A DAW like Cubase has a whole slew of Quality of Life/Convenience features over Cakewalk, as well as support for things like MPE that are not supported in Cakewalk by BandLab. That has a huge implication on workflow and productivity.
I think that's the thing most people going in that direction are going to notice - because there is a lot there.
There are other DAWs competitive with Cubase. Cubase does have a great reputation in the composer and film scoring community, but a lot of that has to do with other features it has, as well as marketing (Hans Zimmer's name is always being thrown about, etc.).Things have come full circle for me. I am beginning to work with more midi tracks. Could I do it in Cakewalk? Probably but I can get Cubase for a good price which does not happen very often. Cubase is tops in midi. If I don't buy it I'll probably always wonder if I could be working more efficiently in making midi compos.
Despite it's good reputation for MIDI Sequencing, Cubase is also a great DAW for Recording/Mix Engineers (as is Digital Performer). The reputation you tend to be "exposed to" is largely historical, the same way Cakewalk's prowess as a MIDI Sequencer is historical. Yes, it was amazing... in 2004. But it's [almost] 2022 now, and all of the DAWs it competed with back in the 90s and early 00s have develop feverishly in ways that Cakewalk has not. It has been, largely stagnant for the past decade - and lots of its core modules have been fairly stagnant even longer.
That's not to say it's bad. It's just a conservative, "10 years ago" approach to things. If you're the type of person who can work well within its functional compass, that is fine. However, other DAWs have developed in ways that aid in increasing productivity and creative "reach" than SONAR has over the years.
The focus with SONAR seemed to bias more and more towards Singer/Songwriter and Small Band Recording, with value being delivered increasingly via Value Adding Products like Sample/Loop Packs, Virtual Instruments and Plug-ins. Feature development wasn't as aggressive, and they weren't as aggressive in keeping what was there up to date/competitive with what competitors were churning out, either.
This seems like odd reasoning to me.I won't ever stop using Cakewalk. Mainly because I know it fairly well by now. Really the only motive for me is moving from a good PR in Cakewalk to a slightly better PR roll in Cubase from everything I'm reading.
Cubase is in another league compared to Cakewalk when it comes to MIDI Sequencing, due to support for things like MPE, better MIDI FX, etc. It also has better third party support when it comes to things like control surfaces/MIDI Controllers and other hardware.
In addition to that, it's a better DAW for Audio than Cakewalk. It just ... does more, sometimes better... which means that you will not have to employ as many workarounds to approximate things in Cakewalk that are natively supported by Cubase.
None of this is something you can't do in Cubase, or Pro Tools, or Digital Performer, or Logic... or even ACID Pro... given equivalent proficiency in those DAWs.Is it worth the extra quid even on sale? For you maybe it is. For me I'm on the fence. Until now I have had no problems with PR in Cakewalk. The main problem was the user in most cases.
Since I haven't invested in the pro version of Cubase, this is going to cost me even on sale.
If I have an idea and want to put it into a reality fast, for me there's nothing like Cakewalk. I have recorded, mixed and mastered tracks in CbB in less than half a day. Sometimes within only a few hours.
I doubt I will have this kind of success in Cubase.
Don't confuse being more proficient in something with it being better than - or even as good as - a competing solution. Experience always biases us, as we prefer the path of least resistance. It's why even the worst products always retain a niche user base
But I wouldn't spend money on Cubase simply because it exists and it's on sale. Only spend money when you will derive value out of it. Even if Cubase is "better," you will still lose productivity moving over to it, and you may not need the extra functionality, anyways. This can make it not worth even considering the purchase. That depends on the purpose, though.
Cakewalk is, for all practical purposes, comparable to Cubase Elements without Track Limitations. It has a few features that Cubase Elements doesn't, but the opposite is also true. I think that's about where it sits.
I would still tell anyone starting out on Windows to go with Cakewalk and use it until they feel like they must move to a more fully featured solution. Development is ticking along nicely, so it may outpace their needs and they will have saved hundreds.
But if you think you will ever need something that runs on macOS (because you're platform agnostic), I would avoid it and just go with something like Studio One or Cubase; unless you're willing to just buy Logic Pro should that ever happen (probably not a bad idea, economically).