I can't think of anything more subjective and more continually shifting than the perception of quality in music. While, yeah, the world loves performers and entertainers, the creative artist is often despised for nailing down something that won't be in the popular kin for another fifty years. Stravinsky caused riots. Thelonious Monk was derided and despised by Louis Armstrong and most of the country.
It's an old, old story. Personally, while there is much in and out of the mainstream that I listen to, I personally like pieces that are revelatory...that teach me a different way to "hear" and/or infuse me with a sense of the Sublime. Scott Joplin was revelatory. So are some turntablists who totally blew my little world apart. Terry Riley. Monk...
There is also the phenomena of having a piece or type of music "yield" itself...like a lover. In other words, I can listen to a type of music, a piece or an artist for years and not "hear" it. Then...whomp...all of the sudden something shifts and -boom- my world flies apart. What had been profane suddenly becomes sacred.
I don't know what this has to with electric music theory...but play on, dudes!
read w/ caution - elec. music and theory?
Chords, scales, harmony, melody, etc.
Moderator: KVR Moderators (Main)
read w/ caution - elec. music and theory?
2007-01-24T20:05:34+00:00
I say "read with caution" because I have read threads where people asked questions such as this and the "theory forum mob" took them out and left them curled in the corner...
So, let me begin by saying that I am asking out of ignorance and with a true desire to learn.
When I think of theory deep music in the electronic genre I think of names such as Milton Babbit, Shostakovich, and Steve Reich. All of these except for Reich are "relatively" past their composing years. So, as I have begun to read through the threads of this forum as a rookie to the KVR site, is there this type of intellectual electronic music being done today? Again, I ask out of ignorance because outside of the genre of Babbit my exposure has been to the dance beat electronic music which, in reference to that which I have been exposed to, does not seem need alot of theory training - especially in terms of harmony.
I hope my question is clear - is there truly innovative electronic composers who have a high regard for theory (including harmony) past, present, and future? If so, will you share them with me so I can begin to listen...
burritosdaily
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