now if only Squids could stop making me drool and free that certain product from the cruel sampletank slavery...
I need a GOOD mellotron soundset (preferably soundfont)
- KVRAF
- 2818 posts since 30 Aug, 2001 from where dinosaurs are still alive
one good thing about this marvelous mr.pinder is that his pricelist is stuck somewhere around 2001...400$ for two cdroms is
now if only Squids could stop making me drool and free that certain product from the cruel sampletank slavery...
now if only Squids could stop making me drool and free that certain product from the cruel sampletank slavery...
- KVRist
- 352 posts since 17 Jun, 2004
You could always try this little beauty. It sounds great for the price and has a few extra's in kontakt. Add some tremolo scripting to the patch and you are sorted.
http://www.prokits.co.uk/productview.asp?productID=212
script...http://www.prokits.co.uk/productview.asp?productID=247
http://www.prokits.co.uk/productview.asp?productID=212
script...http://www.prokits.co.uk/productview.asp?productID=247
https://www.lootaudio.com
Kontakt Libraries, Plugins, Patches, Samples and Deals.
Kontakt Libraries, Plugins, Patches, Samples and Deals.
-
- KVRer
- 19 posts since 16 Dec, 2006
Well well, sound its not always about money you know!taijiguy wrote:There are only 5 or 6 samples per sound instead of 35, they are not full length and the beginning of each sound has been truncated so they can be looped. You get what you pay for.
A few things I learned on the way looking for a good mellotron sound:
a) Different bands used different models of the mellotron and most importantly different tapes in them, while often those tapes came in different conditions,
b) The mellotrons were often put through external effects (even a subtle reverb or EQ can change the way it sounds),
c) The sound also depends on the overal mix of the song (eg try playing a line with a mellotron and then try the same line accompanied by a bassist and drummer),
d) It depends on the playing style (eg how to deal with notes lasting longer than 8 notes),
So it really doesn't matter if the Hovercraft's mellotron sample sound crappy as is. Do you think all mellotrons that gave album recordings were note on perfect or not harsh sounding? Even Reason has a special patch emulating those crappy mellotron tapes (I think its called 'mashed tape strings').
Even harsh sounding samples, or free mellotron VSTs can sound great when used in the right context. And again, I've heard some songs by mellotron enthousiasts made with real perfect mellotrons that sounded like really uninspired synth noodling.
So it's not about what you got, but how you use it.
-
- KVRian
- 804 posts since 16 Nov, 2004 from Kangzhou
Most of these are good points. A well maintained Mellotron will sound better than a poorly maintained Mellotron. Recording technique will also come into play. And a well maintained Mellotron that is properly recorded is ideal. The skill of the Mellotronist is also important. Just because one is a skillful keyboardist doesn't mean that person can play a Mellotron skillfully. Some of the flashiest keyboard players don't get it at all. And yes, you can get a decent sound, even from the crappiest samples (with sufficient processing). It just won't sound like a Mellotron. And of course a real Mellotron will always sound better than samples. But a well maintained Mellotron will sound good even with minimal to no processing: http://cdbaby.com/cd/fritzdoddykostagem wrote:Well well, sound its not always about money you know!taijiguy wrote:There are only 5 or 6 samples per sound instead of 35, they are not full length and the beginning of each sound has been truncated so they can be looped. You get what you pay for.
A few things I learned on the way looking for a good mellotron sound:
a) Different bands used different models of the mellotron and most importantly different tapes in them, while often those tapes came in different conditions,
b) The mellotrons were often put through external effects (even a subtle reverb or EQ can change the way it sounds),
c) The sound also depends on the overal mix of the song (eg try playing a line with a mellotron and then try the same line accompanied by a bassist and drummer),
d) It depends on the playing style (eg how to deal with notes lasting longer than 8 notes),
So it really doesn't matter if the Hovercraft's mellotron sample sound crappy as is. Do you think all mellotrons that gave album recordings were note on perfect or not harsh sounding? Even Reason has a special patch emulating those crappy mellotron tapes (I think its called 'mashed tape strings').
Even harsh sounding samples, or free mellotron VSTs can sound great when used in the right context. And again, I've heard some songs by mellotron enthousiasts made with real perfect mellotrons that sounded like really uninspired synth noodling.
So it's not about what you got, but how you use it.
So it's about what you got AND how you use it.
-
- KVRAF
- 13444 posts since 14 Nov, 2000 from Hannover / Germany
So, those of you with real mellotrons, all the flashy samples and stuff - anybody cares trying to get closer to the real deal than my sample?
There are 3 kinds of people:
Those who can do maths and those who can't.
Those who can do maths and those who can't.
-
- KVRer
- 3 posts since 22 Jun, 2006
I'm pretty sure on Ghost Reveries you are hearing the effect of a Hammond and a Leslie. I'll have to listen to the album again, though, maybe what you are talking about will jump out at me.
-
- KVRist
- 339 posts since 22 Feb, 2004
Yeah, I think those are the ones I'm using; I converted them to .nki format. They're quite good!Sascha Franck wrote:Here's J.P. Hovercrafts Mellotron samples:
http://tinpan.fortunecity.com/aphex/113/
They're as "mellotron-ish" as it gets. I mean, it's the real deal sampled.
I think on www.sf2midi.com you can find some soundfonts based on them.
For a freebie, they are excellent.
-
- KVRian
- 1411 posts since 19 Mar, 2004
Tweakbench also uses these samples (or re-mastered versions of these samples) in Tapeworm. They sound pretty good to my ears...Bob Nova wrote:Yeah, I think those are the ones I'm using; I converted them to .nki format. They're quite good!Sascha Franck wrote:Here's J.P. Hovercrafts Mellotron samples:
http://tinpan.fortunecity.com/aphex/113/
They're as "mellotron-ish" as it gets. I mean, it's the real deal sampled.
I think on www.sf2midi.com you can find some soundfonts based on them.
For a freebie, they are excellent.
SWTrex
"Sometimes I think of Abraham...
How one star he saw had been lit for me"
How one star he saw had been lit for me"
-
- KVRAF
- 13444 posts since 14 Nov, 2000 from Hannover / Germany
Yeah, but someone will again chime in, telling you how inferior they are. Without ever providing any counter examples to my Strawberry Fields intro mockup (which should be one of the most famous Mellotron sounds ever).
There are 3 kinds of people:
Those who can do maths and those who can't.
Those who can do maths and those who can't.
-
- KVRian
- 804 posts since 16 Nov, 2004 from Kangzhou
Pretty shaky keyboard playing, but...
Pinder CD flute: http://www.leisureland.us/audio/mellotr ... rstraw.wav
CrimeSound flute:http://www.leisureland.us/audio/mellotr ... dstraw.wav
MTron MkII flute: http://www.leisureland.us/audio/mellotr ... nstraw.wav (sorry about the distortion, but I'm too lazy to do it over)
Ian McDonald flute sampled from an M400S: http://www.leisureland.us/audio/mellotr ... 0straw.wav
Pinder CD flute: http://www.leisureland.us/audio/mellotr ... rstraw.wav
CrimeSound flute:http://www.leisureland.us/audio/mellotr ... dstraw.wav
MTron MkII flute: http://www.leisureland.us/audio/mellotr ... nstraw.wav (sorry about the distortion, but I'm too lazy to do it over)
Ian McDonald flute sampled from an M400S: http://www.leisureland.us/audio/mellotr ... 0straw.wav
-
- KVRAF
- 13444 posts since 14 Nov, 2000 from Hannover / Germany
So, thanks for these. But as you can clearly see (err, hear...), they're not any closer to the original than my example. They're all brighter than what you hear in the orignal tune, also, their attacks are harder (exception: The MTron) and the M400S one sounds more like an oboe.
Now, I'm not dissing the sounds at all, but if you ask me, there's nothing such as a "typical" mellotron sound, and my sample was as close to the original tune as yours.
Btw, to me, the one on the original sounds quite washy, which might be a good thing or not.
I can't see a defenite "better" though.
Now, I'm not dissing the sounds at all, but if you ask me, there's nothing such as a "typical" mellotron sound, and my sample was as close to the original tune as yours.
Btw, to me, the one on the original sounds quite washy, which might be a good thing or not.
I can't see a defenite "better" though.
There are 3 kinds of people:
Those who can do maths and those who can't.
Those who can do maths and those who can't.
-
- KVRist
- 434 posts since 1 Feb, 2003 from Los Angeles, CA
I spent a good deal of time remastering the Hovercraft samples for Tapeworm. I especially worked on getting the loops to sound smooth, and tried to bring some of the warmth back into the samples without damaging the tone. I'm personally very happy with Tapeworm's sound, and as of today it's broken 24,000 downloads for this year.. so someone surely likes it. 
- KVRian
- 1024 posts since 8 Mar, 2004 from Network 23
I just went with the bargain-basement priced (currently) Expansion Tank: Mello Zone. At $39US that was slam dunk for me.
Edit: And Tapeworm.
Edit: And Tapeworm.
We shall see orchestral machines with a thousand new sounds, with thousands of new euphonies, as opposed to the present day's simple sounds of strings, brass, and woodwinds. -- George Antheil, circa 1925 ---
-
- KVRAF
- 3645 posts since 27 Nov, 2003 from beach side australia
i like tapeworm.. thanks for it
