces tempo-synced amplitude modulation. Macro 2 (y) controls LP filter cutoff, M1 (x) engages the filter envelope. M3/4 set attack/release time, check the Macro page for FX controls.
Haunting Mallets
A sequence of processed, arpeggiated vibraphone chords, different segments and spectral aspects of the same long sample are layered in S1 - S3, the latter running in non-retrigger mode, each sounds has it’s dedicated volume control (Macros 3-5). MW introduces random pitch modulation with different LFO speeds for each oscillator. Check the Macro page for filter FX controls.
Mixed Spectral Choir Split
Re-synthesized, re-pitched and processed mixed choir sound, S1 plays the first half of the sample in Radius RT-mode, S2/3 layer the 2nd part of the sample with S2 playing in non-retrigger mode, use Macro 3 for volume control of S3 - overlapping split point: C4 (C5 in Iris). MW adds noise-shaped pitch modulation, M2 (y) controls LP filter cutoff, M1 (x) introduces tempo-synced random filter modulation. M4/5 control amount of delay/reverb FX.
Moon Scape Split
Dreamy, tonal soundscape sample, S1/2 running in non-retrigger mode mapped up to C4 (C5 in Iris) are layering the sound with inverted spectral frequency selection, use Macros 3/4 to balance the sounds, M5 introduces pan modulation in S1/2. S3 mapped from C4 (C5) upwards plays the end of the same sample in reverse/forward mode, M6 adds tempo-synced amplitude modulation in S3. M1/2 (x/y) control amount of delay/chorus FX.
Noise Impacts Split 01
A sequence of processed noise bursts split into three segments mapped across the keyboard, overlapping split points: C2/C4 (C3/C5 in Iris). MW adds tempo-synced pitch modulation, Macro 1 (x) engages the filter envelope, adds some distortion and introduces velocity sensitivity to the LP filter cutoff. M2 (y) and M3 control amount of reverb/delay FX, M4 sets the release time.
Noise Impacts Split 02
A sequence of processed noise bursts split into three segments mapped across the keyboard, overlapping split points: C2/C4 (C3/C5 in Iris). MW adds tempo-synced pitch modulation, Macro 1 (x) engages the filter envelope, adds some distortion and introduces velocity sensitivity to the LP filter cutoff. M2 (y) and M3 control amount of reverb/delay FX, M4 sets the release time.
Noise Impacts Split Sync 85BPM
Two sequences of processed noise bursts mapped over 3 octaves each, produced at 85 BPM running in Radius RT-mode which preserves the original tempo, overlapping split point: C3 (check the Map-page for root notes and ranges). MW introduces tempo-synced random pitch modulation (of course, the syncing only makes sense if you are running your DAW project at 85 BPM). M1 adds distortion, M2 controls LP cutoff, M3 controls amount of delay FX, M4 increases delay time and reduces feedback, M5 adds reverb FX.
Orchestral Meander Split 01
A re-synthesized, re-pitched and processed orchestral snippet from one of my orchestral works, all 3 oscillators use the same long sample, S1 plays a long segment, S2/3 are layering the second half with a more selective spectral selection, all oscillators are running in non-retrigger mode - overlapping split point: C3 (C4 in Iris). MW adds tempo-synced amplitude modulation in S1 and tempo-synced pitch modulation in S3, Macro 3 introduces pan modulation S2. M2 (y) controls LP cutoff, M1 (x) adds tempo-synced filter modulation. Check the Macro page for FX controls.
Orchestral Meander Split 02
A re-synthesized, re-pitched and processed orchestral snippet from one of my orchestral works, S1/2 are layering more narrow spectral selections. S3, running in Radius RT-mode plays a wider frequency range - split point: C#3 (C#4 in Iris). MW introduces tempo-synced amplitude modulation (fast triplets). Macro 2 (y) increases HP filter cutoff, M1 (x) introduces tempo-synced filter modulation. M3/4 control amount of delay/chorus FX.
Penta Dreamer Split
Dreamy pentatonic soundscape, S1, mapped up to C3 (C4 in Iris) plays the full frequency range, S2/3 mapped from C3 (C4) upwards layer more narrow spectral selections, S2/3 are running in non-retrigger mode. MW introduces tempo-synced, triplet-based, square-shaped pitch modulation, +/- 1 octave with the wheel fully engaged. Macro 1 (x) introduces LP filter modulation, M2 (y) controls modulation speed. Check the Macro page for FX controls.
Vocal Mountain Split
Re-synthesized, re-pitched and processed mixed choir sound, S1/2 are layering the first half of the sample (use Macros 5/6 for volume balance), S3 plays the 2nd half with reverse/forward-looping running in non-retrigger mode, overlapping split point: C4 (C5 in Iris). MW decreases LP filter cutoff and adds some distortion, M3 adds pan modulation to S1/2, M4 controls pan modulation speed (slightly different for each oscillator). M1 adds amplitude modulation in S3, M2 adds chorus FX, M7/8 control amount of delay/reverb FX.
----
The subscription library now contains 567 Iris 1 patches, including 12.87 BG of samples and 165 Iris 2 patches (with 3.5+ GB of samples). More sounds are in the pipe, stay tuned...
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Soundcloud user Boson Spin put together his track with a couple of Iris patches from the latest set (everything you hear minus the drums):
https://soundcloud.com/boson_spin/capti ... try-part-4
https://soundcloud.com/boson_spin/capti ... try-part-4
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
I just sent out another 15 converted Iris 2-patches to all subscribers, here is a video with 2 of them:
The subscription library now contains 567 Iris 1 patches, including 12.87 BG of samples and 165 Iris 2 patches (with 4 GB of samples).
The subscription library now contains 567 Iris 1 patches, including 12.87 BG of samples and 165 Iris 2 patches (with 4 GB of samples).
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Here is an ambient/cosmic track made with a fresh patch from the upcoming set no. 70, as usual 100% Iris + a limiter on the output.
https://soundcloud.com/sampleconstruct/wonder-chimes
https://soundcloud.com/sampleconstruct/wonder-chimes
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Ambient demo track featuring two patches from the upcoming set - as usual 100% Iris plus a limiter on the output:
https://soundcloud.com/sampleconstruct/ ... bscription
https://soundcloud.com/sampleconstruct/ ... bscription
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Here comes the release info for set no. 70:
Iris Subscription Set 70 uploaded on June 15 - 2016 containing 9 presets (219.6 MB) including:
Cello Deranger Split
Spectrally re-synthesized cello drones processed with a frequency shifter and other things, the same long sample is used in all 3 oscillators. S2/3 are layered from C3 - C7 (C4 - C8 in iris), S2 running in Radius RT-mode, S3 in non-retrigger mode (use Macro 3 for volume control) - S1 is mapped from C3 (C4) downwards. MW introduces tempo-synced amplitude modulation (different shape/speed for each oscillator). Please check the Macro page for filter and FX assignments.
Comb Hits XFade Split
Multi-sampled metallic comb-filtered hits with overlapping split points (check the Map page). MW introduces tempo-synced amplitude modulation, check the Macro page for filter and FX assignments.
Gold Rain
Two mallet accents processed by a granulator with the grains quantized to a pentatonic scale, sampled at different root notes (C3/C5) spilt across the keyboard. S1 is mapped from C0 - C4, S2/3 are layered from C4 (C5) to C7 (C8) with S3 running in non-retrigger mode and having it’s dedicated volume control (Macro 3). MW introduces random pitch modulation in S1/2 and noise-shaped pitch modulation in S3. Macro 2 controls LP cutoff, M1 introduces fast random filter modulation. M4 - 6 control amount of reverb/delay/chorus FX.
Iwato Plane Split
Dense drone-scape layered in S1/2 mapped up to C3 (C4 in Iris), both oscillators running in non-retrigger mode, Macro 3 tunes S2 up an octave, M4 introduces slow pan modulation in S2. A processed orchestral drone is mapped from C3 (C4) upwards running in Radius RT-mode. MW introduces tempo-synced pitch modulation in S1/3, please check the Macro page for filter and FX assignments.
Morphed Choir Plane Split
A processed choir texture from one of my theatre projects, spectrally re-synthesized and re-tuned and further processed. All 3 oscillators use the same long sample, S1/2 are mapped up to B2 (B3 in Iris), S3 plays from C3 - C6 (C4 - C7), all oscillators are running in non-retrigger mode. MW introduces tempo-synced amplitude modulation in S1/3, S2 has slow pan modulation applied. Please check the Macro page for filter and FX assignments.
Pluto Sunrise Split
Layered in S1/2 and mapped from C3 - C6 (C4 - C7 in Iris) is a tonal soundscape made with cloud images in Kaleidscope, both oscillators are running in non-retrigger mode and have dedicated volume controls (macros 3/4), mapped from C0 - B2 (C1 - B3) in S3 is a comb-filtered synth drone, soften it’s attack using Macro 6. MW introduces tempo-synced, square shaped pitch modulation in all 3 oscillators - +/- 1 octave with the wheel fully engaged. Glide is activated, control glide time with M5, please check the Macro page for filter and FX assignments.
Pyramid Drone Split
All three oscillators are using the same long drone-scape sample derived from an atonal electronic texture re-tuned with PitchMap and further processed. S1/2 are mapped up to B2 (B3 in Iris), S1 running in Radius RT-mode and S2 in non-retrigger mode, the latter has slow amplitude modulation applied so it fades in and out. S3 is mapped from C3 - C7 (C4 - C8) and is also running in non-retrigger mode using backwards/forward looping, slow pan modulation is applied. MW introduces fast random pitch modulation in S1, please check the Macro page for filter and FX assignments.
Scatter Matter Split
Processed synth impacts with scattered delay lines, the sample is split up into 3 segments split across the keyboard in S1-3 (check the Map-page). MW decreases LP filter cutoff, increases filter resonance and introduces distortion. Macro 1 introduces tempo-synced amplitude modulation, M2 controls modulation speed, M3 controls attack time, M4/5 control amount of chorus/delay FX, M6 controls delay time/feedback amount.
Wonder Chimes
Beautiful and very bright tonal chime texture, the same long sample is used in all 3 oscillators, each oscillator has it’s dedicated volume control (Macros 3-6), S1/2 are running in non-retrigger mode. MW introduces tempo-synced amplitude modulation, Macro 2 controls LP cutoff, M1 introduces tempo-synced filter modulation, Macros 6-8 control amount of delay/reverb/chorus FX.
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The subscription library now contains 576 Iris 1 patches including 13+ GB of samples and 180 iris 2 patches with 4+ GB of samples. I'll be distributing some more converted Iris 2 patches next week.
Iris Subscription Set 70 uploaded on June 15 - 2016 containing 9 presets (219.6 MB) including:
Cello Deranger Split
Spectrally re-synthesized cello drones processed with a frequency shifter and other things, the same long sample is used in all 3 oscillators. S2/3 are layered from C3 - C7 (C4 - C8 in iris), S2 running in Radius RT-mode, S3 in non-retrigger mode (use Macro 3 for volume control) - S1 is mapped from C3 (C4) downwards. MW introduces tempo-synced amplitude modulation (different shape/speed for each oscillator). Please check the Macro page for filter and FX assignments.
Comb Hits XFade Split
Multi-sampled metallic comb-filtered hits with overlapping split points (check the Map page). MW introduces tempo-synced amplitude modulation, check the Macro page for filter and FX assignments.
Gold Rain
Two mallet accents processed by a granulator with the grains quantized to a pentatonic scale, sampled at different root notes (C3/C5) spilt across the keyboard. S1 is mapped from C0 - C4, S2/3 are layered from C4 (C5) to C7 (C8) with S3 running in non-retrigger mode and having it’s dedicated volume control (Macro 3). MW introduces random pitch modulation in S1/2 and noise-shaped pitch modulation in S3. Macro 2 controls LP cutoff, M1 introduces fast random filter modulation. M4 - 6 control amount of reverb/delay/chorus FX.
Iwato Plane Split
Dense drone-scape layered in S1/2 mapped up to C3 (C4 in Iris), both oscillators running in non-retrigger mode, Macro 3 tunes S2 up an octave, M4 introduces slow pan modulation in S2. A processed orchestral drone is mapped from C3 (C4) upwards running in Radius RT-mode. MW introduces tempo-synced pitch modulation in S1/3, please check the Macro page for filter and FX assignments.
Morphed Choir Plane Split
A processed choir texture from one of my theatre projects, spectrally re-synthesized and re-tuned and further processed. All 3 oscillators use the same long sample, S1/2 are mapped up to B2 (B3 in Iris), S3 plays from C3 - C6 (C4 - C7), all oscillators are running in non-retrigger mode. MW introduces tempo-synced amplitude modulation in S1/3, S2 has slow pan modulation applied. Please check the Macro page for filter and FX assignments.
Pluto Sunrise Split
Layered in S1/2 and mapped from C3 - C6 (C4 - C7 in Iris) is a tonal soundscape made with cloud images in Kaleidscope, both oscillators are running in non-retrigger mode and have dedicated volume controls (macros 3/4), mapped from C0 - B2 (C1 - B3) in S3 is a comb-filtered synth drone, soften it’s attack using Macro 6. MW introduces tempo-synced, square shaped pitch modulation in all 3 oscillators - +/- 1 octave with the wheel fully engaged. Glide is activated, control glide time with M5, please check the Macro page for filter and FX assignments.
Pyramid Drone Split
All three oscillators are using the same long drone-scape sample derived from an atonal electronic texture re-tuned with PitchMap and further processed. S1/2 are mapped up to B2 (B3 in Iris), S1 running in Radius RT-mode and S2 in non-retrigger mode, the latter has slow amplitude modulation applied so it fades in and out. S3 is mapped from C3 - C7 (C4 - C8) and is also running in non-retrigger mode using backwards/forward looping, slow pan modulation is applied. MW introduces fast random pitch modulation in S1, please check the Macro page for filter and FX assignments.
Scatter Matter Split
Processed synth impacts with scattered delay lines, the sample is split up into 3 segments split across the keyboard in S1-3 (check the Map-page). MW decreases LP filter cutoff, increases filter resonance and introduces distortion. Macro 1 introduces tempo-synced amplitude modulation, M2 controls modulation speed, M3 controls attack time, M4/5 control amount of chorus/delay FX, M6 controls delay time/feedback amount.
Wonder Chimes
Beautiful and very bright tonal chime texture, the same long sample is used in all 3 oscillators, each oscillator has it’s dedicated volume control (Macros 3-6), S1/2 are running in non-retrigger mode. MW introduces tempo-synced amplitude modulation, Macro 2 controls LP cutoff, M1 introduces tempo-synced filter modulation, Macros 6-8 control amount of delay/reverb/chorus FX.
----
The subscription library now contains 576 Iris 1 patches including 13+ GB of samples and 180 iris 2 patches with 4+ GB of samples. I'll be distributing some more converted Iris 2 patches next week.
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
I converted some more presets for Iris 2 and will send out a link to 10 freshly prepared sounds to all subscribers in a minute, here is a little impro live on video with 4 of these patches (one after another).
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Several Iris patches from the upcoming set no. 71 in a slightly monumental track. Some Macro and volume automation plus a limiter on the master output.
https://soundcloud.com/sampleconstruct/ ... bscription
https://soundcloud.com/sampleconstruct/ ... bscription
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- KVRAF
- 2233 posts since 28 Jul, 2003
Sweet sounds man.Sampleconstruct wrote:Several Iris patches from the upcoming set no. 71 in a slightly monumental track. Some Macro and volume automation plus a limiter on the master output.
https://soundcloud.com/sampleconstruct/ ... bscription
My main tools: Kontakt, Omnisphere, Samplemodeling + Audio Modeling. Unify = godsend. Tari's libraries also rock.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Ben H wrote:Sweet sounds man.Sampleconstruct wrote:Several Iris patches from the upcoming set no. 71 in a slightly monumental track. Some Macro and volume automation plus a limiter on the master output.
https://soundcloud.com/sampleconstruct/ ... bscription
Thanks, Ben!
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Another fresh patch from set 71, quite mysterious and beautiful - improvising with Resonant Gibberish Split, tweaking Macros on the fly, a limiter on the output, that's it.
https://soundcloud.com/sampleconstruct/ ... bscription
https://soundcloud.com/sampleconstruct/ ... bscription
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Here comes the release info for subscription set no, 71:
Iris Subscription Set 71 uploaded on July 16 - 2016 containing 11 presets (292.6 MB) including:
Broken Monument Split
A drone-scape layered in S1/2 (Resample/non-retrigger mode) mapped from C-1 - C4 (C0 - C5 in Iris), control volume of/amount of pan modulation in S2 with Macros 3/4. S3 (Radius-RT mode) mapped from C4 - C8 - (C5 - C9) adds an audio-morphed flute-scape. MW introduces tempo-synced amplitude/pitch modulation in S1/3, Macro 2 controls LP cutoff/distortion amount, M1 adds tempo-synced filter modulation, please check the Macro page for more FX assignments.
Fractal Positive Split
A soundscape made predominately with Kaleidoscope, all 3 oscillators use the same long soundscape sample, S1 (Radius-RT mode) and S2 (Resample/non-retrigger mode) are layered from C3 (C4 in iris) upwards, S1 reaches up to C7 (C8), S2 up to C6 (C7), Macro 3 tunes S1, -2 octaves with M3 dialed hard right. S3 (Resample/non-retrigger) is mapped form C0 (C1) - C3 (C4). MW introduces tempo-synced amplitude modulation in S3 and noise-shaped pitch modulation in the upper sounds. Please check the Macro page for filter and FX assignments.
Glass Drone Split
Cold glass drone predominately made with Photosounder by re-synthesizing an abstract image, all 3 oscillators use the same sample, S2/3 (Resample/non-retrigger mode) are layered from C3 - C7 (C4 - C8 in Iris), control the volume of S3 with Macro 6. S1 (Resample/non-retrigger mode) is mapped form C0 (C1) - C3 (C4). MW introduces slow tempo-synced amplitude modulation in S1/3 and fast random pitch modulation in S2. Macros 2 (y) controls LP cutoff frequency, M1 (x) adds slow filter modulation). Please check the Macro page for FX assignments.
Metal Drums
Metal object percussion sample (processed) in S1 running in one shot-mode. The sub oscillator provides a simple triangle wave to enhance the tonality. The filter is velocity sensitive. Add tempo-synced delay/reverb/distortion FX with Macros 1-3, control distortion tone with M4. Randomize pitch with MW.
Nice Place Split
A nice meditative drone with changing tonality playing in the upper half in S3 (Resample/non-retrigger mode), a processed cello drone layered in S1/2 /Radius RT/Resample) in the lower half, S2 has tempo-synced amplitude modulation applied, it’s volume can be controlled via Macro 3 - check Map-window for mapping ranges. MW introduces tempo-synced amplitude modulation in S1/3, Macro 2 controls LP cutoff/distortion amount, M1 adds tempo-synced filter modulation, please check the Macro page for more FX assignments.
Reminiscence Split
A glassy drone texture derived from speech recordings processed with numerous applications, S3 (Resample/non-retrigger mode) mapped up to C3 (C4 in Iris) plays the 2nd half of the long sample, S1/2 (the latter in non-retrigger mode) are layered from C3 (C4) upwards, each oscillator has it’s dedicated volume control (Macros 3/4). MW adds fast random pitch modulation, Macro 2 (y) controls LP cutoff, M1 (x) adds tempo-synced random filter modulation, please check the Macro page for more FX assignments.
Resonant Consonants Split
Textural sample -> processed and tonalized choir recording with a high proportion of consonants. All 3 oscillators use the same sample, S1 (non-retrigger mode) and S2 are layered from C3 - C6 (C4 - C7 in Iris), S1(Radius RT-mode) is mapped from C0 - C3 (C1 - C4) and has slow, re-triggering pan modulation applied (which kicks in with a delay). MW adds fast random pitch modulation in S3 and tempo-synced amplitude modulation in S2. Macro 2 (y) controls LP cutoff, M1 (x) adds filter modulation, control modulation speed with M3. M4/5 control amount of delay/chorus FX, M6 controls chorus speed.
Resonant Gibberish Split
Processed and tonalized mixed choir gibberish. The same sample is used in all 3 oscillators, S2 (Radius-RT mode) and S3 (Resample/non-retrigger mode) are layered from C3 (C4 in iris) - C6 (C7), each oscillator having a dedicated volume control (macros 3/4), S1 (Resample/non-retrigger mode) plays from C0 - C3 (C1 - C4). MW introduces tempo-synced amplitude modulation, adds some distortion and increases “Loudness“, Dialing Macro 2 (y) towards the left/down introduces filter modulation, control modulation speed with M1 (x), please check the Macro page for more FX assignments.
Serpent Scape Split
Tonal texture in minor derived from speech recordings playing in the upper half layered in S1/2 (Resample/non-retrigger mode - use Macros 3/4 to balance), a physically modeled string drone playing in the lower register - split point C3 (C4 in Iris). MW introduces tempo-synced, square-shaped LFO modulation, applied to pitch in S1/2 - +/- 1 octave with the wheel fully engaged - and applied to amplitude in S3. Macro 2(y) controls LP filter cutoff, M1 (x) engages the filter envelope. Please check the Macro page for more FX assignments.
Serpent Speech Cloud
Slightly haunting vocal texture -> processed speech recordings. Each oscillator plays a different segment from the same long sample split across the keyboard, split points are B1/B3 (B2/B4 in Iris) - check Map-page for details. S1 (forward/backward looping) and S3 (reverse/forward looping) are running in Radius RT-mode. MW reduces LP cutoff and introduces fast random filter modulation. Macros 5/6 adds a warped delay with very short delay times and high resonance, increase Warp Size with M6, add reverb with M7, add pitch modulation with M3, control modulation speed with M4. M1 introduces aliasing distortion, M2 (y) controls distortion tone.
Speechless Split
Time-stretched, alienated, processed speech sounds in the upper half mapped from C3 - C6 (C4 - C7 in Iris), the same sample is layered in S1 (Radius RT-mode) and S2, the latter running in “Fixed“ pitch mode, pitch in S1/2 being modulated by a very slow, noise-shaped LFO, increase modulation depth with MW. The sample ins S2 is looping back and forth, use Macros 3/4 to balance the alien voices. S3 (Resample/non-retrigger mode) mapped up to B2 (B3) plays a hollow drone sample, here MW adds tempo-synced amplitude modulation, MW also introduces distortion FX. Please check the Macro page for filter and FX assignments.
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The subscription library now contains 587 Iris patches with 13.38 GB of samples and 190 Iris 2 patches with 4.2 GB of samples. More Iris 2 conversion patches coming next, stay tuned.
Iris Subscription Set 71 uploaded on July 16 - 2016 containing 11 presets (292.6 MB) including:
Broken Monument Split
A drone-scape layered in S1/2 (Resample/non-retrigger mode) mapped from C-1 - C4 (C0 - C5 in Iris), control volume of/amount of pan modulation in S2 with Macros 3/4. S3 (Radius-RT mode) mapped from C4 - C8 - (C5 - C9) adds an audio-morphed flute-scape. MW introduces tempo-synced amplitude/pitch modulation in S1/3, Macro 2 controls LP cutoff/distortion amount, M1 adds tempo-synced filter modulation, please check the Macro page for more FX assignments.
Fractal Positive Split
A soundscape made predominately with Kaleidoscope, all 3 oscillators use the same long soundscape sample, S1 (Radius-RT mode) and S2 (Resample/non-retrigger mode) are layered from C3 (C4 in iris) upwards, S1 reaches up to C7 (C8), S2 up to C6 (C7), Macro 3 tunes S1, -2 octaves with M3 dialed hard right. S3 (Resample/non-retrigger) is mapped form C0 (C1) - C3 (C4). MW introduces tempo-synced amplitude modulation in S3 and noise-shaped pitch modulation in the upper sounds. Please check the Macro page for filter and FX assignments.
Glass Drone Split
Cold glass drone predominately made with Photosounder by re-synthesizing an abstract image, all 3 oscillators use the same sample, S2/3 (Resample/non-retrigger mode) are layered from C3 - C7 (C4 - C8 in Iris), control the volume of S3 with Macro 6. S1 (Resample/non-retrigger mode) is mapped form C0 (C1) - C3 (C4). MW introduces slow tempo-synced amplitude modulation in S1/3 and fast random pitch modulation in S2. Macros 2 (y) controls LP cutoff frequency, M1 (x) adds slow filter modulation). Please check the Macro page for FX assignments.
Metal Drums
Metal object percussion sample (processed) in S1 running in one shot-mode. The sub oscillator provides a simple triangle wave to enhance the tonality. The filter is velocity sensitive. Add tempo-synced delay/reverb/distortion FX with Macros 1-3, control distortion tone with M4. Randomize pitch with MW.
Nice Place Split
A nice meditative drone with changing tonality playing in the upper half in S3 (Resample/non-retrigger mode), a processed cello drone layered in S1/2 /Radius RT/Resample) in the lower half, S2 has tempo-synced amplitude modulation applied, it’s volume can be controlled via Macro 3 - check Map-window for mapping ranges. MW introduces tempo-synced amplitude modulation in S1/3, Macro 2 controls LP cutoff/distortion amount, M1 adds tempo-synced filter modulation, please check the Macro page for more FX assignments.
Reminiscence Split
A glassy drone texture derived from speech recordings processed with numerous applications, S3 (Resample/non-retrigger mode) mapped up to C3 (C4 in Iris) plays the 2nd half of the long sample, S1/2 (the latter in non-retrigger mode) are layered from C3 (C4) upwards, each oscillator has it’s dedicated volume control (Macros 3/4). MW adds fast random pitch modulation, Macro 2 (y) controls LP cutoff, M1 (x) adds tempo-synced random filter modulation, please check the Macro page for more FX assignments.
Resonant Consonants Split
Textural sample -> processed and tonalized choir recording with a high proportion of consonants. All 3 oscillators use the same sample, S1 (non-retrigger mode) and S2 are layered from C3 - C6 (C4 - C7 in Iris), S1(Radius RT-mode) is mapped from C0 - C3 (C1 - C4) and has slow, re-triggering pan modulation applied (which kicks in with a delay). MW adds fast random pitch modulation in S3 and tempo-synced amplitude modulation in S2. Macro 2 (y) controls LP cutoff, M1 (x) adds filter modulation, control modulation speed with M3. M4/5 control amount of delay/chorus FX, M6 controls chorus speed.
Resonant Gibberish Split
Processed and tonalized mixed choir gibberish. The same sample is used in all 3 oscillators, S2 (Radius-RT mode) and S3 (Resample/non-retrigger mode) are layered from C3 (C4 in iris) - C6 (C7), each oscillator having a dedicated volume control (macros 3/4), S1 (Resample/non-retrigger mode) plays from C0 - C3 (C1 - C4). MW introduces tempo-synced amplitude modulation, adds some distortion and increases “Loudness“, Dialing Macro 2 (y) towards the left/down introduces filter modulation, control modulation speed with M1 (x), please check the Macro page for more FX assignments.
Serpent Scape Split
Tonal texture in minor derived from speech recordings playing in the upper half layered in S1/2 (Resample/non-retrigger mode - use Macros 3/4 to balance), a physically modeled string drone playing in the lower register - split point C3 (C4 in Iris). MW introduces tempo-synced, square-shaped LFO modulation, applied to pitch in S1/2 - +/- 1 octave with the wheel fully engaged - and applied to amplitude in S3. Macro 2(y) controls LP filter cutoff, M1 (x) engages the filter envelope. Please check the Macro page for more FX assignments.
Serpent Speech Cloud
Slightly haunting vocal texture -> processed speech recordings. Each oscillator plays a different segment from the same long sample split across the keyboard, split points are B1/B3 (B2/B4 in Iris) - check Map-page for details. S1 (forward/backward looping) and S3 (reverse/forward looping) are running in Radius RT-mode. MW reduces LP cutoff and introduces fast random filter modulation. Macros 5/6 adds a warped delay with very short delay times and high resonance, increase Warp Size with M6, add reverb with M7, add pitch modulation with M3, control modulation speed with M4. M1 introduces aliasing distortion, M2 (y) controls distortion tone.
Speechless Split
Time-stretched, alienated, processed speech sounds in the upper half mapped from C3 - C6 (C4 - C7 in Iris), the same sample is layered in S1 (Radius RT-mode) and S2, the latter running in “Fixed“ pitch mode, pitch in S1/2 being modulated by a very slow, noise-shaped LFO, increase modulation depth with MW. The sample ins S2 is looping back and forth, use Macros 3/4 to balance the alien voices. S3 (Resample/non-retrigger mode) mapped up to B2 (B3) plays a hollow drone sample, here MW adds tempo-synced amplitude modulation, MW also introduces distortion FX. Please check the Macro page for filter and FX assignments.
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The subscription library now contains 587 Iris patches with 13.38 GB of samples and 190 Iris 2 patches with 4.2 GB of samples. More Iris 2 conversion patches coming next, stay tuned.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
I just uploaded a bunch of fresh Iris 2 patches converted from version 1, the Iris subscription now contains 587 Iris 1 patches (including 13+ GB of samples) and 203 Iris 2 patches (with nearly 4.5+ GB of samples).
Here is a little improvisation (20+ minutes) played live on video stepping through all of these patches, tweaking the Macros, modulation wheel and sometimes aftertouch on the fly:
Here is a little improvisation (20+ minutes) played live on video stepping through all of these patches, tweaking the Macros, modulation wheel and sometimes aftertouch on the fly: