I had to go ahead and demo it.
Immediately had to go and press buy!!
...on ToneBoosters ReelBus
I think TB Reelbus can't be beaten for the price... it costs around 1/8 than Satin...hibidy wrote:I like it more than tonebooster, though that is certainly a fine product.
Heard that the other day in bankruptcy court. Probably just a coincidence.hibidy wrote:Hey, variety is the spice, right?
Agreed.hibidy wrote: Hey, variety is the spice, right?
Haha surehibidy wrote:and a kickass delay! Don't for get that for us guitar junkies who like to gravitate towards tht psychedelic mood mama.......
Well to be fair, for about another hour it's 1/5th of Satinmabian wrote:I think TB Reelbus can't be beaten for the price... it costs around 1/8 than Satin...
I can't believe Sascha spent a whole year on a lousy EQmkdr wrote:Good for people who don't have EQ's
Fire him!Urs wrote:I can't believe Sascha spent a whole year on a lousy EQmkdr wrote:Good for people who don't have EQ's
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Fire (off) Presswerk !mkdr wrote:Fire him!Urs wrote:I can't believe Sascha spent a whole year on a lousy EQmkdr wrote:Good for people who don't have EQ's
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Of course, quality usually has its price. Toneboosters is probably one of the few exceptions to that rule. However, if I were a developer, I'd rather sell 2000 copies for, say, 79 $ than 1000 for 129 $ per year. In the long run, this would certainly increase the chance to recoup any investment costs. Especially since no more (or hardly any) marketings costs will be required once the plug-in has gained a certain reputation.Urs wrote:
For 15$ we would have to sell about 8000 copies of Satin to recoup development and marketing costs. No u-he fx plug-in is ever going to make this number, we're happy if we reach half of that in three or four years (which I won't moan about - it also means that support is on a managable level)
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