KVR Audio

Rabid · Post by **Rabid** » Fri Jan 21, 2005 1:58 pm

So I wonder what is next from the Tassman Engine? This is like a pupolar TV series that sprouts more series. Tassman may be the "Happy Days" of VSTi's. But I wonder if this string machine is going to be "Levern and Shirley" or "Joanie Loves Chachie"?

Robert

Improv · Post by **Improv** » Fri Jan 21, 2005 7:48 pm

Rabid wrote:So I wonder what is next from the Tassman Engine? This is like a pupolar TV series that sprouts more series. Tassman may be the "Happy Days" of VSTi's. But I wonder if this string machine is going to be "Levern and Shirley" or "Joanie Loves Chachie"?

Robert

More like 'Arnold's Drive In'

pheeleep · Post by **pheeleep** » Fri Jan 21, 2005 7:55 pm

I can't wait to hear this thing.. even a simple mp3 demo would be nice until a demo of the vst becomes available.... I'll keep my eyes open..

electro · Post by **electro** » Fri Jan 21, 2005 7:58 pm

Does this thing completely nail acoustic violin, cello, double bass, and acoustic guitar?

Nailing them is the only acceptable standard now. Close approximation is not good enough anymore.

pheeleep · Post by **pheeleep** » Fri Jan 21, 2005 8:02 pm

Hi electro.. it depends.. what if you can create new string sounds never heard before ( that don't sound like any "real" instrument ).. I want to experiment with this string synth just for that reason..

electro · Post by **electro** » Fri Jan 21, 2005 8:10 pm

That's not what I want. I want the complete PM solution to real world instrumets without the limitations of static sample patches and 100GB libraries. For it to be complete, it has to nail the sound the same way sample libraries do. I believe that companies have had alot of time to tweak these physical models to get closer and closer to the sound of the sample libraries. Whether they have been using that time wisely is another question.

drinelli · Post by **drinelli** » Fri Jan 21, 2005 9:07 pm

Electro Wrote :

That's not what I want. I want the complete PM solution to real world instrumets without the limitations of static sample patches and 100GB libraries. For it to be complete, it has to nail the sound the same way sample libraries do. I believe that companies have had alot of time to tweak these physical models to get closer and closer to the sound of the sample libraries. Whether they have been using that time wisely is another question.

Have You ever tried The Abstract Guitar, that sounds to me much better than samples, and if this is like that, with twice the amount of possible sounds, then it must something special.

AAS announced String Studio Synthesiser