Your inability to see one is irrelevant. Audio software doesnt need to be bound by arbitrary legacy limitations for the sake of it; some people currently see that it useful for those more of those limitations to be removed, and if they were yet more would undoubtedly find value in it.jeffh wrote:I would have to disagree that there's much point in doing so.
Who the f**k gives a shit about 'matching other artists'? I want tools that suit my mindset and workflow, and I have no interest in what other people do with theirs.But the reality is that if you can't match artist-X with the same tools artist-X uses, it's unlikely that building a slightly better mousetrap that gives you more control is going to suddenly put you over the top.
Ah, the compelling old luddite call of 'what we have is good enough, so nothing can be better'.Top artists and sound designers are pretty much achieving everything that could possibly be done (and is worth doing) with today's tools
And 15 years ago, if you'd asked any of them whether they thought their music was limited by their Atari and rack mounted hardware, then the answer would have likely to have been 'no' too, and yet vast numbers have decided to subsequently leverage something they wouldnt have predicted they needed.Ask any top artist if they feel their music is limited by their DAW and plugins not being "modular" enough, the answer is likely to be "no".
'Nah, mate, no-one's going to need one of them farncy auto-mobiles, we're all happy with our horses and carts. I mean its not like yer top merchants arent happy with horsedrawn goods, so engines are clearly not going to be an improvment for anyone'