Granted, you might not have the time needed for that. But I think if you know how pianos work and what needs to be tweaked to produce the sound you wish for, it shouldn't take you more than one week's worth.
Yes, I do care how the piano sound responds to my playing, and that includes individual notes. But, I'm not playing JUST a bunch of individual notes (-> samples), nor a bunch of individual notes with sympathetic resonances tacked on (-> TruePianos), I'm playing a living, breathing instrument that perfectly responds to my touch and produces the sound which I want and which I need for my occasions, which is flexible enough to cover all grounds (-> Rhodes and Wurly models, Vibes and Bells models, Harpsichord models, vintage piano(forte) models) that I need. If the timbre is lacking, I'll just tweak it, I'm not afraid of it. It's just that good. I'd rather play something that reacts to my playing outrages, than something that sounds flat and dull no matter how you play it. I'm very emotional when it comes to sound, and no sampled piano library can give me that. TruePianos still needs work, IMHO, while Pianoteq is spot-on for me.Megakazbek wrote:You seem to care more about the process of interactions themselves instead of actual tones that interact.
Yes, I gather, we're different backgrounds. Such is life, you can't satisfy everyone, I know. But still...
New comparison files:
Hungarian Rhapsody - TP 1.5 Diamond Classical
Hungarian Rhapsody - Pianoteq 3.5 Pro YC5 Stage Close Mic
TP fared a little better here, but I couldn't really adjust the velocity curve to fit the playing. I also like the bass of Pianoteq more. TP sounds a bit muffled at places.
Sorry about the last note cutoff, I totally oversaw that while rendering...

