Sampleconstruct wrote:Actually for the last 2 hours I have been editing a patch with spectrally re-synthesized, multi-sampled e-bowed acoustic guitar samples which sound pretty fantastic in spectral mode, but when starting to modulate the formant paramters with 3 different LFOs each at different tempo-synced speeds some incredible overloads can occur at all frequency ranges. To tame these you first assign the same controller which dials in the formant modulations (about 20+ parameters assigned to a single controller) to the source volume (inversed) to lower the overall level, then you route the source to a dedicated FX slot (e.g. F1->FXA) and dial in some extreme compression with the compressor parameters also assigned to that controller, so when you dial in the formant controller the compression starts to kick in (use Modmappers to shape the slopes for treshhold/compression amount/makeup gain).el-bo (formerly ebow) wrote:i mean, without revealing trade secrets, how do you tame the spectral aspects of alchemy ??
In other patches I also used sharp EQ notches to tame the high frequencies of formant modulation, so as soon as you start modulating the formants, the EQ kicks in (like within the first percent of dialing in the knob the EQ is fully engaged->Modmapper). That way you can really tame those evil high frequencies which can occur.
blimey
