You just can't do a drive-by tease like that! How'd you do the strings? Frickin' love this! Reminiscent of Fishtank Ensemble, a band I dig.t3toooo wrote:you mean like this, for soundscapes?hibidy wrote: What I thought it was going to be was a soundscape bonanza
Absynth: why no love?
- KVRist
- Topic Starter
- 216 posts since 18 Feb, 2011 from Hawaii
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- KVRAF
- 42529 posts since 21 Dec, 2005
Oh yeah, I'm trying to get those sounds right now.t3toooo wrote:you mean like this, for soundscapes?hibidy wrote: What I thought it was going to be was a soundscape bonanza
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- Pick Me Pick me!
- 10234 posts since 12 Mar, 2002 from a state of confusion
This is Absynth?swartzfeger wrote:You just can't do a drive-by tease like that! How'd you do the strings? Frickin' love this! Reminiscent of Fishtank Ensemble, a band I dig.t3toooo wrote:you mean like this, for soundscapes?hibidy wrote: What I thought it was going to be was a soundscape bonanza
That is catchy as can be.. very lively too.. as if not played with a keyboard but you hooked it to your violin somehow..
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- Pick Me Pick me!
- 10234 posts since 12 Mar, 2002 from a state of confusion
The main reason I don't use Absynth is simply because the GUI was designed in a time gone past.. back when giant cathode ray boxes with low resolution used to fill desk space.
The fonts are small and all UI components are crammed together with the UI window also being taller than wider. It is a mess.
Sounds great, just can't see (well) what I'm programming... Hopefully NI addresses this with Absynth 6 sometime next decade when they finally get off their butts and release something interesting (such as updates to products they already have released instead of creating new distractions/lines of revenue for their developers to manage).
The fonts are small and all UI components are crammed together with the UI window also being taller than wider. It is a mess.
Sounds great, just can't see (well) what I'm programming... Hopefully NI addresses this with Absynth 6 sometime next decade when they finally get off their butts and release something interesting (such as updates to products they already have released instead of creating new distractions/lines of revenue for their developers to manage).
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- KVRAF
- 4370 posts since 15 Sep, 2010
Well saidVitaminD wrote:The main reason I don't use Absynth is simply because the GUI was designed in a time gone past.. back when giant cathode ray boxes with low resolution used to fill desk space.
The fonts are small and all UI components are crammed together with the UI window also being taller than wider. It is a mess.
Sounds great, just can't see (well) what I'm programming... Hopefully NI addresses this with Absynth 6 sometime next decade when they finally get off their butts and release something interesting (such as updates to products they already have released instead of creating new distractions/lines of revenue for their developers to manage).
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- KVRian
- 809 posts since 24 May, 2005
Steve Roach used Abynth, here his comments on EM edition of Dec 2005.
"I love [Native Instruments] Absynth, and still play with that"
http://emusician.com/em_spotlight/steve_roach/
"I love [Native Instruments] Absynth, and still play with that"
http://emusician.com/em_spotlight/steve_roach/
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AstralExistence AstralExistence https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=265049
- KVRAF
- 2276 posts since 19 Sep, 2011
why no love? its like the brock lesnar of softsynths. looks intimidating as hell and if you have the balls to challenge it, your get your ass kicked.
- KVRAF
- 5912 posts since 17 Aug, 2004 from Berlin, Germany
For NI it's the big thing to have over 2100 presets (where most of them are unusable and too experimental) and because of the "semi-modular signal flow" (but for such semi-modular stuff we have much better sounding and easier to use synth this days like Zebra).
Afaik it's some of the first synth NI made after the ideas of Brian Clevinger and so they will not drop them. But they have also much better synth today like Massive.
Afaik it's some of the first synth NI made after the ideas of Brian Clevinger and so they will not drop them. But they have also much better synth today like Massive.
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- KVRAF
- 7540 posts since 7 Aug, 2003 from San Francisco Bay Area
I absolutely adore Absynth. I've been using it for years and it just keeps getting better. It is always my first go-to synth for any kind of video scoring work when I need to come up with sound effects, ambiences, or interesting melodic elements. Not long ago I scored a whole video just using the mutations function, and I got tons of compliments on the soundtrack.
I can appreciate how Absynth might seem obtuse to the casual user, but the sound mangling possibilities are endless. I've never even touched the external-audio-as-modulation-source capabilities! Really powerful tool.
I can appreciate how Absynth might seem obtuse to the casual user, but the sound mangling possibilities are endless. I've never even touched the external-audio-as-modulation-source capabilities! Really powerful tool.
Incomplete list of my gear: 1/8" audio input jack.
- KVRAF
- 6502 posts since 25 May, 2002 from Bobo-dioulasso\BF__Geneva/CH
one of my main synth too, much appreciated for the creation of numerous, deep soundscapes...
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- KVRian
- 1056 posts since 2 Sep, 2010
I don't agree with "unusable" and "too experimental". That kind of stuff is what Absynth is made to do, it's not suitable for everything, but it excels at what it is conceived to create.
It is up to the user to choose the right context - or simply ignore it because it does not fit the genre he/she is creating.
Absynth can also create more traditional sounds, but then I'll prefer to fire up Z3ta+, Albino, Massive. I see it like with guitars - you won't be using a semi-hollow to record black metal like you won't use an EMG81 loaded ESP to perform jazz.
It is up to the user to choose the right context - or simply ignore it because it does not fit the genre he/she is creating.
Absynth can also create more traditional sounds, but then I'll prefer to fire up Z3ta+, Albino, Massive. I see it like with guitars - you won't be using a semi-hollow to record black metal like you won't use an EMG81 loaded ESP to perform jazz.
