Still, if I had both, I would probably use the Oberheim most of the time, like 95% of the time.
And your daughter is right, of course
He suggested a different background with a gradient (at least it was what I understood - or maybe different colors for different sections, I don't know) - it wouldn't change the size of the GUI.Russell Grand wrote: I agree with this. It would also help shrink the size of the plug some, which would be fantastic since the thing stretches further than my screen so a chunk of it is cut off.
Oops, I quoted the wrong person.fmr wrote:He suggested a different background with a gradient (at least it was what I understood - or maybe different colors for different sections, I don't know) - it wouldn't change the size of the GUI.Russell Grand wrote: I agree with this. It would also help shrink the size of the plug some, which would be fantastic since the thing stretches further than my screen so a chunk of it is cut off.
And it would certainly look strange, IMO. A solution which would show only one block, with a menu for selecting Block 1, 2 or 3 would be preferrable.
Anyway - I certainly prefer the current option, for nostalgic reasons.
I understand that most of you don't have a problem with the GUI size, but I'm not one of those people.Since those three huge block sections seem identical and not GUI-wise linked (for instance via virtual cables), FB could have used 3 tabs and hidden two or at least one block, which would have shrunk the GUI considerably and left more space for making the rest bigger and easier to read.
Then again, FB plugins have never been easy to read, might have to do with the fonts chosen.
Thank you!kohitsu wrote:This synth is great, really fun to program!
See manual page 7:Two questions:
What do the attack and release patch points in MG1 do?
Good point, will see what I can do. As a workaround you could map Channel Aftertouch in your DAW to one of the MIDI CCs...Is there any chance we will get Aftertouch as a voltage source?
Maybe is it also time for a humble request in making available also keyboard velocity as a (obviously, per key and not per channel) modulation source?Full Bucket wrote:Good point, will see what I can do. As a workaround you could map Channel Aftertouch in your DAW to one of the MIDI CCs...Is there any chance we will get Aftertouch as a voltage source?
Cheers, Björn
^^^^^^^this! i was looking for amp velocity mod on this and was kinda bummed it did not have itCochrane wrote:Maybe is it also time for a humble request in making available also keyboard velocity as a (obviously, per key and not per channel) modulation source?
heheFull Bucket wrote:Yeah, I know you guys want to have it!But I can get quite stubborn when it comes to adding features that the originals never had... I still feel bad about adding Velocity sensitivity to the Mono/Fury...
Jokes aside: The problem with polyphonic modulation sources like Velocity and Poly Pressure is that the semi-modular part of the PS/FB-3X00 machines can only be patched with "mono" modulation sources that affect all voices at once. This is also true for the built-in modules (S/H, GEG, VP1+2): For example there is only one GEG for all voices, and if you patch it to a VCA it will control the volume of all voices, not individually per voice. That's the curse of Paraphony.
Anyway, I guess my next synth project will feature Velocity... maybe I leave out filters this time. Huh, already done that with the scrooo...![]()
Cheers, Björn
Im exited about your next synth.Full Bucket wrote:Yeah, I know you guys want to have it!But I can get quite stubborn when it comes to adding features that the originals never had... I still feel bad about adding Velocity sensitivity to the Mono/Fury...
Jokes aside: The problem with polyphonic modulation sources like Velocity and Poly Pressure is that the semi-modular part of the PS/FB-3X00 machines can only be patched with "mono" modulation sources that affect all voices at once. This is also true for the built-in modules (S/H, GEG, VP1+2): For example there is only one GEG for all voices, and if you patch it to a VCA it will control the volume of all voices, not individually per voice. That's the curse of Paraphony.
Anyway, I guess my next synth project will feature Velocity... maybe I leave out filters this time. Huh, already done that with the scrooo...![]()
Cheers, Björn
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