What's your sample rate?
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- KVRAF
- 2608 posts since 26 Aug, 2002 from here
well if your not using too many fx but its mainly audio i'd suggest recording at 88.2 24 bit - it won't hurt any as if it's a modern computer it will cope
and if these superdoopah formats take off (which they should as they sound luverly) you've already recorded in it
and if these superdoopah formats take off (which they should as they sound luverly) you've already recorded in it
I believe every thread should devolve into character attacks and witch-burning. It really helps the discussion.
- KVRAF
- 2548 posts since 7 Jul, 2003 from Huntington, WV
It sounds to me, like you should be publishing on something other than CD.sangha wrote:Since I plan on publishing to CD, and my music involves some acoustic material and lots of guitars, it sounds like I should be recording at 24bit/44.1K. Sound right?
McLilith
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- KVRist
- 252 posts since 28 Jan, 2005
Actually, you're probably right about that, but for now, just getting it in the darn DAW is enough of a challenge.McLilith wrote:It sounds to me, like you should be publishing on something other than CD.sangha wrote:Since I plan on publishing to CD, and my music involves some acoustic material and lots of guitars, it sounds like I should be recording at 24bit/44.1K. Sound right?
McLilith
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- KVRAF
- 2315 posts since 11 Mar, 2003
McLilith wrote:
Mr A
PS. i use 24 bit/44.1kHz.
PPS. Don't get caught in the 88.2 myth, it doesn't convert to 44.1 any better than 96. Also if you can afford all the CPU and disc space 96 takes up then you should be able to afford a nice Apogee converter to get it to CD. If you can't afford an Apogee then you should ask yourself whether the music you're doing really justifies 96 in the first place.
Right... hands up how many of us here are popluar enough to sell regular CDs, let alone a possible re-release, bleedin' NoraThe way I see it, record in the best quality setting you can. Convert that for mastering, if you need to. You shouldn't loose that much in the conversion. Then, you'll be ready if you ever need to re-release anything at the higher sample rates.
Mr A
PS. i use 24 bit/44.1kHz.
PPS. Don't get caught in the 88.2 myth, it doesn't convert to 44.1 any better than 96. Also if you can afford all the CPU and disc space 96 takes up then you should be able to afford a nice Apogee converter to get it to CD. If you can't afford an Apogee then you should ask yourself whether the music you're doing really justifies 96 in the first place.
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Spaceman Sounds Spaceman Sounds https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=56830
- KVRian
- 580 posts since 3 Feb, 2005
Nooooooo not this thread again he he... I won't be on my soap box. But I do work at 96k all the time now.
- KVRAF
- 2548 posts since 7 Jul, 2003 from Huntington, WV
The question was what would be "better", not what is financially more expedient. I'll leave questions of finances to the person who originally asked the question concerning "what's better", to decide for themselves.Mr Arkadin wrote:Right... hands up how many of us here are popluar enough to sell regular CDs, let alone a possible re-release, bleedin' Nora![]()
"bleedin' Nora
take care,
McLilith
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
My Bro the audio engineer favours increasing the bit-depth (at 32-bit it's practically impossible to clip) and staying with 44k - IF you're going to CD. Apparently it's much easier and you get better results if you use divisible samplerates. So 88k down to 44k will get you smooth dithering at the final stage, but 96 to 44k might create more artifacts as the computer works with odd numbers.
I'll bug him to get me some info on it, he made a compelling case...but mostly I'm too busy composing to pay attention to this stuff!
I'll bug him to get me some info on it, he made a compelling case...but mostly I'm too busy composing to pay attention to this stuff!
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- KVRAF
- 2315 posts since 11 Mar, 2003
McLilith wrote:
i don't think it takes a rocket scientist to figure out that it's a form of exclamation like "Bloody Hell!" i hope 'rocket scientist' wasn't too euphemistic a term for you."bleedin' Nora " Whatever does that mean, anyway? Can't you make a point in plain english, without being so perversely euphemistic?
- KVRAF
- 2548 posts since 7 Jul, 2003 from Huntington, WV
I realized the general thrust behind the statement, but I thought the aggresive tone of it was uncalled for.Mr Arkadin wrote:McLilith wrote:i don't think it takes a rocket scientist to figure out that it's a form of exclamation like "Bloody Hell!" i hope 'rocket scientist' wasn't too euphemistic a term for you."bleedin' Nora " Whatever does that mean, anyway? Can't you make a point in plain english, without being so perversely euphemistic?
Additionally, you don't seem familiar with the concept of a rhetorical question, or is "rhetorical question" too much like proper english for you to understand?
I'm sorry, that was another rhetorical question.
Hint: Don't bother replying.
sweet dreams,
McLilith
- KVRAF
- 2548 posts since 7 Jul, 2003 from Huntington, WV
That sounds like a good idea Trevor. Sometimes, there's no good substitute for trying something yourself.
take care,
McLilith
take care,
McLilith
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- KVRAF
- 2315 posts since 11 Mar, 2003
McLilith wrote:
Oh no, i've fallen into his cunning trap and replied. Bugger
Mr A
PS.
Yes i am aware of the existance of that term, i just assumed you genuinely didn't know, sorry.Additionally, you don't seem familiar with the concept of a rhetorical question
Oh no, i've fallen into his cunning trap and replied. Bugger
Mr A
PS.
You think i'm aggressive, you're lucky you weren't dealing with BONES or xoxos.but I thought the aggresive tone of it was uncalled for.
- KVRAF
- 2548 posts since 7 Jul, 2003 from Huntington, WV
