FFS, I'm now contemplating changing type/gauge AGAIN
My point, shit changes, I just try and adapt.
I love my 9.5 to 14 radius Strat I got last week. Just been setting it up the last few days. Not exactly sure what you are having a problem with, but if you think of the fretboard as more of a cone than a circle, that helps. It gets flatter the further it is from the "point", so at the bridge and saddles you probably want to be around 16-18 radius (there are various calculators online for working it out exactly). I did mine at 16 radius at the saddles and it's feeling great. Got NYXL 9's balanced tension set on at the moment, will probably try 10's next time, not decided for sure yet which gauge will be best for this guitar.incubus wrote:Speaking of my strat, it's time to play.... WHAT THE f**k WITH COMPOUND RADIUS (again, for the millionth time)
It's not poorly set up by any stretch of the imagination, so a bit picky, but I'm having a tough time with the correct radius considering it's 9.5 to 14. I've never heard a good explanation of the "perfect setup" yet. Man, it's weird.
Then again, it's an acceptable deal. Don't want to give the impression I'm unhappy, just wish I knew what the pros do.
I like them. More importantly, those are the 4 strings I've tried that sound quite different from any other sets and may make your guitar sound different than you're used to (perhaps in a good way), particularly the Elixirs and Blue Steels. Blue Steel 11 with the wound G String is really great sounding, my favorite for Les Pauls.fedexnman wrote:I like Elixer Nanoweb for acoustics , are they good on electrics too ?
I still haven't tried Elixir after so many years of playing. Some say they don't sound like new fresh strings like other string brands does. Any truth to that?Uncle E wrote:I like them. More importantly, those are the 4 strings I've tried that sound quite different from any other sets and may make your guitar sound different than you're used to (perhaps in a good way), particularly the Elixirs and Blue Steels. Blue Steel 11 with the wound G String is really great sounding, my favorite for Les Pauls.fedexnman wrote:I like Elixer Nanoweb for acoustics , are they good on electrics too ?
You are retelling my story but I have no "real money" to dip into.incubus wrote:But I've been saving up all that money, now it's gone.
I can always dip into my "real" money but if I start doing that, then who knows if I'll stop (and then no house, etc etc)
On acoustic guitar Nanowebs sound like uncoated strings . Just make sure you get the right gauge and materials . Ex. Phosphor Bronze or 80/20 .... Light or med . Now the HD Nanowebs are Taylor Gauge . They are a medium top ( high e b g ) and light bottom ( low e a d ) .. I feel like I'm an expert on the Nanowebs acoustic line lolz ... I wish they'd make a DadgAD gauge .. the capital letter would be medium and lowercase light, but I haven't seen any yet . The Electric and Bass strings I have not tried yet but they have poly nano and Opti coatings now . Maybe UncleE will chime in on the electric strings .Daimonicon wrote:I still haven't tried Elixir after so many years of playing. Some say they don't sound like new fresh strings like other string brands does. Any truth to that?Uncle E wrote:I like them. More importantly, those are the 4 strings I've tried that sound quite different from any other sets and may make your guitar sound different than you're used to (perhaps in a good way), particularly the Elixirs and Blue Steels. Blue Steel 11 with the wound G String is really great sounding, my favorite for Les Pauls.fedexnman wrote:I like Elixer Nanoweb for acoustics , are they good on electrics too ?
For some reason I'm fighting that philosophy, even though I sure you are correct. (flatter radius than the flattest radius with the 9.5 being catty-wompus. Thanks man.Hermetech Mastering wrote:I love my 9.5 to 14 radius Strat I got last week. Just been setting it up the last few days. Not exactly sure what you are having a problem with, but if you think of the fretboard as more of a cone than a circle, that helps. It gets flatter the further it is from the "point", so at the bridge and saddles you probably want to be around 16-18 radius (there are various calculators online for working it out exactly). I did mine at 16 radius at the saddles and it's feeling great. Got NYXL 9's balanced tension set on at the moment, will probably try 10's next time, not decided for sure yet which gauge will be best for this guitar.incubus wrote:Speaking of my strat, it's time to play.... WHAT THE f**k WITH COMPOUND RADIUS (again, for the millionth time)
It's not poorly set up by any stretch of the imagination, so a bit picky, but I'm having a tough time with the correct radius considering it's 9.5 to 14. I've never heard a good explanation of the "perfect setup" yet. Man, it's weird.
Then again, it's an acceptable deal. Don't want to give the impression I'm unhappy, just wish I knew what the pros do.
Ironically, the reason I brought up strings was to help them save a few bucks, that's one of the cheapest ways out there to change your sound. The very cheapest way is by adjusting your string and pickup heights.Mister Natural wrote:you cats might know me as the cheap SOB that I really am
I'm from the strings-are-strings-are-strings school and have been pretty happy with these over the years : http://www.guitarfetish.com/Nickel-Roun ... c_365.html
I think I have a nickel allergy...a new gibson arrived with gibson strings presumably...played it for ten minutes and had to quit because of sore fingers...they were sore for a couple of days...string change = no repeat.Mister Natural wrote:you cats might know me as the cheap SOB that I really am
I'm from the strings-are-strings-are-strings school and have been pretty happy with these over the years : http://www.guitarfetish.com/Nickel-Roun ... c_365.html
peace
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