Trackers have a long history with varying capabilities like all music based composition based software. Trackers require a different approach and skill set / discipline to master. There is no shortcuts to learning them, it's something you will have to learn yourself pretty much. It's pretty much like programming and mastering the commands in which control the sounds or midi data you wish to create whilst also in the terms of samples, crafting how samples are shaped and looped. Trackers to those who master the art in using them are no slower to compose with than modern conventional DAWs like Cubase for example. You can program in step-time or real-time record mode should you wish to.WackyZoundz wrote: Sat Sep 07, 2024 9:03 am Question: How do you record a live MIDI performance in a tracker including modulation and pitchbending? How do you even program pitchbending in a tracker? How do you program swing? Or polyrhythms? And where are all the Rock/Metal/Jazz/Classic compositions made with trackers, with varying BPM and a large dynamic range? Why does everything made with a tracker sounds like it has been made with a tracker?
Octamed Sound Studio on the Amiga was the best and most complete tracker, which I used for few years before I moved onto different hardware to create music. Renoise is it's modern successor.