Annual Subscription for Iris Presets
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286 - KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
I just sent out some more converted Iris 2-patches to all subscribers, 7 patches -> e-bowed guitar stuff. The collection now includes 122 Iris 2 Patches (2.5 GB of samples) from the total of 502 patches and 11+GB of samples - LOL, took me almost a year to get this far
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Here is a single patch from the upcoming set no. 64 - Flute Trill Trio - 100% Iris (1):
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Here is something to bathe in - 3 fresh Iris patches from set 64 in a rather new-agey atmosphere:
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https://soundcloud.com/sampleconstruct/ ... bscription
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Here comes the release info for set 64:
Iris Subscription Set 64 uploaded on October 24 - 2015 containing 10 presets (271.7 MB) including:
Agogo Mayhem
Acoustic and processed texture made with/derived from 4 agogo bells played simultaneously. S1/3 play the unprocessed sound with inverted spectral frequency selections, S2 adds a granulated version, all 3 oscillators are playing in non-retrigger mode. Use Macros 3-5 to balance the layers. Modwheel introduces random pitch modulation in S1/3, M6/7 control amount/speed of pitch modulation in S2. Check the Macro page for FX controls.
Flexatone Solo Scape
Tremolating with 2 flexatones simultaneously, S1 plays a granulated version in non-retrigger mode, S2 the unprocessed texture in Radius-RT mode, use Macros 3/4 to balance the sounds. Modwheel decreases LP cutoff, increases filter resonance and adds some tube distortion. M5 introduces pan modulation with slightly different LFO speeds for each oscillator. Macros 1/2 (x/y) control amount of delay/reverb).
FlexaTones
S1 plays an unprocessed flexatone glissando, S2/3 the stretched and processed version. S1/3 are running in non-retrigger mode, S2 in Radius-RT mode, use Macros 3-5 to balance the sounds. Modwheel introduces different kind of pitch modulation in each oscillator, Macro 1 (x) adds aliasing distortion, control HP cutoff with M2 (y). M6-8 control amount of chorus/delay/reverb FX.
Flute Trill Trio
Three similar trills played on an alto-flute layered in three oscillators. Macro 4 introduces slow amplitude modulation with different LFO speeds, M1/2 (x/y) control filter modulation/LP cutoff, Modwheel adds chorus FX, Macros 3/4/6 control amount of delay/reverb/distortion FX.
Overtone Orbit Split
Rich building drone/chord with plenty of overtone and sweeping action, all 3 oscillators use the same long sample, S3 playing between C-1 - B1 (C0 - B3 in Iris) and S1/2 in non-retrigger mode layered between C3 - C7 (C4-C8). Modwheel introduces tempo-synced amplitude modulation, Macro 2 (y) controls LP cutoff, M1 (x) adds tempo-synced random shaped filter modulation. M3/4 control amount of delay/phaser FX.
Peace Patch
Peaceful soundscape derived from an impro on my lovely celtic harp, S1/2 both running in non-retrigger mode use the same long sample, Modwheel adds tempo-synced amplitude modulation. Check the Macro page for FX and filter controls.
Space Sax Phrases Split
Three processed soprano sax phrases - derived from a live-on-tape-impro on my sax - in three oscillators split across the keyboard between C0-C6 with a 2-octave range each, all oscillators play in Radius-RT mode. Modwheel adds noise-shaped pitch modulation, Macro 1 adds chorus FX, M2 increases HP filter cutoff, M3-5 control FX amounts M6 controls release time.
Swirly World
Nice tonal bed, the same long scape is being used in all 3 oscillators, S1/2 running in non-retrigger mode. Each oscillator has it’s own volume control (Macros 3-5), the FX section runs in send mode, M1/2 control distortion/chorus send. Modwheel introduces fast square-shaped pitch modulation in S1, +/- 1 octave with MW fully engaged and pan modulation in S2/3.
Vocal Calmness Split
Spectral Phonem texture, the same long scape is used in all 3 oscillators, S2/3 are layered in the upper half (use Macros 3/4 for balancing), overlapping split point -> C3 (C4 in Iris). Modwheel introduces tempo-synced amplitude modulation, Macro 2 controls LP cutoff, M1 adds tempo-synced filter modulation, Check the Macro page for FX controls.
Vocaloid Drone Cloud Split
Vocaloid Phonem texure about moonshine, overlapping split point S1 - S2/3 -> C3 (C4 in Iris), S1/3 run in non re-trigger mode, S2 in Radius RT mode, control the volume of the layered textures in the upper half with Macros 3/4. Modwheel introduces tempo-synced amplitude modulation, Macro 2 controls LP cutoff, M1 adds tempo-synced filter modulation, Check the Macro page for FX controls.
Vocaloid Nostalgia Split
Vocaloid Phonem texure with fantasy lyrics, the same long scape is used in all 3 oscillators, (all running in non-retrigger mode) S1/2 are layered in the lower half (use Macros 3/4 for balancing), overlapping split point -> C3 (C4 in Iris). Modwheel introduces tempo-synced amplitude modulation, Macro 2 controls LP cutoff, M1 adds tempo-synced filter modulation, Check the Macro page for FX controls.
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The subscription now contains 513 patches including 11.51 GB of samples / 121 Iris 2 patches, the price was upped to € 168 EUR. More to come, stay tuned.
Iris Subscription Set 64 uploaded on October 24 - 2015 containing 10 presets (271.7 MB) including:
Agogo Mayhem
Acoustic and processed texture made with/derived from 4 agogo bells played simultaneously. S1/3 play the unprocessed sound with inverted spectral frequency selections, S2 adds a granulated version, all 3 oscillators are playing in non-retrigger mode. Use Macros 3-5 to balance the layers. Modwheel introduces random pitch modulation in S1/3, M6/7 control amount/speed of pitch modulation in S2. Check the Macro page for FX controls.
Flexatone Solo Scape
Tremolating with 2 flexatones simultaneously, S1 plays a granulated version in non-retrigger mode, S2 the unprocessed texture in Radius-RT mode, use Macros 3/4 to balance the sounds. Modwheel decreases LP cutoff, increases filter resonance and adds some tube distortion. M5 introduces pan modulation with slightly different LFO speeds for each oscillator. Macros 1/2 (x/y) control amount of delay/reverb).
FlexaTones
S1 plays an unprocessed flexatone glissando, S2/3 the stretched and processed version. S1/3 are running in non-retrigger mode, S2 in Radius-RT mode, use Macros 3-5 to balance the sounds. Modwheel introduces different kind of pitch modulation in each oscillator, Macro 1 (x) adds aliasing distortion, control HP cutoff with M2 (y). M6-8 control amount of chorus/delay/reverb FX.
Flute Trill Trio
Three similar trills played on an alto-flute layered in three oscillators. Macro 4 introduces slow amplitude modulation with different LFO speeds, M1/2 (x/y) control filter modulation/LP cutoff, Modwheel adds chorus FX, Macros 3/4/6 control amount of delay/reverb/distortion FX.
Overtone Orbit Split
Rich building drone/chord with plenty of overtone and sweeping action, all 3 oscillators use the same long sample, S3 playing between C-1 - B1 (C0 - B3 in Iris) and S1/2 in non-retrigger mode layered between C3 - C7 (C4-C8). Modwheel introduces tempo-synced amplitude modulation, Macro 2 (y) controls LP cutoff, M1 (x) adds tempo-synced random shaped filter modulation. M3/4 control amount of delay/phaser FX.
Peace Patch
Peaceful soundscape derived from an impro on my lovely celtic harp, S1/2 both running in non-retrigger mode use the same long sample, Modwheel adds tempo-synced amplitude modulation. Check the Macro page for FX and filter controls.
Space Sax Phrases Split
Three processed soprano sax phrases - derived from a live-on-tape-impro on my sax - in three oscillators split across the keyboard between C0-C6 with a 2-octave range each, all oscillators play in Radius-RT mode. Modwheel adds noise-shaped pitch modulation, Macro 1 adds chorus FX, M2 increases HP filter cutoff, M3-5 control FX amounts M6 controls release time.
Swirly World
Nice tonal bed, the same long scape is being used in all 3 oscillators, S1/2 running in non-retrigger mode. Each oscillator has it’s own volume control (Macros 3-5), the FX section runs in send mode, M1/2 control distortion/chorus send. Modwheel introduces fast square-shaped pitch modulation in S1, +/- 1 octave with MW fully engaged and pan modulation in S2/3.
Vocal Calmness Split
Spectral Phonem texture, the same long scape is used in all 3 oscillators, S2/3 are layered in the upper half (use Macros 3/4 for balancing), overlapping split point -> C3 (C4 in Iris). Modwheel introduces tempo-synced amplitude modulation, Macro 2 controls LP cutoff, M1 adds tempo-synced filter modulation, Check the Macro page for FX controls.
Vocaloid Drone Cloud Split
Vocaloid Phonem texure about moonshine, overlapping split point S1 - S2/3 -> C3 (C4 in Iris), S1/3 run in non re-trigger mode, S2 in Radius RT mode, control the volume of the layered textures in the upper half with Macros 3/4. Modwheel introduces tempo-synced amplitude modulation, Macro 2 controls LP cutoff, M1 adds tempo-synced filter modulation, Check the Macro page for FX controls.
Vocaloid Nostalgia Split
Vocaloid Phonem texure with fantasy lyrics, the same long scape is used in all 3 oscillators, (all running in non-retrigger mode) S1/2 are layered in the lower half (use Macros 3/4 for balancing), overlapping split point -> C3 (C4 in Iris). Modwheel introduces tempo-synced amplitude modulation, Macro 2 controls LP cutoff, M1 adds tempo-synced filter modulation, Check the Macro page for FX controls.
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The subscription now contains 513 patches including 11.51 GB of samples / 121 Iris 2 patches, the price was upped to € 168 EUR. More to come, stay tuned.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Subscription set no. 65 is around the corner, here are two demos. This time I am immediately converting some of the patches for Iris 2, the video below show the Iris 2-version of the patch Vox Eterna, making use of an additional synth drone in the 4th oscillator. There is of course also an Iris 1-version of that patch.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Iris the ambient machine - probably one of the nicest ambient demos I've done with Iris, combining two fresh patches from set no. 65:
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Here comes the release info for set 65:
Iris Subscription Set 54 uploaded on December 25 - 2015 containing 9 Iris 1-presets (230.2 MB) and 3 Iris 2-patches, including:
Iris Subscription Set 65 (for Iris 1 and three patches for Iris 2)
Agogo World
S1 plays an unprocessed agogo loop, S2/3 - running in non-retrigger mode - it’s processed counterparts, S3 playing in reverse/forward loop-mode. Use Macros 1/2 (x/y) to balance the sounds. MW adds noise-shaped pitch modulation in S1 and a fast sine/square-shaped modulation in S2/3. Please check the Macro page for FX/filter controls.
Air Over Earth
In the lower half there is a warm big drone in S2 with some slowly moving harmonics, in the upper half oscillators 1/3 layer the same long, airy vocal-ish soundscape, with S3 having it’s root note shifted up a fourth, all oscillators run in non-retrigger mode. Control the volume of S3 with Macro 3. MW introduces tempo-synced amplitude modulation in all oscillators (2 vs 3), M1/2 (x/y) control LP filter cutoff/amount of tempo-synced filter modulation. M4-6 control amount of delay/phasing/tube-distortion, M7 controls release time in all oscillators.
In the Iris 2 version. AT introduces vibrato (via LFO 4).
Christmas Monument Split
Big evolving chord scape made by layering numerous of my various synth patches, all three oscillators use the same long sample, S2 playing a segment with the full frequency range. S2/3 are layered in the upper half, overlapping split point is located at C3 (C4 in Iris). MW adds a mixture of aliasing distortion and chorus FX, Macro 4 adds pan modulation to S3, M5 controls LP filter cutoff, M6 introduces tempo-synced amplitude modulation in S6. M1/2 control delay FX amount/time/feedback, M3 controls amount of reverb FX.
Euphonium Octave Scape
Processed euphonium octave/trill-scape, S1 plays the full frequency range of the first segment of the sample, S2/3 layer spectrally filtered segments from the second half, use Macros 6/7 to balance the layers. All oscillators play in non-retrigger mode, MW adds tempo-synced amplitude modulation to S1/2, S3 has a constant pan modulation applied. Please check the Macro page for FX/filter controls.
Euphonium Octaves
A series of euphonium octaves and trills extracted from a recording from one of my chamber music pieces. The lower register plays the sound in sampling mode, the upper register plays the same spectral selection in Radius-RT mode, split point located at C#3. The FX-section runs in Send-mode, MW controls distortion-send, Macros 1/2 controls delay/reverb send, M3 introduces pitch modulation, M4 controls LP filter cutoff (pre FX send), M5 controls release time.
Flutified Split
A time-stretched repeating flute arpeggio audio-morphed with a synth-chord/drone, the same sample is used in all three oscillators, S2/3 layering the lower frequency ranges in the lower register (use Macros 3/4 for volume balance), S1 highlighting the brighter frequencies - overlapping split point: C3 (C4 in Iris). MW adds tempo-synced, triplet based, square-shaped pitch modulation to S1/2 (+/- 1 octave with the wheel fully engaged( and adds tempo-synced amplitude modulation to the drone in S2. Macros 1/2 (x/y) control LP filter cutoff/amount of filter modulation. Please check the Macro page for FX/filter controls.
The Menace Split
In the lower register two segments of the same crusherX-ed drone sounds are layered, in the upper register there is a strange gurgling vocal stranger. Macros 3/4 control the individual volume levels of the lower layer. MW introduces fast random pitch modulation in S1/3. Please check the Macro page for FX/filter controls, S2/3 are running in non-retrigger mode.
Vocal Rain XFade Split
Tonal, slightly beautiful vocal-ish soundscape with raining spectral drops, all tree oscillators use the same long soundscape, S1/3 being layered above C3 (use Macros 1/2 to balance the sounds), S1 reaching down to C2, S1 playing from C3 downwards. MW introduces pitch modulation in S1/2 (noise-shaped/square), Macro 7 introduces tempo-synced pan modulation in S3. Please check the Macro page for FX/filter controls.
In the Iris 2-version, MW also introduces noise-shape pitch modulation to S3 and M7 also introduces pan-modulation in S1/2.
Vox Eterna
A rich/lush evolving vocal soundscape with bells using a major ^7/9 chord, split across the keyboard, split point C3 (C4 in Iris(. In the upper register a processed french horn tail enhances the root note, control it’s volume with Macro 3. MW decreases LFO filter cutoff and adds some tube distortion, M1 adds delay FX, M2 introduces tempo-synced amplitude modulation. M4/5 control amount of chorus FX/chorus speed.
In the Iris 2 version S4 adds another synth drone sound to enhance the root note of the lower register, use M6 for volume control. Due to certain limitations in Iris 2, some modulations were changed from amplitude to pan.
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The subscription now contains 522 Iris 1-patches and 124 Iris 2-patches - including 11.74 GB of samples, roundabout 3 GB come with the Iris 2-patches.
The price for the annual subscription has been raised to € 172 EUR. A lot of things are planned for this ever growing collection, stay tuned.
Iris Subscription Set 54 uploaded on December 25 - 2015 containing 9 Iris 1-presets (230.2 MB) and 3 Iris 2-patches, including:
Iris Subscription Set 65 (for Iris 1 and three patches for Iris 2)
Agogo World
S1 plays an unprocessed agogo loop, S2/3 - running in non-retrigger mode - it’s processed counterparts, S3 playing in reverse/forward loop-mode. Use Macros 1/2 (x/y) to balance the sounds. MW adds noise-shaped pitch modulation in S1 and a fast sine/square-shaped modulation in S2/3. Please check the Macro page for FX/filter controls.
Air Over Earth
In the lower half there is a warm big drone in S2 with some slowly moving harmonics, in the upper half oscillators 1/3 layer the same long, airy vocal-ish soundscape, with S3 having it’s root note shifted up a fourth, all oscillators run in non-retrigger mode. Control the volume of S3 with Macro 3. MW introduces tempo-synced amplitude modulation in all oscillators (2 vs 3), M1/2 (x/y) control LP filter cutoff/amount of tempo-synced filter modulation. M4-6 control amount of delay/phasing/tube-distortion, M7 controls release time in all oscillators.
In the Iris 2 version. AT introduces vibrato (via LFO 4).
Christmas Monument Split
Big evolving chord scape made by layering numerous of my various synth patches, all three oscillators use the same long sample, S2 playing a segment with the full frequency range. S2/3 are layered in the upper half, overlapping split point is located at C3 (C4 in Iris). MW adds a mixture of aliasing distortion and chorus FX, Macro 4 adds pan modulation to S3, M5 controls LP filter cutoff, M6 introduces tempo-synced amplitude modulation in S6. M1/2 control delay FX amount/time/feedback, M3 controls amount of reverb FX.
Euphonium Octave Scape
Processed euphonium octave/trill-scape, S1 plays the full frequency range of the first segment of the sample, S2/3 layer spectrally filtered segments from the second half, use Macros 6/7 to balance the layers. All oscillators play in non-retrigger mode, MW adds tempo-synced amplitude modulation to S1/2, S3 has a constant pan modulation applied. Please check the Macro page for FX/filter controls.
Euphonium Octaves
A series of euphonium octaves and trills extracted from a recording from one of my chamber music pieces. The lower register plays the sound in sampling mode, the upper register plays the same spectral selection in Radius-RT mode, split point located at C#3. The FX-section runs in Send-mode, MW controls distortion-send, Macros 1/2 controls delay/reverb send, M3 introduces pitch modulation, M4 controls LP filter cutoff (pre FX send), M5 controls release time.
Flutified Split
A time-stretched repeating flute arpeggio audio-morphed with a synth-chord/drone, the same sample is used in all three oscillators, S2/3 layering the lower frequency ranges in the lower register (use Macros 3/4 for volume balance), S1 highlighting the brighter frequencies - overlapping split point: C3 (C4 in Iris). MW adds tempo-synced, triplet based, square-shaped pitch modulation to S1/2 (+/- 1 octave with the wheel fully engaged( and adds tempo-synced amplitude modulation to the drone in S2. Macros 1/2 (x/y) control LP filter cutoff/amount of filter modulation. Please check the Macro page for FX/filter controls.
The Menace Split
In the lower register two segments of the same crusherX-ed drone sounds are layered, in the upper register there is a strange gurgling vocal stranger. Macros 3/4 control the individual volume levels of the lower layer. MW introduces fast random pitch modulation in S1/3. Please check the Macro page for FX/filter controls, S2/3 are running in non-retrigger mode.
Vocal Rain XFade Split
Tonal, slightly beautiful vocal-ish soundscape with raining spectral drops, all tree oscillators use the same long soundscape, S1/3 being layered above C3 (use Macros 1/2 to balance the sounds), S1 reaching down to C2, S1 playing from C3 downwards. MW introduces pitch modulation in S1/2 (noise-shaped/square), Macro 7 introduces tempo-synced pan modulation in S3. Please check the Macro page for FX/filter controls.
In the Iris 2-version, MW also introduces noise-shape pitch modulation to S3 and M7 also introduces pan-modulation in S1/2.
Vox Eterna
A rich/lush evolving vocal soundscape with bells using a major ^7/9 chord, split across the keyboard, split point C3 (C4 in Iris(. In the upper register a processed french horn tail enhances the root note, control it’s volume with Macro 3. MW decreases LFO filter cutoff and adds some tube distortion, M1 adds delay FX, M2 introduces tempo-synced amplitude modulation. M4/5 control amount of chorus FX/chorus speed.
In the Iris 2 version S4 adds another synth drone sound to enhance the root note of the lower register, use M6 for volume control. Due to certain limitations in Iris 2, some modulations were changed from amplitude to pan.
----
The subscription now contains 522 Iris 1-patches and 124 Iris 2-patches - including 11.74 GB of samples, roundabout 3 GB come with the Iris 2-patches.
The price for the annual subscription has been raised to € 172 EUR. A lot of things are planned for this ever growing collection, stay tuned.
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- KVRAF
- 2000 posts since 5 Jan, 2003 from Brookings, OR
Very exciting stuff, to this new Iris owner, will dive right in as soon as THAT's paid for:) (Got the Creative Bundle, after hearing your StutterEdit patches, Simon; yet another product sold entirely because of your demos.)
But it does seem very weird that Isotope no longer makes Iris 1 available, at least to owners of Iris 2—I'd have just bundled it in with Iris 2, to soften the not-compatible blow. Anybody have a smart way around that odd corporate decision?
Thanks!
dpc
But it does seem very weird that Isotope no longer makes Iris 1 available, at least to owners of Iris 2—I'd have just bundled it in with Iris 2, to soften the not-compatible blow. Anybody have a smart way around that odd corporate decision?
Thanks!
dpc
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
David wrote:Very exciting stuff, to this new Iris owner, will dive right in as soon as THAT's paid for:) (Got the Creative Bundle, after hearing your StutterEdit patches, Simon; yet another product sold entirely because of your demos.)
But it does seem very weird that Isotope no longer makes Iris 1 available, at least to owners of Iris 2—I'd have just bundled it in with Iris 2, to soften the not-compatible blow. Anybody have a smart way around that odd corporate decision?
Thanks!
dpc
Thank's David - it is indeed a weird and arbitrary decision by iZotope, the first few months after the Iris 2-release they did include Iris 1 for newcomers, but then they stopped that although they know that iris-1 patches only convert half-bakenly using the automated conversion process. What they didn't brake is the conversion of the spectral selection in each sample which is after all the core of Iris.
But today I started another cycle of patch conversion, I have a few things on my hate-to-do-but-must-fulfill-list for January, and - unfortunately - converting a big bunch of Iris stuff is on that list
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
A bit of self-pity and whining around occasionally helpsDavid wrote:Sorry for your chores, Simon; but I'm sure you understand how much your work is appreciated!
Revisiting all those patches is also inspiring though, and quite a few of them get some substantial tweaks and adaptions to make use of the new modulation system introduced in version 2.
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- KVRAF
- 2000 posts since 5 Jan, 2003 from Brookings, OR
MY chore these days is rebuilding after a drive crash, which feels somewhat similar (backed-up but off-site, so getting everything back took some time). It's both a drag and a sometimes revelation to HAVE to pore over lots of old work and stored but forgotten resources; takes too much time but nuggets are uncovered:)
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
I became a backup-nerd back in the hardware days, when I constantly lost things due to unreliable floppy disks and SCISI-drives, nowadays I backup everything I do every few minutes on multiple drives and the Time Machine takes care of the system drive.David wrote:MY chore these days is rebuilding after a drive crash, which feels somewhat similar (backed-up but off-site, so getting everything back took some time). It's both a drag and a sometimes revelation to HAVE to pore over lots of old work and stored but forgotten resources; takes too much time but nuggets are uncovered:)