Ableton 12 - Generative MIDI, Multiband Distortion and more
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- KVRian
- 798 posts since 17 Nov, 2015 from Yuma
holy cow, big extra view for mixer in arranger view..it was about time tbh
[aˈtoːm] [aːl] [ˈa(ː)tonaːl] IV
https://soundcloud.com/atomaalatonal4
https://soundcloud.com/atomaalatonal4
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- KVRAF
- 5573 posts since 30 May, 2006 from Hollow Earth
Ableton… always the right horse to bet on and win.
ABEFLGMOPPRRST 
- KVRian
- 783 posts since 16 Jun, 2022
''Stay in control of a parameter, even after it’s been mapped to a modulation source; Max for Live devices like LFO, Shaper and Envelope Follower now let you freely adjust a destination that’s being modulated.''Echoes in the Attic wrote: Tue Nov 14, 2023 4:07 pm Anyone come across any info yet if assigning a control to a macro still locks up the destination control? Or is it set free like with the modulator devices?
I make electronic music - DAW of choice : Live 12 
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- KVRian
- 798 posts since 17 Nov, 2015 from Yuma
they were milking the cow pretty good in the first iterations of the software^^. pricings would be nice to see to make it more transparent compared to the last 3whyterabbyt wrote: Tue Nov 14, 2023 3:06 pmLive 9 lasted longer than any other version, its a significant outlier, so you're kinda cherry-picking there. In response its reasonable to point out that 10, and 11 have lasted at least double the time of any version prior to Live 8.octaveup wrote: Tue Nov 14, 2023 2:07 pm Ableton "updates" have become a joke
v9 had real improvements in its lifespan and lasted years, but since v10 and v11, that has completely changed
Frequent expensive updates are the future for Ableton users
Live 1.0 30 October 2001
Live 2.0 22 December 2002 : 1 year 2 months later
Live 3 10 October 2003 : 10 months later
Live 4 28 July 2004 : 8 months later
Live 5 24 July 2005 : 12 months later
Live 6 29 September 2006 : : 1 year 2 months later
Live 7 29 November 2007 : 1 year 2 months later
Live 8 2 April 2009 : 1 year 5 months later
Live 9 5 March 2013 : 3 years 11 months later
Live 10 6 February 2018 : 4 years 11 months later
Live 11 23 February 2021 : 3 years later
Live 12 'early 2024' : minimum of 2 years 11 months later
Its also pretty fair to say that Ableton add a decent amount of new stuff in their free x.5 updates.
[aˈtoːm] [aːl] [ˈa(ː)tonaːl] IV
https://soundcloud.com/atomaalatonal4
https://soundcloud.com/atomaalatonal4
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- KVRAF
- 2140 posts since 16 Jan, 2013 from USA
Tons of stuff users have been asking for. Mixer in arrangement view. Yes. All the FL, why isn't Live's MIDI editor more like FL's users should be happy as well. Hope all that crap isn't in the way. Ableton's pretty good about that though...
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- KVRist
- 118 posts since 21 Oct, 2023
hmmmm...
It looks to me like some "new features" inspired by other DAWs/plugins: envelope followers, envelopes, scalers, a mixer in arrangement mode wow really? and a new waawwawawa multiband distortion
.
I dunno if I'm old enough but - it is my superhumble opinion - this looks to me as the most boring sensationless Ableton upgrade.
Yet, I immediately pressed the take-my-150-quids button as, ofc, I have no choice
<3
Ableton anyway (but my feeling is that to cope with the competitors - see Bitthing - they could have done a little more). Maybe they'll slip some new banks/sounds/patches in..
It looks to me like some "new features" inspired by other DAWs/plugins: envelope followers, envelopes, scalers, a mixer in arrangement mode wow really? and a new waawwawawa multiband distortion
I dunno if I'm old enough but - it is my superhumble opinion - this looks to me as the most boring sensationless Ableton upgrade.
Yet, I immediately pressed the take-my-150-quids button as, ofc, I have no choice
<3
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- KVRAF
- 5573 posts since 30 May, 2006 from Hollow Earth
And this is just the initial release…
ABEFLGMOPPRRST 
- KVRAF
- 4062 posts since 24 Oct, 2000 from A Swede Living in Budapest
Ableton also added Drift not too long time ago, which is a truly awesome synth. So yeah... good value.
Neon City for u-he Repro - 80s pop & Synthwave soundbank
HARDWARE SAMPLER FANATIC - Akai S1100/S950/Z8 - Casio FZ20m - Emu Emax I - Ensoniq ASR10/EPS
HARDWARE SAMPLER FANATIC - Akai S1100/S950/Z8 - Casio FZ20m - Emu Emax I - Ensoniq ASR10/EPS
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- KVRAF
- 5573 posts since 30 May, 2006 from Hollow Earth
hmmmm…. After Ableton was the “stolen Inspiration”DaniZzz79 wrote: Tue Nov 14, 2023 4:22 pm hmmmm...
It looks to me like some "new features" inspired by other DAWs/plugins: envelope followers, envelopes, scalers, a mixer in arrangement mode wow really? and a new waawwawawa multiband distortion.
I dunno if I'm old enough but - it is my superhumble opinion - this looks to me as the most boring sensationless Ableton upgrade.
Yet, I immediately pressed the take-my-150-quids button as, ofc, I have no choice
<3Ableton anyway (but my feeling is that to cope with the competitors - see Bitthing - they could have done a little more). Maybe they'll slip some new banks/sounds/patches in..
I see…
ABEFLGMOPPRRST 
- KVRAF
- 4074 posts since 28 Jan, 2011 from MEXICO
There is anew device that is not being promoted much, it is a little thing but very useful for those using hardware:
CC Control
CC Control is a new utility device that can be used to send MIDI CC messages to hardware devices, or used in automation lanes on MIDI clips to send out MIDI CC data during a performance.
There are default controls for mod wheel, pitch bend, and pressure data, as well as several additional custom controls that can be configured for individual MIDI messages. The custom controls also appear on Push for easy navigation.
The Custom A button control can be used to send Sustain messages by default, or if set to another CC message, can toggle between sending minimum/maximum values to a MIDI device.
If CC automation already exists for the same CC message chosen in the device, the data will be merged.
dedication to flying
- KVRAF
- 4074 posts since 28 Jan, 2011 from MEXICO
It actually isn't global, the name is "Current" as it corresponds to the clip focused. It is not exactly intuitive to explain it, but it doesn't force the whole project into a scale.koalaboy wrote: Tue Nov 14, 2023 3:51 pm The scale functionality looks cool, and I'm glad to see it's overridable per clip.. but is there the equivalent of a 'scale track' so key changes can be sequenced in the arranger ?
dedication to flying
- KVRist
- 150 posts since 3 Nov, 2008 from Ozarks
I'm guessing at this point that there must be something in the Ableton architecture that makes it incredibly difficult for them to implement the capability to destructively edit audio files in Session View. Gosh Darnit!!!!

Who is "I"? What is "I"? This has yet to be explained.
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- KVRist
- 118 posts since 21 Oct, 2023
well I'm not saying that Ableton is not the best, or that it is bad to be inspired by others.liquidsound wrote: Tue Nov 14, 2023 4:27 pmhmmmm…. After Ableton was the “stolen Inspiration”DaniZzz79 wrote: Tue Nov 14, 2023 4:22 pm hmmmm...
It looks to me like some "new features" inspired by other DAWs/plugins: envelope followers, envelopes, scalers, a mixer in arrangement mode wow really? and a new waawwawawa multiband distortion.
I dunno if I'm old enough but - it is my superhumble opinion - this looks to me as the most boring sensationless Ableton upgrade.
Yet, I immediately pressed the take-my-150-quids button as, ofc, I have no choice
<3Ableton anyway (but my feeling is that to cope with the competitors - see Bitthing - they could have done a little more). Maybe they'll slip some new banks/sounds/patches in..
![]()
I see…![]()
I'm just saying that to stay ahead of the competition they could have thought of something really cool and needed, such as, for example:
TO BUY OUT CLYPHX and integrate it as a - much much much needed - new supercool feature, also accessible for beginners and non-scripters.
just saying
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- KVRAF
- 5573 posts since 30 May, 2006 from Hollow Earth
Like it happened to Alchemy?DaniZzz79 wrote: Tue Nov 14, 2023 4:34 pmwell I'm not saying that Ableton is not the best, or that it is bad to be inspired by others.liquidsound wrote: Tue Nov 14, 2023 4:27 pmhmmmm…. After Ableton was the “stolen Inspiration”DaniZzz79 wrote: Tue Nov 14, 2023 4:22 pm hmmmm...
It looks to me like some "new features" inspired by other DAWs/plugins: envelope followers, envelopes, scalers, a mixer in arrangement mode wow really? and a new waawwawawa multiband distortion.
I dunno if I'm old enough but - it is my superhumble opinion - this looks to me as the most boring sensationless Ableton upgrade.
Yet, I immediately pressed the take-my-150-quids button as, ofc, I have no choice
<3Ableton anyway (but my feeling is that to cope with the competitors - see Bitthing - they could have done a little more). Maybe they'll slip some new banks/sounds/patches in..
![]()
I see…![]()
I'm just saying that to stay ahead of the competition they could have thought of something really cool and needed, such as, for example:
TO BUY OUT CLYPHX and integrate it as a - much much much needed - new supercool feature, also accessible for beginners and non-scripters.
just saying![]()
![]()
Ableton is a nice company and the let live…
Pun necessary intended
ABEFLGMOPPRRST 
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Echoes in the Attic Echoes in the Attic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=180417
- KVRAF
- 12037 posts since 12 May, 2008
Yeah I read the same thing, hence the question. I guess if we take that list to literally only mean Max for Live devices then rack macros would not be included, but that would be an odd omission wouldn't it?HOTF wrote: Tue Nov 14, 2023 4:12 pm''Stay in control of a parameter, even after it’s been mapped to a modulation source; Max for Live devices like LFO, Shaper and Envelope Follower now let you freely adjust a destination that’s being modulated.''Echoes in the Attic wrote: Tue Nov 14, 2023 4:07 pm Anyone come across any info yet if assigning a control to a macro still locks up the destination control? Or is it set free like with the modulator devices?