Any and all music types will benefit for sure.xx JPRacer xx wrote: ↑Sat Jun 22, 2019 4:30 am Sorry if it was already asked but is this product mainly for orchestral stuff or this can benefit any kind of music types?
EQ, Compression, Limiting, misc FX usage would all remain the same and come from whatever other tools you are already using.xx JPRacer xx wrote: ↑Sat Jun 22, 2019 4:30 am Also, is the mixing process really different when using this?
Gain mixing, and automation of gain, would remain the same most likely, although it is possible to use extreme "Gain Loss" values now in Precedence using the "X-Range" setting, and in this mode it is hypothetically possible to simply keep track faders at 0.0dB and Precedence will handle gain mixing also. We consider this an extra bonus feature. I guess most users will want to continue to use the DAW track faders for gain adjustment particularly bc gain if often automated.
For all topics related to "spatial mixing", this system is very novel and extremely powerful and achieves many things that previous tools could not. It's a unified "spatial mixing environment" that combines imaging, width manipulation, psychoacoustic panning/positioning, psychoacoustic depth/distance positioning, and effectively creates a algorithmic multiple impulse response system. The new updates also make managing many instance a pleasure and breeze to use so that you can actually get a proper feel for how to integrate all of this in a very efficient workflow.
All combined it's a bit of a revolution for spatial mixing IMHO...