Cytomic "The Drop" Resonant Filter

VST, AU, AAX, CLAP, etc. Plugin Virtual Effects Discussion
Post Reply New Topic
RELATED
PRODUCTS
The Drop

Post

andy_cytomic wrote:The Moog Prodigy model was quite tricky...I've put it under the scope again:
Yeah, I can't even imagine the maths behind this shit. Extremely interesting vid. Love the presentation! my god man it follows it's every move. GREAT WORK. question, when you modulate the cutoff of the Prodigy the Drop wave in the spectrum moves as well, yet when you move the Drop by itself, its wave moves independent of the Prodigy on the time/amp wave spectrum analyisis. Why is that?

In the end, when you turn off the visuals it will be impossible to distinguish b/t the two. wow :shock:

Cheers!

Post

snigelx wrote: Yeah, I can't even imagine the maths behind this shit. Extremely interesting vid. Love the presentation! my god man it follows it's every move. GREAT WORK.
Thanks!
snigelx wrote: question, when you modulate the cutoff of the Prodigy the Drop wave in the spectrum moves as well, yet when you move the Drop by itself, its wave moves independent of the Prodigy on the time/amp wave spectrum analyisis. Why is that?
The spectrum switches to only show only what you can hear, but the scope shows both the waveforms at once, and is triggered off a rising edge on the waveform of The Drop. The cutoffs are independent, it must just be a visual illusion that it looks like the scope waveform is changing of one waveform when the other cutoff is being modulated.
The Glue, The Drop, The Scream - www.cytomic.com

Post

Scope..yeah, that's the word I was looking for ;) Whatever the case,...you've presented a good one. Really looking forward to the result of your labour. I just wonder how in the world you matched all the minor (somewhat unpredictable) fluctuations inherent in such analogue output,...but that is the maths portion I suppose.

Also, Andy.. Did you have a hand in FXExp's Etch at all? Just curious

Post

Awesome... :D

What other filters are you going to simulate?

Post

snigelx wrote:Scope..yeah, that's the word I was looking for ;) Whatever the case,...you've presented a good one. Really looking forward to the result of your labour. I just wonder how in the world you matched all the minor (somewhat unpredictable) fluctuations inherent in such analogue output,...but that is the maths portion I suppose.
The unpredictable fluctuations all arise from modelling the circuit properly, they aren't something added on later. They are mainly due to the self oscillation harmonics and the oscillator harmonics fighting with each other in complicated ways due to the different non-linear current flow through the circuit.
snigelx wrote: Also, Andy.. Did you have a hand in FXExp's Etch at all? Just curious
No, I didn't have anything to do with design or coding of Etch. Paul Chana has gone on record saying that it is all new code: http://www.kvraudio.com/forum/viewtopic ... 54#4862054
The Glue, The Drop, The Scream - www.cytomic.com

Post

andy_cytomic wrote:The unpredictable fluctuations all arise from modelling the circuit properly, they aren't something added on later.
Of course, that makes perfect sense, had one thought a step further ;P
They are mainly due to the self oscillation harmonics and the oscillator harmonics fighting with each other in complicated ways due to the different non-linear current flow through the circuit.
I wouldn't have thought of that, but it makes perfect sense, in the context of analogue aspect of filters. Hm, interesting. That seems like an extremely tedious measuring process. Reminds me of splicing 100pr fiber optic cable some years ago. :phew:
andy_cytomic wrote:No, I didn't have anything to do with design or coding of Etch.
I missed that thread. Thank you.

Post

sounds greattt Andy, how many filters do you have left to model?? I'm very anxious to use this baby :D
I love music but more than that, I love making it

Post

n0rd wrote:Awesome... :D
What other filters are you going to simulate?
homunculus wrote:sounds greattt Andy, how many filters do you have left to model?? I'm very anxious to use this baby :D
Now I'll move onto the Roland SH-2 / SH-9 / SH-101 / Juno 60 filter. Each one is slightly different so I'm going to breadboard them and see which I like best, I have 4 IR3109 chips and 4 BA662 chips, the rest of the components are pretty standard in the circuits. After that is the finalising of the MS20 rev1 filter, which I already have a pretty good model but I need to add a couple little extra bits to it to get it sounding right.
The Glue, The Drop, The Scream - www.cytomic.com

Post

andy_cytomic wrote:Now I'll move onto the Roland SH-2 / SH-9 / SH-101 / Juno 60 filter.
Have a 60 here. I can listen to this baby on hold all day, I swear. Something about these envelopes too. I heart it. Anyway, good luck with your tests and big thanks for the update here, fun to watch it come together. :tu:

Post

andy_cytomic wrote:Now I'll move onto the Roland SH-2 / SH-9 / SH-101 / Juno 60 filter.
I love the Juno sound!!!!! (more so the my moog....oh no he didn't!) I have a 106 but it's broken at the moment :(

I'll be looking forward to hearing a Roland model!!
Imperfection is beauty.

Normally I hate adds, but not at KVR, look at all the the toys I can get.

Electronic Punk - Group @ Soundcloud

Post

Here is another take of The Drop head to head with the Moog Prodigy, this time I've matched the audio levels of the two! I had a separate send for the oscilloscope so things looked matched, but I didn't match the audio levels properly on the last video, the volume of The Drop was lower than the Prodigy. This is basically the same thing, but a bit fairer a comparison. Thanks to Karloff70 for letting me know about this!

The Glue, The Drop, The Scream - www.cytomic.com

Post

I really cannot tell the difference! Andy please send me this already, I'll give you the money right now!! I really will! :D :D :D
I love music but more than that, I love making it

Post

@ homunculus - I've tried every tactic under the sun, Andy is a rock.

:(


damn incorruptable perfectionist software types...

Post

sqigls wrote:@ homunculus - I've tried every tactic under the sun, Andy is a rock.

:(


damn incorruptable perfectionist software types...
lol I hear you man, I need this beauty so bad! I use filtering a lot in my music, I would definitely give Andy my money right now and just use the algo's that are done :D though i am sure his perfectionism will benefit us greatly. I even bought the new macbook pro for this plug because I knew that my dualcore iMac was not going to be powerful enough for the Drop :D

Post

andy_cytomic wrote:
n0rd wrote:Awesome... :D
What other filters are you going to simulate?
homunculus wrote:sounds greattt Andy, how many filters do you have left to model?? I'm very anxious to use this baby :D
Now I'll move onto the Roland SH-2 / SH-9 / SH-101 / Juno 60 filter. Each one is slightly different so I'm going to breadboard them and see which I like best, I have 4 IR3109 chips and 4 BA662 chips, the rest of the components are pretty standard in the circuits. After that is the finalising of the MS20 rev1 filter, which I already have a pretty good model but I need to add a couple little extra bits to it to get it sounding right.
All right ,so why did you announce 'the drop ' a year ago ?
Looks like we have to wait another year ..:(
Anyway , take your time , the examples sounds really fantastic , and I will by this one in a heartbeat .
So excited
Keep up the good work
Eyeball exchanging
Soul calibrating ..frequencies

Post Reply

Return to “Effects”